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School of Liberal Arts and Sciences

Cindie Kehlet and Helio Takai
School Of Liberal Arts And Sciences, Mathematics And Science

Bioplastics are the counterpart to the petroleum-based plastics made of biopolymers. They are biodegradable, made from renewable raw materials such as gelatin, starch, and other biopolymers. Although the materials are not new, we now have technologies and methodologies that can help us create everyday products out of bioplastics to replace traditional plastics.

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Lined-up, small samples of bioplastics blocks

Cindie Kehlet, Enrique Lanz Oca, Mary Lempres, Helio Takai
School Of Liberal Arts And Sciences, Mathematics And Science

The Center for Material Science is a new interdisciplinary initiative at Pratt. It focuses on research and applications of new materials aligning with an economic model that preserves the environment and respects social justice.

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hands holding up clear film

Macarena Gómez-Barris
School Of Liberal Arts And Sciences, Social Science and Cultural Studies

Macarena Gómez-Barris is the Founding Director of the Global South Center. In this brief presentation, she conceptualizes the war against the Earth, naming the differential impact of climate crisis as the colonial anthropocene.

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text of “thinking, being, moving, otherwise” over reflecting water

Jennifer E. Telesca, PhD
School Of Liberal Arts And Sciences, Social Science and Cultural Studies

The International Commission for the Conservation of Atlantic Tunas (ICCAT) is the world’s foremost organization for managing and conserving tunas, seabirds, turtles, and sharks traversing international waters. Founded by treaty in 1969, ICCAT stewards what has become under its tenure one of the planet’s most prominent endangered fish: the Atlantic bluefin tuna. Called “red gold” by industry insiders for the exorbitant prize her ruby-colored flesh commands in the sushi economy, the giant bluefin tuna has crashed in size and number under ICCAT’s custodianship.

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Book cover for Red Gold

Eleonora Del Federico
School Of Liberal Arts And Sciences, Mathematics And Science

Egyptian Blue is the oldest synthetic blue pigment first prepared by the ancient Egyptians around 2800 BCE. Its use became widespread as the main blue in ancient Mediterranean art but mysteriously disappeared during the 3rd century CE.

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two researchers kneel in front of an ancient wall painting; one holds a camera, one holds a light source.

Amy Guggenheim
School Of Liberal Arts And Sciences, Humanities and Media Studies

The Vision Room is an intimate global incubator for artists, designers, and theorists to nurture inquiry, transformative interdisciplinary exchange, and the seeding of new work informed by artistic innovation, intellectual rigor, and social engagement in response to the times.

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Three people hold up a puppet during a demonstration in front of a class

Martha Wilson
School Of Liberal Arts And Sciences, History of Art and Design
Seed Grant 2019-2020

Aeroponic Aggregates is a meditation on the role of masonry construction within contemporary building culture by re-examining the volumetric nature of the brick for its capacity to sustain biological life.

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Book cover of “There’s No Place Like Home”

Mark Rosin
School Of Liberal Arts And Sciences, Mathematics And Science

Understanding STEM Identity explores how scientifically underserved people—those who feel like traditional access points to science like museums, newspapers, and documentaries are not for them—can become empowered to engage with science, and in turn, enrich their lives.

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Group of people watch as glow from fluorescent bacteria is shown.

Francis ‘Cisco’ Bradley
School Of Liberal Arts And Sciences, Social Science and Cultural Studies

Since ascending onto the world stage in the 1990s as one of the premier bassists and composers of his generation, William Parker has perpetually toured around the world and released over forty albums as a leader. He is one of the most influential jazz artists alive today.

In Universal Tonality historian and critic Cisco Bradley tells the story of Parker’s life and music. Drawing on interviews with Parker and his collaborators, Bradley traces Parker’s ancestral roots in West Africa via the Carolinas to his childhood in the South Bronx, and illustrates his rise from the 1970s jazz lofts and extended work with pianist Cecil Taylor to the present day.

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Text over portrait of William Parker: “Universal Tonality: The Life and Music of William Parker by Cisco Bradley”