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The Master of Architecture program trains students to become leaders in the professional practice of architecture with innovative methods of design research and inquiry. 
Two students stand in a studio space adjusting a large white architectural model on a table. Several detailed architectural scale models are displayed on wooden pedestal tables arranged across a hardwood floor. The models include cutaway sections, layered structural elements, and small landscape features. The setting appears to be an architecture studio or exhibition space with a plain white wall backdrop.
Type
Graduate, MAR
Start Term
Fall Only
Credits
84
Duration
6 Semesters
Courses
Plan of Study
Colorful, abstract architectural models arranged on a tabletop, featuring layered geometric forms in wood, plastic, and painted materials. The foreground shows sculptural components in blue, white, gray, and natural wood tones, while the background includes brightly colored cut-paper or foam-core studies pinned to the wall. The scene conveys an active design studio environment with experimental material exploration.
Students: Sophy Feldman & Rowan Price
Instructor: Alexandra Barker
SP23 Studio 4

Master of Architecture at Pratt

The M.Arch curriculum embraces an integrative approach to design that weaves together technical knowledge and creative practice, building science and environmental stewardship, and professional responsibility and equity. We actively engage the pressing climatic and social challenges of our era through rigorous inquiry. Through case studies that leverage the city as our classroom, students develop innovative design strategies that convey a thorough understanding of the way in which architecture shapes the built environment and its communities. As architects, our inquiry extends across all scales of the built environment, from individual buildings to neighborhoods, cities, and all the way to global systems and ecosystems. What connects our intervention across this broad range of scales is our deep commitment to design work that prioritizes the well-being and safety of all life forms.

Student Work

Faculty Highlight

Our faculty are leading practitioners, scholars, and educators, including a distinctive cohort of PhD candidates from top universities who share a common desire to develop each student’s potential and creativity to the fullest. Bringing different views, methods, and perspectives the faculty provide a rigorous educational model in which students make and learn. See all GA/LA/UD faculty and administrators

  1. Andrew Holder

    Chairperson of Graduate Architecture

  2. Hart Marlow

    Interim Assistant Chairperson of GALAUD; Adjunct Associate Professor – CCE; SCPS Lecturer

  3. Alexandra Barker

    Adjunct Associate Professor – CCE; Academic Coordinator of MS Arch Program

  1. William MacDonald

    Professor

  2. David Erdman

    Associate Professor

  3. Carisima Koenig

    Adjunct Associate Professor

Ready for More?

HERE’S HOW TO APPLYGraduate Studies at PrattOUR CAMPUS & BEYOND
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Whether your goal is to advance your career, pivot to a new field, or explore your craft or groundbreaking research, our 33 graduate programs provide the rigor and support to achieve your vision. Explore our graduate programs in architecture, fine arts, design, information studies, and the liberal arts and sciences.
Learn More.
You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
@pratt_galaud
Pratt GA/LA/UD

@pratt_galaud

  • SPRING ‘26 SUPER REVIEW

This Spring, students will present their studio projects in relation to canonical essays in Architecture and Landscape Architecture. Presentations will foreground the discursive dimensions of the work, not as a recapitulation of the public review, but as a way of responding to major ideas in the contemporary field. Discussion will ensue, with the goal of articulating how our studios advance or respond to the writing under examination. 

Design 2 

Moderator: Gökhan Kodalak.

Rem Koolhaas. “Typical Plan,” in S,M,L,XL: Small, Medium, Large, Extra-Large. Monacelli Press, 1995. Pp 335 - 353.

Gökhan Kodalak. “Notes on Three Formative Dimensions of Architecture:
Interiority, Anteriority, and Exteriority.” 2026.

Design 4

Moderator: Clelia Pozzi

Essay: Robert Venturi, Denise Scott Brown, Steven Isenour. “Ugly and Ordinary Architecture, or the Decorated Shed,” in Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. MIT Press, 1977. Pp. 87-93.

MLA
Moderator: Mariel Collard Arias

Essay: Elizabeth K. Meyer “Sustaining Beauty: The Performance of Appearance.” Journal of Landscape Architecture, 3/1 2008. Pp  6 - 23.

Design 6

Moderator: Andrew Holder

Essay: Sylvia Lavin. “What Color Is It Now?” Perspecta vol. 35, 2004. Pp. 98-111.

@andrewjamesholder @marielilla

#PrattGALAUD #PrattSOA #SuperReview #PrattMArch #PrattMLA
  • FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
  • The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
  • FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
  • SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
  • ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
  • ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
SPRING ‘26 SUPER REVIEW

This Spring, students will present their studio projects in relation to canonical essays in Architecture and Landscape Architecture. Presentations will foreground the discursive dimensions of the work, not as a recapitulation of the public review, but as a way of responding to major ideas in the contemporary field. Discussion will ensue, with the goal of articulating how our studios advance or respond to the writing under examination. 

Design 2 

Moderator: Gökhan Kodalak.

Rem Koolhaas. “Typical Plan,” in S,M,L,XL: Small, Medium, Large, Extra-Large. Monacelli Press, 1995. Pp 335 - 353.

Gökhan Kodalak. “Notes on Three Formative Dimensions of Architecture:
Interiority, Anteriority, and Exteriority.” 2026.

Design 4

Moderator: Clelia Pozzi

Essay: Robert Venturi, Denise Scott Brown, Steven Isenour. “Ugly and Ordinary Architecture, or the Decorated Shed,” in Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. MIT Press, 1977. Pp. 87-93.

MLA
Moderator: Mariel Collard Arias

Essay: Elizabeth K. Meyer “Sustaining Beauty: The Performance of Appearance.” Journal of Landscape Architecture, 3/1 2008. Pp  6 - 23.

Design 6

Moderator: Andrew Holder

Essay: Sylvia Lavin. “What Color Is It Now?” Perspecta vol. 35, 2004. Pp. 98-111.

@andrewjamesholder @marielilla

#PrattGALAUD #PrattSOA #SuperReview #PrattMArch #PrattMLA
SPRING ‘26 SUPER REVIEW

This Spring, students will present their studio projects in relation to canonical essays in Architecture and Landscape Architecture. Presentations will foreground the discursive dimensions of the work, not as a recapitulation of the public review, but as a way of responding to major ideas in the contemporary field. Discussion will ensue, with the goal of articulating how our studios advance or respond to the writing under examination. 

Design 2 

Moderator: Gökhan Kodalak.

Rem Koolhaas. “Typical Plan,” in S,M,L,XL: Small, Medium, Large, Extra-Large. Monacelli Press, 1995. Pp 335 - 353.

Gökhan Kodalak. “Notes on Three Formative Dimensions of Architecture:
Interiority, Anteriority, and Exteriority.” 2026.

Design 4

Moderator: Clelia Pozzi

Essay: Robert Venturi, Denise Scott Brown, Steven Isenour. “Ugly and Ordinary Architecture, or the Decorated Shed,” in Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. MIT Press, 1977. Pp. 87-93.

MLA
Moderator: Mariel Collard Arias

Essay: Elizabeth K. Meyer “Sustaining Beauty: The Performance of Appearance.” Journal of Landscape Architecture, 3/1 2008. Pp  6 - 23.

Design 6

Moderator: Andrew Holder

Essay: Sylvia Lavin. “What Color Is It Now?” Perspecta vol. 35, 2004. Pp. 98-111.

@andrewjamesholder @marielilla

#PrattGALAUD #PrattSOA #SuperReview #PrattMArch #PrattMLA
SPRING ‘26 SUPER REVIEW This Spring, students will present their studio projects in relation to canonical essays in Architecture and Landscape Architecture. Presentations will foreground the discursive dimensions of the work, not as a recapitulation of the public review, but as a way of responding to major ideas in the contemporary field. Discussion will ensue, with the goal of articulating how our studios advance or respond to the writing under examination. Design 2 Moderator: Gökhan Kodalak. Rem Koolhaas. “Typical Plan,” in S,M,L,XL: Small, Medium, Large, Extra-Large. Monacelli Press, 1995. Pp 335 - 353. Gökhan Kodalak. “Notes on Three Formative Dimensions of Architecture: Interiority, Anteriority, and Exteriority.” 2026. Design 4 Moderator: Clelia Pozzi Essay: Robert Venturi, Denise Scott Brown, Steven Isenour. “Ugly and Ordinary Architecture, or the Decorated Shed,” in Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. MIT Press, 1977. Pp. 87-93. MLA Moderator: Mariel Collard Arias Essay: Elizabeth K. Meyer “Sustaining Beauty: The Performance of Appearance.” Journal of Landscape Architecture, 3/1 2008. Pp 6 - 23. Design 6 Moderator: Andrew Holder Essay: Sylvia Lavin. “What Color Is It Now?” Perspecta vol. 35, 2004. Pp. 98-111. @andrewjamesholder @marielilla #PrattGALAUD #PrattSOA #SuperReview #PrattMArch #PrattMLA
2 days ago
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1/9
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA

We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two. 

2-3. New HQ of Houston Endowment, Houston, 2023
4. Laguna, Mexico City, 2019/Ongoing
5-6. Pilares, Mexico City, 2022
7. Masaryk Offices, Mexico City, 2024
8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017
10. Loft Sullivan, Soho, New York, 2023
11-12. Ca22 Housing, Mexico City, 2023

@wonnex @mac_panama 

#PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
FACULTY HIGHLIGHT | WONNE ICKX / PRODUCTURA We are delighted to announce that @productora_df , co-led by Visiting Professor Wonne Ickx,  has been selected as a finalist in the open international competition for the new Museum of Contemporary Art in Panama City (MAC-Panama). Out of 363 entrees from 56 countries, the proposal was selected as one of the five projects to continue to stage two.  2-3. New HQ of Houston Endowment, Houston, 2023 4. Laguna, Mexico City, 2019/Ongoing 5-6. Pilares, Mexico City, 2022 7. Masaryk Offices, Mexico City, 2024 8-9. Teotitlan del Valle Community and Cultural Center, Oaxaca, 2017 10. Loft Sullivan, Soho, New York, 2023 11-12. Ca22 Housing, Mexico City, 2023 @wonnex @mac_panama #PrattGALAUD #PrattFaculty #Productura #MACPanama #WonneIckx
3 days ago
View on Instagram |
2/9
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.  

Students are immersed in the practice, design, and urban cultures of New York. 

3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio
@alexandrabarker @rivian
5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology
@the.sharif
6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course
@poyaoshih @johnson_evan_design @basiledestreel @van_alen
8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio
@tahinos @n__spivak
9. Zoë Schlanger presenting her work during a lecture at Higgins Hall.
10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks
@bhavya_prajapati__ @falgunisakpal @mithilapatil_

#PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
The MS in Architecture and MS in Urban Design are three-semester, STEM-designated programs designed for emerging professionals with a focus on advanced design, research, and urban challenges. Rolling admissions remain open on a space-available basis. Link to applications in bio.   
Students are immersed in the practice, design, and urban cultures of New York.  3-4. Students travel to the Rivian Factory in Normal, Illinois for Professor Alexandra Barker’s Normal studio @alexandrabarker @rivian 5. Model by Yousef Alsharif for Professor Peter Trummer’s studio, Cityology @the.sharif 6-7. Stools by Basile de Streel and Evan Johnson, presented at the Wasted x Van Alen event for Professor Poyao Shih’s Fabrication course @poyaoshih @johnson_evan_design @basiledestreel @van_alen 8. Model by Noah Spivak for Professor Alex Tahinos’ Urban Sampling Studio @tahinos @n__spivak 9. Zoë Schlanger presenting her work during a lecture at Higgins Hall. 10. Models by Bhavya Prajapati, Falguni Sakpal, Mithila Sunil Patil for Peter Trummer’s studio, the Rise of New Urban Blocks @bhavya_prajapati__ @falgunisakpal @mithilapatil_
 #PrattSOA #PrattGALAUD #MSArchitecture #MSUrbanDesign #GraduateArchitecture
4 days ago
View on Instagram |
3/9
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG
Visage Brut | Coachella Valley Music and Arts Festival, 2026

Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella.

A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by  @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence.

Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely.

Project Team

Design:
@andrewjamesholder & @freyinbe
The Los Angeles Design Group

Fabrication Computation:
Scott Mitchell
Stud-IO Computational Construction

Engineering:
Anthony Trgovcich
John A. Martin & Associates

Fabrication:
Craig Couch
KHS&S 

#PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
FACULTY HIGHLIGHT | ANDREW HOLDER / THE LADG Visage Brut | Coachella Valley Music and Arts Festival, 2026 Andrew Holder, chair of Graduate Architecture, Landscape, and Urban Design at Pratt Institute, recently completed an installation at @coachella. A soaring steel totem animated by a stack of subtly anthropomorphic “characters,” “Visage Brut” reimagines the logic and mythology of a totem pole through the language of contemporary construction. Designed by @the_ladg (The Los Angeles Design Group), the tower is composed of modular boxes — each one folded, rolled, cut, or warped just short of losing its structural integrity. The result is a vertical procession of hybrid geometries that both perform the physical labor of holding up the weight above and project an uncanny, almost figurative presence. Born from an experimental collaboration with software-assisted steel fabricator @studio.construction, the installation transforms an industrial material used in retail construction into an expressive form. Its mesh and selectively skinned surfaces shift from sculptural mass to filigreed lattice as light changes, and nighttime illumination animates its dual nature. Encountered as both landmark and invitation, “Visage Brut” offers shaded niches, intricate surfaces, and a layered legibility that encourages festivalgoers to slow down and look closely. Project Team Design: @andrewjamesholder & @freyinbe The Los Angeles Design Group Fabrication Computation: Scott Mitchell Stud-IO Computational Construction Engineering: Anthony Trgovcich John A. Martin & Associates Fabrication: Craig Couch KHS&S #PrattGALAUD #PrattFaculty #TheLADG #Coachella #AndrewHolder
5 days ago
View on Instagram |
4/9
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS
Monday, May 4th - Friday, May 8th, Higgins Hall

@andrewjamesholder 
@hartmarlow

@tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker 

#PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
SPRING 26 FINAL REVIEWS Monday, May 4th - Friday, May 8th, Higgins Hall @andrewjamesholder @hartmarlow @tahinos @mjsieira @vienolivia @marielilla @synthetic_milk @schoenenberger_su11 @coersmeier @reidarchitecture @garrisonarchitects @stephaniebayard @giselasbaurmann @mmmosarchitects @wonnex @productora_df @alexandrabarker #PrattGALAUD #PrattSOA #PrattInstitute #PrattMArch #PrattMLA
7 days ago
View on Instagram |
5/9
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION
Spring  2026 | Mid Review Models
Professor Daniel Garcia

This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project.

Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya

@drawings.dwgs 
@issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 713A | MEDIUMS 3: FABRICATION Spring 2026 | Mid Review Models Professor Daniel Garcia This fabrication seminar examines the book as a constructed object—one that is clamped, compressed, sewn, trimmed, and bound through a series of mechanical operations. In aggregate, books shift from individual parts to a coherent whole, producing the appearance of mass through repetition. Students will work exclusively with discarded books slated for recycling and will study historical book-making tools and connections as a way of understanding fabrication, fastening, and assembly. Forms that emerge from the physical limitations and behaviors of assembled books will define the aesthetic and structural logic of a stool at full scale AND a pavilion at an architectural scale, producing a direct reading of form, proportion, and spatial order. All constructions must be fully demountable and assembled without glue or tape, making the forces and methods of attachment explicit and integral to the overall project. Work by students: 1,2. Michael Ballou, 3,4. Issy Clancy, 5,6. Saima Rafi, 7,8. Stephen Favale, 9,10. Talia Starko, 11,12. Alexia Barton, 13,14. Matt Sikorski, 15. Emir Kaya @drawings.dwgs @issyclancy @sc.favale @taliastarko @alexiabarton1 @matt1499 @emirr_kaya #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
1 week ago
View on Instagram |
6/9
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES)
At BRIC, 03.21.26 - 04.05.26
Featuring work from professors Mariel Collard Arias and Mark Heller

Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.

Datasets Used
DPR Forestry Tree Points
DCP Neighborhood Tabulation Areas
OTI Land Cover Raster 6” (2017)
OTI 1 foot Digital Elevation Model (DEM)

@marielilla
@bricbrooklyn 

#PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
DATA THROUGH DESIGN EXHIBITION: ECHO(LOGIES) At BRIC, 03.21.26 - 04.05.26 Featuring work from professors Mariel Collard Arias and Mark Heller Landscape Workshop invites the public to experience the varied ways landscape architects use geospatial data to study, draw, and ultimately produce spaces of ecological diversity within New York City. The piece explores how we reconstruct the urban forest not just through individual trees, but in conjunction with other ecological datasets as well as on-site ground truthing. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms. Datasets Used DPR Forestry Tree Points DCP Neighborhood Tabulation Areas OTI Land Cover Raster 6” (2017) OTI 1 foot Digital Elevation Model (DEM) @marielilla @bricbrooklyn #PrattGALAUD #PrattMLA #Pratt #PrattInstitute #ArtExhibition
2 weeks ago
View on Instagram |
7/9
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM
Spring 2026 | Mid Review Models
Professor Barry Wark

This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York.

Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin

@barry_wark 
@peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 881 | SOLAR FORM Spring 2026 | Mid Review Models Professor Barry Wark This seminar investigates how computational and environmental design can generate new architectural massing within Manhattan’s zoning framework. Building on Ralph Knowles’s Solar Envelope theory and Hugh Ferriss’s explorations of the 1916 Zoning Resolution, students will use simulation and generative modeling to explore how light, policy, and density shape the contemporary urban tower. Through these methods, the course reimagines the relationship between regulation and design, proposing urban massing for the skyline of New York. Work by students: 1,2. Peter Harvey and Harrison DuBose, 3,4. Nadiri Wilson and Noah Spivak, 5,6. Yousef Alsharif, Rachit Joshi, and Antony Vighin @barry_wark @peter___harvey @harrisondubose @nadiriwilson @n__spivak @the.sharif @rachit_0107 @antonyvighin #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
3 weeks ago
View on Instagram |
8/9
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities.

1.  Log #64: The Undecorated Shed – Issue Launch
2. Critic at Large: Johnston Marklee
3. Super Review
4. Pratt Sessions: Johnston Marklee
5. Pratt Session: Nader Tehrani
6. Jessica B. Harris: Lessons from The African American Garden
7.  Field Archive: Pratt Landscape Architecture In Process
8.  Levers Long Enough to Move the World 
From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue.

#prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
Nearing the end of a full year here at the Pratt School of Architecture, we’re looking back at just a few of the events and conversations that shaped how we think about buildings, landscapes, and cities. 1. Log #64: The Undecorated Shed – Issue Launch 2. Critic at Large: Johnston Marklee 3. Super Review 4. Pratt Sessions: Johnston Marklee 5. Pratt Session: Nader Tehrani 6. Jessica B. Harris: Lessons from The African American Garden 7. Field Archive: Pratt Landscape Architecture In Process 8. Levers Long Enough to Move the World From exhibitions and reviews to lectures and hands-on fabrication, this year has been defined by experimentation, collaboration, and critical dialogue. #prattgalaud #architecture #architectureschool #architecturereview @johnstonmarklee @nadertehrani47 @drjessicabharris @mmmosarchitects
3 weeks ago
View on Instagram |
9/9