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Two people stand outside a brightly lit storefront featuring a display for the Pratt School of Design. The window showcases various artworks, including a colorful sculpture and photographs. Nearby, a sign indicates a subway station with the "F" and "M" train symbols, and another sign labeled "PATH to NJ" is visible. The scene captures an urban evening atmosphere with buildings in the background.

Summer in the City: Things to See and Do

School is out! Explore exhibitions, public art, and activities by members of the Pratt community—all summer long.
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When One Person’s Trash Is an Artist’s Treasure

From Pratt Institute News

Pratt Fine Arts’ Studio in Social Practice class collaborated with the NYC Department of Sanitation to reimagine our collective relationship with materials and waste.
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Pratt Launches Storefront Gallery on 14th Street Corridor

From Pratt Institute News

A new installation along NYC’s 14th Street corridor in partnership with The Village West turns vacant storefront windows into a public showcase for Pratt students.
Three unique table lamps are displayed side by side. 1. The left lamp is a geometric green glass design with a diamond-shaped cutout and a concrete base. 2. The middle lamp features stacked, wavy ceramic bands in various colors, softly glowing from within. 3. The right lamp has an angled wooden frame with a colorful, ribbed interior and a clear bulb, casting vibrant light.

Pratt Shines at NYCxDESIGN 2026

From Pratt Institute News

From light shows to student design competitions, Pratt students, faculty, and alumni showcased their creativity during the 2026 NYCxDESIGN festival.
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A Radio City Celebration for Pratt’s Class of 2026

From Pratt Institute News

This year’s Commencement at Radio City Music Hall honored the achievements of graduating students and bestowed honorary degrees on David Remnick, Dr. Mariët Westermann, and Ted Shaine.
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Award-Winning Architect, Designer, and Educator Francine Monaco Named Chair of Interior Design 

From Pratt Institute News

Longtime Adjunct Associate Professor of Interior Design Francine Monaco will assume the role on July 1, 2026.
A young woman in a reflective yellow vest smiles while painting a colorful mural on a street. She holds a paint roller and stands on bright pink and blue sections of the artwork. In the background, there are other people working on the mural and construction barriers are set up along the edge of the street. Trees and urban buildings are visible in the background, with a lively street scene.

Pratt Students Help Reimagine the Future of 14th Street

From Pratt Institute News

Through studio projects and field research, Pratt students are helping to reimagine 14th Street as a more connected, dynamic public space.

In the Press

The Daily Hub

A roundup of ideas and projects from around the Institute

  • Pratt’s Historic Preservation program spotlighted recent alum Irine Le, MS Historic Preservation ’26. “During her time at Pratt, she embraced the collaborative and interdisciplinary nature of the program through experiences both in and beyond the classroom. As an Architecture History and Field Survey Intern with the New York Landmarks Conservancy, she surveyed more than 100 historic churches across the Bronx, while her work as a Research Assistant on Participatory Budgeting and Civic Engagement through Pratt’s School of Design strengthened her skills in digital mapping and communication design as tools for community storytelling.” Visit the Historic Preservation Instagram for more recent alumni spotlights.

  • Eliza Corderman, MFA Fashion Collection + Communication ’26, was featured in No Kill Magazine (edited by Adjunct Associate Professor – CCE of Communications Design Katya Moorman), for her thesis collection “Wear Plastic,” which satirizes the unsustainable synthetic materials prevalent in activewear. “The project evolved over three semesters where conversations about waste, production systems, and circularity encouraged [Corderman] to look more critically at aspects of fashion that had previously felt invisible. Just as important, those discussions helped clarify what kind of sustainability communication she wanted to create.”

  • The Beacon River Pool, designed by Adjunct Associate Professor – CCE of Graduate Architecture, Landscape Architecture, and Urban Design Meta Brunzema, has provided recreational swimming access to people along the Hudson River for nearly twenty years, according to the Times Union. “To reflect the ‘project’s inclusive socio-ecological ethos,’ Brunzema said, [Pete] Seeger proposed a rainbow color scheme. Designing the pool proved ‘enormously challenging,’ she said, because it had to meet extensive environmental and public safety regulations while accounting for tides, wakes, salinity and turbidity.”

  • Visiting Instructor in Foundation Judy Chung, BFA Communications Design ’13; Enrique Garcia, BFA Fine Arts (Sculpture) ’17; and Amy Bravo, BFA Communications Design (Illustration) ’19, were accepted to the 2026–27 Smack Mellon Artist Studio cohort. Created to offer affordable space for artists living and working in New York City, the program “provide[s] six NYC-based early career artists with a free private studio space, access to our shared production facilities, and a stipend (dependent on funding).”

  • Adjunct Associate Professors of Pratt Integrative Courses Jonathan Stanish and Loney Abrams, both MFA ’13, were profiled in Galerie Magazine in a piece that explores their education at Pratt, career journeys, and shared art practice. “While still at Pratt, they staged guerrilla-style exhibitions in unexpected locations, images of which often outlived the installation itself. In many ways, Wretched Flowers grew naturally out of Hotel Art. Both projects were rooted in finding beauty and possibility in overlooked places, whether that meant staging exhibitions in ATM vestibules or foraging plants from the vacant lots surrounding their Brooklyn studio.”

  • Cultured Magazine published an article describing how Lillian Bassman, BFA Fashion Design ’41, transformed fashion photography. “Bassman also bucked the traditional expectations of fashion photography—like, say, putting the clothes in focus. Her risk-taking in the darkroom imbued her work with an impressionistic mood, an undeniable elegance, and a Modernism that defied the industry’s commercial standards. Sometimes, her photographs could almost be mistaken for drawings.” 

Prattfolio

Portals

Spring 2026

Level Up

Recent Pratt alumni share their personal strategy guides for launching a creative career.