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The Master of Architecture program trains students to become leaders in the professional practice of architecture with innovative methods of design research and inquiry. 
Two students stand in a studio space adjusting a large white architectural model on a table. Several detailed architectural scale models are displayed on wooden pedestal tables arranged across a hardwood floor. The models include cutaway sections, layered structural elements, and small landscape features. The setting appears to be an architecture studio or exhibition space with a plain white wall backdrop.
Type
Graduate, MAR
Start Term
Fall Only
Credits
84
Duration
6 Semesters
Courses
Plan of Study
Colorful, abstract architectural models arranged on a tabletop, featuring layered geometric forms in wood, plastic, and painted materials. The foreground shows sculptural components in blue, white, gray, and natural wood tones, while the background includes brightly colored cut-paper or foam-core studies pinned to the wall. The scene conveys an active design studio environment with experimental material exploration.
Students: Sophy Feldman & Rowan Price
Instructor: Alexandra Barker
SP23 Studio 4

Master of Architecture at Pratt

The M.Arch curriculum embraces an integrative approach to design that weaves together technical knowledge and creative practice, building science and environmental stewardship, and professional responsibility and equity. We actively engage the pressing climatic and social challenges of our era through rigorous inquiry. Through case studies that leverage the city as our classroom, students develop innovative design strategies that convey a thorough understanding of the way in which architecture shapes the built environment and its communities. As architects, our inquiry extends across all scales of the built environment, from individual buildings to neighborhoods, cities, and all the way to global systems and ecosystems. What connects our intervention across this broad range of scales is our deep commitment to design work that prioritizes the well-being and safety of all life forms.

Student Work

Faculty Highlight

Our faculty are leading practitioners, scholars, and educators, including a distinctive cohort of PhD candidates from top universities who share a common desire to develop each student’s potential and creativity to the fullest. Bringing different views, methods, and perspectives the faculty provide a rigorous educational model in which students make and learn. See all GA/LA/UD faculty and administrators

  1. Andrew Holder

    Chairperson of Graduate Architecture

  2. Hart Marlow

    Interim Assistant Chairperson of GALAUD; Adjunct Associate Professor – CCE; SCPS Lecturer

  3. Alexandra Barker

    Adjunct Associate Professor – CCE; Academic Coordinator of MS Arch Program

  1. William MacDonald

    Professor

  2. David Erdman

    Associate Professor

  3. Carisima Koenig

    Adjunct Associate Professor

Ready for More?

HERE’S HOW TO APPLYGraduate Studies at PrattOUR CAMPUS & BEYOND
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Whether your goal is to advance your career, pivot to a new field, or explore your craft or groundbreaking research, our 33 graduate programs provide the rigor and support to achieve your vision. Explore our graduate programs in architecture, fine arts, design, information studies, and the liberal arts and sciences.
Learn More.
You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
@pratt_galaud
Pratt GA/LA/UD

@pratt_galaud

  • PRATT SESSIONS: NERI & HU
Friday, March 6th
6:15 - 8:15 pm, Higgins Hall North Room 304

Pratt Sessions are a format for discourse at the Department of Graduate Architecture, Landscape, and Urban Design. The sessions seek to refine and intensify the event-structures commonly found in the design academy. Whereas lectures desire general audiences for broad overviews or introductions, Pratt Sessions focus on just one piece of work by a single author or practice. Whereas juries convene faculty to critically engage student work at the end of a project, Pratt Sessions gathers colleagues to support the intellectual project of a figure we mutually admire.

@neriandhu @nerilyndon @rossanahu 

#Pratt #PrattInstitute #PrattSOA #PrattGALAUD #ArchitectureLecture
  • ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • ARCH 611 | MEDIUMS 1: MODELING AND DRAWING
Fall 2025 | Final Review
Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia

This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others.

@sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
  • ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
  • ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA
Fall 2025 | Final Review Models
Professor Erich Schoenenberger, Co-Teacher Emily Sardo

As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity

Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen
@schoenenberger_su11 @emmsardo 
@reireirn @wirrmcneir @nadiriwilson @joyce_yennn 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • PRATT SESSIONS: MOS ARCHITECTS
Thursday, February 12th
6:15 - 8:00 pm, Higgins Hall Auditorium 

Michael Meredith and Hilary Sample, principals of MOS, will present a single project from their recent body of work. For more than a decade, their practice has been nearly synonymous with American contemporary architecture. Both built and un-built projects have exercised profound influence over emerging generations, emphasizing moves toward “minor” or deliberately non-canonical work, representation, and forms of didactic clarity.

@mmmosarchitects

#prattinstitute #prattsoa #prattgalaud #prattsessions #architecturelecture
  • ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
  • EXHIBITION OPENING | THEOHARIS DAVID: FROM DRAWING TO BUILDING
February 2nd 6:15-8:00 PM | Higgins Hall Lobby Gallery

This Micro Exhibit of primarily realized designs, ranging in scale from a “House for my Mother” to a stadium built to Olympic standards, posits the position that architecture is conceived by ideas that are developed through theoretical investigations, inquisitiveness, and freedom of thought, and that an act of architecture achieves its full potential once built. The exhibit itself attempts to demonstrate how and to what degree the design process leading to built and proposed works was informed by the reality of four subjectively chosen and often interwoven themes: Art, Precedent, Ground, Symbolism

@theo.david.589 

#PrattInstitute #PrattGALAUD #PrattSOA #ArchitectureExhibition #Pratt
PRATT SESSIONS: NERI & HU
Friday, March 6th
6:15 - 8:15 pm, Higgins Hall North Room 304

Pratt Sessions are a format for discourse at the Department of Graduate Architecture, Landscape, and Urban Design. The sessions seek to refine and intensify the event-structures commonly found in the design academy. Whereas lectures desire general audiences for broad overviews or introductions, Pratt Sessions focus on just one piece of work by a single author or practice. Whereas juries convene faculty to critically engage student work at the end of a project, Pratt Sessions gathers colleagues to support the intellectual project of a figure we mutually admire.

@neriandhu @nerilyndon @rossanahu 

#Pratt #PrattInstitute #PrattSOA #PrattGALAUD #ArchitectureLecture
PRATT SESSIONS: NERI & HU
Friday, March 6th
6:15 - 8:15 pm, Higgins Hall North Room 304

Pratt Sessions are a format for discourse at the Department of Graduate Architecture, Landscape, and Urban Design. The sessions seek to refine and intensify the event-structures commonly found in the design academy. Whereas lectures desire general audiences for broad overviews or introductions, Pratt Sessions focus on just one piece of work by a single author or practice. Whereas juries convene faculty to critically engage student work at the end of a project, Pratt Sessions gathers colleagues to support the intellectual project of a figure we mutually admire.

@neriandhu @nerilyndon @rossanahu 

#Pratt #PrattInstitute #PrattSOA #PrattGALAUD #ArchitectureLecture
PRATT SESSIONS: NERI & HU Friday, March 6th
6:15 - 8:15 pm, Higgins Hall North Room 304
 Pratt Sessions are a format for discourse at the Department of Graduate Architecture, Landscape, and Urban Design. The sessions seek to refine and intensify the event-structures commonly found in the design academy. Whereas lectures desire general audiences for broad overviews or introductions, Pratt Sessions focus on just one piece of work by a single author or practice. Whereas juries convene faculty to critically engage student work at the end of a project, Pratt Sessions gathers colleagues to support the intellectual project of a figure we mutually admire. 
@neriandhu @nerilyndon @rossanahu 

#Pratt #PrattInstitute #PrattSOA #PrattGALAUD #ArchitectureLecture
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ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY
Fall 2025 | Final Review Models
Professor Peter Trummer, Co-Teacher Pinar Araci

Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities.

Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil
@pin.araci 
@the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: CITYOLOGY Fall 2025 | Final Review Models Professor Peter Trummer, Co-Teacher Pinar Araci Urban Grids, mainly composed of rectangular building blocks, form the layout of nearly all our planetary cities throughout human history. They are the background of our lives. However, urban grids are not a given; they have emerged. In the pre-urban stages of our planetary civilization, meaning our lives before we lived in cities, urban settlements were characterized by loose assemblages of houses and huts enclosed within a wall. In one of our first cities, like Mohenjo-Daro in today’s Pakistan, these houses were placed so close to each other that a grid-like street pattern emerged. The cities and their new organization of collective life suddenly demanded a more dense urban articulation. Gridded Cities, with its block-like structure, was generated as a dense interior organization of our urban environments by fusing the walls of free-standing single houses so tightly together that they give rise to all kinds of new architectural morphologies, such as our variation on urban blocks. This mode of densification not only gave rise to new urban masses but also to new urban spaces between them: what we call today our urban public spaces. The streets, avenues, alleys, squares, piazzas, boulevards, parks, or courtyards are the emerging formations of the voids within our gridded cities. Work by students: 1-2. Yousef Alsharif, 3-4. Bryce Pennington, 5-6. Elizaveta Zhadenova, 7-8. Omkar Desai, 9-10. Surbhi Patil @pin.araci @the.sharif @bpenn_arch @lizazhadenova_ @omkardesai_10 @surbhi214 #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
1 day ago
View on Instagram |
2/9
ARCH 611 | MEDIUMS 1: MODELING AND DRAWING
Fall 2025 | Final Review
Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia

This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others.

@sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
ARCH 611 | MEDIUMS 1: MODELING AND DRAWING
Fall 2025 | Final Review
Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia

This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others.

@sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
ARCH 611 | MEDIUMS 1: MODELING AND DRAWING
Fall 2025 | Final Review
Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia

This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others.

@sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
ARCH 611 | MEDIUMS 1: MODELING AND DRAWING
Fall 2025 | Final Review
Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia

This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others.

@sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
ARCH 611 | MEDIUMS 1: MODELING AND DRAWING Fall 2025 | Final Review Professors Sandra Nataf, Olivia Vien, Ben Smithers, Joseph Giampietro, Alex Tahinos, Pinar Araci, and Daniel Garcia This is the first of three courses that will introduce students to contemporary mediums, methods and theories of how digital tools impact basic concepts of architectural representation and experience. This course emphasizes the integrated use of drawing and modeling as a representational aspect of architectural communication. topics include the introduction of basic drawing principles (lines versus NURBS versus curves) and basic modeling methods (additive, subtractive, derivative) among others. @sandra_ntf @vienolivia @benjamin.smithers.architecture @joeygiampietro @tahinos @pin.araci @drawings.dwgs #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturereview
2 days ago
View on Instagram |
3/9
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING
Fall 2025 | Final Review Model
Professor Alex Tahinos, Co-Teacher Inmo Kang

Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past?

In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. 

Work by student Noah Spivak
@tahinos @_inmo_omni_ 
@n__spivak 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: URBAN SAMPLING Fall 2025 | Final Review Model Professor Alex Tahinos, Co-Teacher Inmo Kang Within today’s cultural landscape, between social media, Artificial Intelligence, and DIY fashion trends, we have begun a new paradigm shift in what is considered to be relevant. It is no longer about the creation of something for the sake of being new but tapping into a familiar reference. These referential trends scale up and down at every level from music videos on tik-tok to Hollywood remakes. The tendency towards reference defines us as longing for something comforting, familiar, recognizable, and nostalgic. This studio questions the relationships between these nostalgic references and the potential for technological advancement. Can we begin to blur the boundaries between the uncomfortable/unknown future and the comforting past? In this studio, students utilize the concepts of sustainability and energy in a similar way. They combine the want for nostalgia, for the way things were, with the future and forward thinking energy production techniques. They will look to incorporate and sample references of current urban conditions and use them as a sort of “trojan horse”, to sneak in the world saving “hybrids” of the now. Work by student Noah Spivak @tahinos @_inmo_omni_ @n__spivak #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
4 days ago
View on Instagram |
4/9
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD
Open February 4th through 27th

Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 

The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility.

Curator: Andrew Holder
Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras
Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker
@andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
EXHIBITION | LEVERS LONG ENOUGH TO MOVE THE WORLD Open February 4th through 27th Opening night for “Levers Long Enough to Move the World” drew students, faculty, and members of the New York architecture community to Higgins Hall, including @wonnex @mmmosarchitects @mmmosarchitects @almostudio @presentforms @studiostanallen @neil_denari @weissmanfredi @efimero__design @overlayoffice @work.ac @fxcollaborative @theo.david.589 The show is an exhibition of architectural sketches at the Pratt School of Architecture featuring the work of more than 50 contemporary practices. It is organized around a question and theory. First, what is the sketch today? Second, as a proposed response, that sketches are levers. They are a way of asserting architecture’s physicality in an ever-less material world, and of exerting the force of this physicality entirely out of proportion to their smallness, quickness, and humility. Curator: Andrew Holder Faculty Co-Curators: Alex Tahinos, Inmo Kang, and Fernando Garrido Carreras Exhibition Assistants: Jack Daley, Ashley Gray, Stephen Favale, Harsh Panchal, Nathan Trecker @andrewjamesholder @tahinos @_inmo_omni_ @fergarridocarreras
1 week ago
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5/9
ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA
Fall 2025 | Final Review Models
Professor Erich Schoenenberger, Co-Teacher Emily Sardo

As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity

Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen
@schoenenberger_su11 @emmsardo 
@reireirn @wirrmcneir @nadiriwilson @joyce_yennn 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA
Fall 2025 | Final Review Models
Professor Erich Schoenenberger, Co-Teacher Emily Sardo

As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity

Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen
@schoenenberger_su11 @emmsardo 
@reireirn @wirrmcneir @nadiriwilson @joyce_yennn 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA
Fall 2025 | Final Review Models
Professor Erich Schoenenberger, Co-Teacher Emily Sardo

As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity

Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen
@schoenenberger_su11 @emmsardo 
@reireirn @wirrmcneir @nadiriwilson @joyce_yennn 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA
Fall 2025 | Final Review Models
Professor Erich Schoenenberger, Co-Teacher Emily Sardo

As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity

Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen
@schoenenberger_su11 @emmsardo 
@reireirn @wirrmcneir @nadiriwilson @joyce_yennn 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: RESPONDING TO THE URBAN DILEMMA Fall 2025 | Final Review Models Professor Erich Schoenenberger, Co-Teacher Emily Sardo As the world stands at the intersection of profound urban transformation, the dilemma facing our cities is both urgent and complex. Urbanization, a defining force of our time, continues to reshape societies and the places we inhabit. According to the United Nations, 55% of the global population resided in urban areas as of today—a figure projected to soar to 68% by 2050. This staggering growth, coupled with ongoing population increases, could see an additional 2.5 billion people added to urban centers by the middle of the century. Such numbers not only highlight the scale of transformation but also foreground the critical challenges and opportunities that lie ahead. The studio’s investigation centers on the development of building models or typologies that seamlessly integrate commercial, civic, industrial, and affordable residential spaces. Novel typologies are essential for the future of cities to foster a multifunctional environments that support a rich diversity of uses and populations. The studio’s site for the studio investigation is in Santiago, Chile. Santiago, a vibrant and dynamic city, serves as a compelling microcosm of the broader urban dilemmas facing cities today. The site is emblematic of the opportunities and challenges inherent in contemporary urbanism. It is a place where density and diversity coexist, and where an architectural intervention can negotiate the dynamics of scale, accessibility, and local identity Work by Students: 1. Reyna Aksirin, 2. Will McNeil, 3. Nadiri Wilson, 4. Joyce Yen @schoenenberger_su11 @emmsardo @reireirn @wirrmcneir @nadiriwilson @joyce_yennn #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
3 weeks ago
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6/9
PRATT SESSIONS: MOS ARCHITECTS
Thursday, February 12th
6:15 - 8:00 pm, Higgins Hall Auditorium 

Michael Meredith and Hilary Sample, principals of MOS, will present a single project from their recent body of work. For more than a decade, their practice has been nearly synonymous with American contemporary architecture. Both built and un-built projects have exercised profound influence over emerging generations, emphasizing moves toward “minor” or deliberately non-canonical work, representation, and forms of didactic clarity.

@mmmosarchitects

#prattinstitute #prattsoa #prattgalaud #prattsessions #architecturelecture
PRATT SESSIONS: MOS ARCHITECTS
Thursday, February 12th
6:15 - 8:00 pm, Higgins Hall Auditorium 

Michael Meredith and Hilary Sample, principals of MOS, will present a single project from their recent body of work. For more than a decade, their practice has been nearly synonymous with American contemporary architecture. Both built and un-built projects have exercised profound influence over emerging generations, emphasizing moves toward “minor” or deliberately non-canonical work, representation, and forms of didactic clarity.

@mmmosarchitects

#prattinstitute #prattsoa #prattgalaud #prattsessions #architecturelecture
PRATT SESSIONS: MOS ARCHITECTS Thursday, February 12th 6:15 - 8:00 pm, Higgins Hall Auditorium Michael Meredith and Hilary Sample, principals of MOS, will present a single project from their recent body of work. For more than a decade, their practice has been nearly synonymous with American contemporary architecture. Both built and un-built projects have exercised profound influence over emerging generations, emphasizing moves toward “minor” or deliberately non-canonical work, representation, and forms of didactic clarity. @mmmosarchitects #prattinstitute #prattsoa #prattgalaud #prattsessions #architecturelecture
3 weeks ago
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7/9
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE
Fall 2025 | Final Review Model
Professors Thomas Leeser, Sandra Nataf

We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space.

Work by student Makenzie Corbin
@sandra_ntf 

#PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
ARCH 805 | ADVANCED DESIGN RESEARCH 1: SEEING DOUBLE Fall 2025 | Final Review Model Professors Thomas Leeser, Sandra Nataf We live in a hypervisual culture where images dominate our means of communication, where we are, without interruption, exposed and immersed in an ever-changing flow of visual stimulation. Our exposure to this uninterrupted flow of hyper imagery raises the question of our awareness of how images shape our understanding of the world around us, how images construct our understanding of our environment, and what politics are being promoted through this theater of the spectacle. Increasingly void of meaning, the abundance of images promotes a progressively homogenized understanding of our environment. This studio will explore different strategies of visual culture throughout history and will selectively construct an architecture tied to aspects of cultural preferences or conventions. Students will focus on alternative spatial strategies based on various historic references and will construct an architecture hyper vigilant to those selected cultural precedents. The goal is for students to explore alternative ways of representation, experiment with different ways of seeing, and discover different ways of communicating architectural experiences. As we live in an era of permanent parallel and multiplicity strategies of seeing, we need to advance our ability of spatial representation in sync with our permanent exposure to inescapable visual strategies. The single view, perspective, frame, lens, originator, or spectator no longer matches our reality of the visual consumption of our environment. The goal is to radicalize strategies of representation and, by doing so, to radicalize strategies of space. Work by student Makenzie Corbin @sandra_ntf #PrattMArch #PrattInstitute #PrattGALAUD #PrattSOA #architecturemodel @archdaily @archinect @next_top_architects @superarchitects @designboom @dezeen @architecturefactor
3 weeks ago
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8/9
EXHIBITION OPENING | THEOHARIS DAVID: FROM DRAWING TO BUILDING
February 2nd 6:15-8:00 PM | Higgins Hall Lobby Gallery

This Micro Exhibit of primarily realized designs, ranging in scale from a “House for my Mother” to a stadium built to Olympic standards, posits the position that architecture is conceived by ideas that are developed through theoretical investigations, inquisitiveness, and freedom of thought, and that an act of architecture achieves its full potential once built. The exhibit itself attempts to demonstrate how and to what degree the design process leading to built and proposed works was informed by the reality of four subjectively chosen and often interwoven themes: Art, Precedent, Ground, Symbolism

@theo.david.589 

#PrattInstitute #PrattGALAUD #PrattSOA #ArchitectureExhibition #Pratt
EXHIBITION OPENING | THEOHARIS DAVID: FROM DRAWING TO BUILDING
February 2nd 6:15-8:00 PM | Higgins Hall Lobby Gallery

This Micro Exhibit of primarily realized designs, ranging in scale from a “House for my Mother” to a stadium built to Olympic standards, posits the position that architecture is conceived by ideas that are developed through theoretical investigations, inquisitiveness, and freedom of thought, and that an act of architecture achieves its full potential once built. The exhibit itself attempts to demonstrate how and to what degree the design process leading to built and proposed works was informed by the reality of four subjectively chosen and often interwoven themes: Art, Precedent, Ground, Symbolism

@theo.david.589 

#PrattInstitute #PrattGALAUD #PrattSOA #ArchitectureExhibition #Pratt
EXHIBITION OPENING | THEOHARIS DAVID: FROM DRAWING TO BUILDING February 2nd 6:15-8:00 PM | Higgins Hall Lobby Gallery This Micro Exhibit of primarily realized designs, ranging in scale from a “House for my Mother” to a stadium built to Olympic standards, posits the position that architecture is conceived by ideas that are developed through theoretical investigations, inquisitiveness, and freedom of thought, and that an act of architecture achieves its full potential once built. The exhibit itself attempts to demonstrate how and to what degree the design process leading to built and proposed works was informed by the reality of four subjectively chosen and often interwoven themes: Art, Precedent, Ground, Symbolism @theo.david.589 #PrattInstitute #PrattGALAUD #PrattSOA #ArchitectureExhibition #Pratt
4 weeks ago
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9/9