Filmmaking is a creative practice rooted in storytelling and curiosity—about yourself and the world around you. As a student here, you’ll learn the craft from every angle, from writing and pre-production to shooting and editing. You’ll explore narrative, documentary, experimental filmmaking and video art, discovering what type of artist you want to be and developing the practical skills to become one.
Andrew Guaman directing his Film+Fashion class project, 'Loteria'
At Pratt you begin making your own films and collaborating with your peers in your first semester. You will have access to everything you need to make your work– professional cameras, tripods, sound, and lighting equipment as well as computer labs, software and production facilities. Our faculty of filmmakers and artists will facilitate your learning in intimate classes of 12 students through screenings, readings, technical demonstrations, production exercises, class critiques, and visiting professionals. By the time you have graduated, you will have created 12-20 short films and will have crewed on many others directed by your peers. You will leave with a sample reel of your work ready for entry into the professional landscape and your strongest work will be ready to submit to film festivals and/or used as the foundation of an application to graduate school.
In your first semester, you’ll gain essential conceptual and technical training in two rigorous foundational courses: Film Fundamentals and Production Studio. You’ll then explore varied modes of filmmaking in fiction, nonfiction, and experimental studio courses. In your junior year, the curriculum broadens to include more electives and advanced coursework in Fiction II and either Nonfiction II or Experimental Studio II.
Senior Thesis Project
The culmination of the program is a guided but self-defined year-long senior thesis project. You will direct and edit your most ambitious short film to date. Finished films will be presented as part of our Senior Showcase in our state-of-the-art Katharine L. McKenna Screening Room and at the prestigious BAM Rose Cinemas.
Internships
New York City is teaming with film and television production and we encourage all of our students to gain experience by doing an internship in the junior year. Our internship program mimics a real world job search in that it is personalized to the goals and interests of each student. When you have identified an area of interest (production, post-production, color correction, live television, distribution) we will coach you through the research and application process. Our students have been placed in internships in a wide range of contexts including Saturday Night Live, Late Night, A24, MoMA, Technicolor, Kino Lorber, and MTV.
Study Abroad
Immersing yourself in another culture is an incredible experience that can shift your perspective and inform your creative work. In addition to a spring break program in Cuba, Film/Video students can study abroad at partner institutions in the spring semester of junior year in cities such as London, Lisbon, Paris, Rome, and Florence. Learn more.
Learning Resources
While you will develop disciplinary fluency in our program we celebrate the interdisciplinary, collaborative nature of filmmaking and encourage students to explore everything Pratt has to offer. Learning resources.
The Film/Video program at Pratt Institute provides a foundation in nonfiction, fiction, experimental, and other time-based media practices. Our rigorous, project-based curriculum is centered around the creation of a sequence of films and videos that grow in complexity each semester, culminating in a year-long thesis project.
Each student is offered ample opportunity to grow and advance their conceptual, technical, and professional skills. They are encouraged to take creative risks, and to push the boundaries of conventional forms. They are introduced to a diverse canon of creators and works, and are asked to investigate complex histories and contexts as they strive to become reflexive and conscientious artists.
We aim to foster a supportive and collaborative creative community in which differences are respected and celebrated. We value the personal perspectives that each student brings to the classroom, and our goal is to elevate that unique voice to the forefront of their artistic vision.
The Pratt Film/Video Department strives to recognize, accept, and celebrate differences (such as age, gender, race, ethnicity, religion, disability status, sexual orientation, socioeconomic status and other individual characteristics), while creating a safe, welcoming, and respectful environment that champions the creative and academic empowerment of all individuals. We condemn oppression in any form and recognize, in particular, the systemic prejudice and discrimination at play in the media industry. With this awareness, we ask students and faculty to join us in actively interrupting the paradigms of power and privilege that might play out subtly or not so subtly in the classroom and on set. As such, we intend to foster a creative and collaborative community in which all students enjoy the comfort that comes from being seen, valued, respected and included as uniquely talented individuals. It is our hope that students will emulate this model and have a positive impact in the field as they move into their roles as industry professionals.
Our Faculty
Our full time and part time faculty are active filmmakers and artists representing a myriad of professional possibilities and creative directions students might take with their work. They are award-winning directors, professional editors, sound mixers, colorists, experimental filmmakers, animators, and video artists.
John Requa and Glenn Ficarra (BFA ‘91) returned to do a public talk in 2022
Our students go on to do many different kinds of things. They are directing television, feature films, commercials, and music videos. They are professional editors, colorists, cinematographers, and sound recordists. They are award-winning writers, producers, and educators.
Highlights
Liz Hannah (BFA ‘07) Golden Globe Nominated Screenwriter of The Post (directed by Steven Spielberg), showrunner of ‘The Girl From Plainville’ and a writer on ‘The Dropout’
April Maxey (BFA ‘12) was named one of Sundance’s “Women to Watch 2023”. Winner of Grand Jury Prize for Outstanding US Narrative Short Film at the Tribeca Film Festival 2022
Park Min-woo (BFA ‘17) is the director of photography on the Korean dramatic TV series Oasis (2023)
Yessenia Sanchez’s (BFA ‘21) thesis film Double Cultura is streaming on HBOMax as part of the Latino Short Film Competition in 2023/24
Yi Xiong, ‘22, A Tortoises Year of Fate an official selection in the Locarno Film Festival
Glenn Ficarra (BFA ‘91) & John Requa (BFA ‘91) are showrunners for the Paramount+ spy thriller Rabbit Hole (2023). They wrote Bad Santa and wrote and directed Crazy, Stupid, Love
Luiza Gonçalves (BFA ‘19) won best film in competition for A BANANA TREE IS NO COINCIDENCE Pesaro Festival of New Cinema in Italy, 2021
Joel Haver (BFA ‘18) is a YouTube phenomenon whose weekly animations and comedic skits regularly get hundreds of thousands if not millions of views
Owen Kline’s first feature Funny Pages (2022) was produced by A24 and premiered at the Cannes Film Festival
Mika Altskan (BFA ‘15) is a cinematographer whose commercial work includes a Nike ad with singer Billie Eilish; his narrative work includes Wild Nights with Emily (2018) which premiered at SXSW
Mackie Mallison’s (BFA ‘22) short film It Smelled like Springtime (2022) premiered at the New York Film Festival
Myrsini Aristidou’s (BFA ‘13) short films have screened at the Toronto, Venice and Sundance film festivals; and Semele (2015) won a Special Jury Prize at the Berlinale
Jungah Kim (BFA ‘86) is a producer and was the first female president of CJ Entertainment in South Korea
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.
You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
Film/Video students with Matías Piñeiro at the New York Film Festival premier of his film; "You Burn Me".
Congratulations Professor Piñeiro on your beautiful film. @prattfilm_video @soartpratt @prattinstitute
@prattfilm_video '23 Grad Nande Walters' film "Soon Come Back" will be featured in the Caribbean Film Series Shorts program on October 4th at 7 PM!
Congrats to Nande on the continued recognition of her lovely film. @soartpratt #studentfilmmaker @nandewalters @bloodline.proj
Green Film School Alliance @prattfilm_video sustainabilty information, check lists, and guidelines for best practices on set - located at link in bio!
#sustainability #greenfilmmaking @greenfilmschoolalliance
Film/Video 2023 Grad Mackie Mallison recently shared the news that he is part of the 2024 FLC Artists Academy and FLC Critics Academy!
Below from @filmlinc -
We’re thrilled to announce the participants for the 2024 FLC Artists Academy and FLC Critics Academy!
Taking place during #NYFF62, the mission of these programs is to support the next generation of film artists and critics and to foster a film culture that embraces diverse storytelling and points of view.
The FLC Artists Academy, led by award-winning filmmaker Stacey Marbrey, taps into the rich New York film community to offer an immersive experience for early-career filmmakers, with an emphasis on creating opportunities for people from underrepresented communities. This year’s cohort will join a three-day intensive workshop during the New York Film Festival, getting an opportunity to gain invaluable insight from experienced filmmakers, industry leaders, and Academy alumni. Panels, case studies, roundtable discussions, and networking opportunities will focus on the participants’ career development, the collaborative process of filmmaking, and strategies for making a sustainable living in their field.
The participants for this year’s FLC Artists Academy are Nada Bedair, Zoë Hodge, Bianca Jones, Jard Lerebours, Mackie Mallison, Oliver McGoldrick, Philip Thompson, Bren Wyona, Tang Yi, and Kevin Yu.
The FLC Critics Academy is produced by Film Comment magazine and led by its editors Devika Girish and Clinton Krute. The program offers invaluable experience in both the craft and business of film criticism. Participants will join a two-day intensive workshop prior to the New York Film Festival where established members of the industry—including working critics, editors, programmers, distributors, and publicists—will cover topics including pitching and freelancing, the editorial process, covering festivals, interviewing, social media for critics, and more.
#prattinstitute #prattinstitutealumni @mackiemallison @prattfilm_video @soartpratt
Pratt Film/Video welcomed back returning students and greeted new ones with our annual PIZZA IN THE PARKING LOT! Thanks to all who came out, to meet old friends and make new ones. 🍕🌟🍿🎬
@prattfilm_video @soartpratt
All photos by @cchloemoon !
Green Film School Alliance @prattfilm_video sustainabilty information, check lists, and guidelines for best practices on set - located at link in bio!
#sustainability #greenfilmmaking @greenfilmschoolalliance
Pratt Film/Video is excited to welcome our new incoming first year students! @prattfilm_video @soartpratt
Welcome to the program, we can't wait to see all the great work you'll do!
#prattinstitute #artstudents #filmstudents #prattorientation
Film/Video Assistant Chair Eric Trenkamp was a panelist for the "Impact and Legacy: The Midwestern Media Landscape" presentation at this summer's UFVA conference, with the topic “Cleveland’s Cultural Legacy: Superheroes and the Transformation of the Cinematic Myth of America in the 21st Century“.
#prattfaculty #prattinstitute #prattfacultywork @prattfilm_video @soartpratt
In the first semester film majors start making work right away in Film Fundamentals and Production Studio, two rigorous and comprehensive courses, which provide essential foundational training. Students then delve into various modes of filmmaking in Fiction I, Nonfiction I, and Experimental Studio I. In addition to writing, analysis, and theory classes, technical skills are put to practice in Postproduction Studio, Cinematography + Lighting Design, and Sound Design. Students develop advanced skills in Fiction II and their choice of Nonfiction II or Experimental Studio II. In the junior year, the curriculum opens up to electives giving students a chance to try new things and gain more experience in their areas of interest. The culmination of the program is a guided but self-defined senior thesis project, publicly screened in our state of the art screening room and at BAM Rose Cinemas.
Students learn in an intimate workshop setting through screenings, readings, technical demonstrations, production exercises, class critiques, and visiting professionals, as well as through internship programs in the many film, video, and postproduction studios throughout the city.
Upon graduation, students will have produced their senior project as well as compiled a sample reel of personal work, which can be part of a graduate school application, be submitted to galleries and festivals, or serve as a demonstration of students’ skills for entry into the professional landscape.
Upon graduation from the BFA in Film, the student is expected to be competent in the following areas:
Student is able to effectively plan, oversee, and complete all phases of the filmmaking process (pre- production, production and post- production).
Student is able to clearly conceptualize a cinematic project within a historical, theoretical or cultural context.
Student is able to demonstrate technical and aesthetic proficiency in service to the cinematic project.
Student is able to communicate creative, aesthetic and conceptual ideas.
