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At Pratt, we define fashion as cultural messaging through clothes. As a student here, you’ll contextualize fashion within a social framework, forming a strong point of view on the issues we face today and challenging them through your craft.
People standing and clapping at the end of a fashion show, large white room, Elie Romero, winner of the Christopher Hunte
Elie Romero, winner of the Christopher Hunte "On Point" Award, at the Pratt Fashion Show, 2019
Type
Undergraduate, BFA
Credits
126
Duration
4 years (8 semesters)
Courses
Plan of Study
School and Department
School of Design,
Fashion Design
model walks the runway, wearing clothing with attachments
Senior collection work by Giovanna Flores (’15)

Fashion at Pratt

The Fashion Design curriculum fosters development of indivi­dual identity within a collaborative environment, inform­ed by self-reflection and engaged critique. Students are expected to apply an informed understanding of materiality, fashion history, theory and contemporary culture to their design decisions, producing collections that engage with issues of sustainability and social responsibility.

Student Work

Watch our annual fashion show and imagine what you might do here at Pratt Fashion! Through rigorous attention to production, technique, and contemporary aesthetics, you’ll develop your design practice and with it, agency to create change.

The Experience

students sitting a room, wearing matching white hats that say "fashion", seated on the floor of a room

The design studio is at the core of your educational experience at Pratt. We consider the design studio a creative space and a community. The culture of the design studio is one of creativity, experimentation, and exploration. Students are encouraged to take risks and push the boundaries of what is possible. The studio is a community to find support, encouragement, and inspiration.

Maker Spaces and Labs

Sustainability and material exploration drive our passion for making. 
To prepare students to become leaders within the creative community, Pratt Fashion offers a wide variety of resources including access to Shima Seiki 3D knitting machines and Framis NOSO technology, as well as a dedicated Textile Research Library within the department and a Textile Dye Garden on campus. Explore facilities.

Fashion Internships

professor speaking to students, in a clothes workshop, describing clothes on hangers to other students, other clothes on hangers in the background

Students have the opportunity to explore different aspects of the New York fashion design industry through their choice of internships at top design companies including Thom Browne, Zero Maria Cornejo, The Row, Altuzarra, Maryam Nassir Zadeh, Oscar de la Renta, and Creatures of the Wind. The internship provides them with hands-on experience and professional networking skills, as well as practice in how to write a resume and present their portfolio. Pratt students are required to complete three credits of internship during their course of study. A Pratt faculty adviser guides each student throughout the experience, making sure the students’ learning objectives are met.

Fashion Competitions

All Pratt Fashion students participate in annual design competitions including the Council of Fashion Designers of America’s Design Scholar Awards, the Gucci Changemakers Scholars Program, and the Metropolitan Museum of Art’s Costume Institute Student Fashion Design Competition. Integrated into the curriculum, these competitions provide avenues for scholarship support and exposure within the fashion community.

Study Abroad

Immersing yourself in another culture is an incredible experience that can extend the boundaries of creativity. Study abroad programs are an integral part of the college experience, and Pratt has deep connections with university partners around the world.

Learning Resources

We develop disciplinary fluency in our program of study and we celebrate the interdisciplinary nature of design critical to address the plurality and complexity of the environments in which we operate. Learn about resources.

Our Faculty

Pratt’s distinguished faculty of outstanding creative professionals and scholars share a common desire to fully develop each student’s individual potential and creativity. The faculty come from diverse educational and professional backgrounds representing the breadth of fashion complexity. This multiplicity of views and experiences provide for a tailored education that is as unique as each of the students. See all Fashion Design faculty and administrators.

Adrienne Jones

Professor

Person

Yoon Jong Chang

Adjunct Associate Professor

Person

Brooke Garner

Assistant Professor

Person

headshot of susan cianciolo

Susan Cianciolo

Assistant Professor

Person

headshot of shane gabier

Shane Gabier

Visiting Professor

Person

Our Alumni

A collage of textiles, models wearing Margaret Burton designs, fashion design sketches and inspirational arts.
Margaret Burton Inc 
Pratt Fashion alumna 2016

Pratt’s distinguished alums are leading thriving careers, addressing critical challenges and creating innovative work that reimagines our world, at a diverse selection of companies and institutions. They also go on to become entrepreneurs and principals leading their own studios and businesses.

Where They Work

  • Tory Burch 
  • Thom Browne 
  • Ulla Johnson 
  • Maryam Nassir Zadeh
  • The Row
  • Adidas
  • Christopher John Rogers 
  • Calvin Klein 
  • Altuzarra
  • Monse

News & Events

Ready for More?

HERE’S HOW TO APPLYPORTFOLIO HELPOUR CAMPUS & BEYOND
Thinking seriously about Pratt? Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Building your portfolio can be daunting. We’ll answer your questions and help you feel confident about the portfolio you submit with your application. Start building your portfolio, now.Find yourself at home at Pratt: our residence halls, student organizations, athletics, exhibitions, events, the amazing City of New York and our Brooklyn neighbors. Check us out.
@prattfashion
Pratt Fashion

@prattfashion

  • Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
  • Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
LIMINALITY by Yalei Fang | @yalei_offical 

Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation.

Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation.

By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 LIMINALITY by Yalei Fang | @yalei_offical Liminality explores the transitional space between tradition and modernity, memory and future. Using fashion as a medium to question how cultural identity evolves, Yalei Fang redefines nostalgia and femininity through garments rooted in transformation. Inspired by the cultural shifts of the 1990s, the collection blends Eastern and Western aesthetics, reimagining the qipao in contemporary silhouettes that balance structure and fluidity. Laser cutting, silkscreen printing, and digital textile development echo the precision of Chinese papercutting while embracing modern innovation. By merging stretch fabrics with rigid felt and layering distorted prints with tonal micro-patterns, Liminality creates a visual language of transition, where heritage and progress coexist in motion. @prattinstitute @pratt_sod @prattfashion
21 hours ago
View on Instagram |
1/9
Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
NAKED IN THE SAVANNA by Bora Erden | @3ora_ 

Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness.

Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability.

These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. 

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 NAKED IN THE SAVANNA by Bora Erden | @3ora_ Naked in the Savanna explores stillness, beauty, and elegance within desolate landscapes. Inspired by the quiet grace of the Guinea Fowl and the vast calm of the African savanna, the collection engages with both literal and symbolic nakedness. Delicate dotted patterns, drawn from the bird’s plumage, echo fragility and resilience, appearing across fluid silhouettes and structured forms. References to Herbert List’s photographs of the male nude and Jun Kaneko’s ceramics deepen the narrative, where rhythm and surface express vulnerability. These elements create a suspended world where solitude becomes a space for reflection, emotion, and quiet transformation. @prattinstitute @pratt_sod @prattfashion
21 hours ago
View on Instagram |
2/9
Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign 

Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding.

Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture.

This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 EMOTIONAL ARMOR by Ava Truckenbrod | @avatruckdesign Emotional Armor examines the quiet conflict beneath intimacy, where tenderness and vulnerability carry the threat of emotional exposure. Tracing the invisible lines between desire and protection, each piece embodies the tension between offering and withholding. Through layered silhouettes, concealed closures, and contrasting materials, the collection explores the contradictions of feminine connection, where softness is expected, but fear quietly shapes every gesture. This internal push and pull reflects the fragile experience of navigating closeness while retreating into self-imposed isolation. Emotional Armor opens a space for reflection on trust, connection, and the performance of vulnerability. @prattinstitute @pratt_sod @prattfashion
21 hours ago
View on Instagram |
3/9
Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DISSOCIATION by Angie Yutong Zhou | @ang1e__ 

Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt.

These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 DISSOCIATION by Angie Yutong Zhou | @ang1e__ Dissociation transforms an internal struggle into a tactile, visual narrative. By bridging physical textures with emotional states, each piece invites intimate engagement, offering comfort within discomfort. Structured leather and soft knits, the collection explore the contrast between resilience and vulnerability. Wave-like forms symbolize the ebb and flow of anxiety, while intricate knitting patterns reflect confusion and doubt. These tensions mirror the fragmented experience of feeling both present and absent within one’s own body. Dissociation opens a space for reflection and conversation around mental health, identity, and the invisible complexities of being. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
4/9
Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
IN TANDEM by Lily Lonigan | @li.el.lo 

In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs.

In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 IN TANDEM by Lily Lonigan | @li.el.lo In Tandem bases itself on the idea that Lily is a product of her environment. She takes inspiration from the lives and interests of her parents and the particularly designed environments in which she was raised. The collection pulls from memories of furniture, her mom’s gardens, her dad’s car interiors, and symbols of their past work such as her dad’s sneaker designs. In Tandem is a practice of nostalgia and familial gratitude, piecing together through fragments of memory, spaces that don’t exist anymore. There is an emphasized consideration for silhouette, layering, and texture, with a focus on mixing materials and manipulation techniques. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
5/9
Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera 

THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence.

Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion.

With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 THE MISFORTUNES OF EUGENE by Noah Luca Weisberg | @caspianera THE MISFORTUNES OF EUGENE is a pseudo-autobiographical collection told through the lens of Eugene, a pitiful middle-school nerd navigating bullies, awkward crushes, and an overbearing mom, all while desperately trying to survive adolescence. Alongside an illustrated children’s book, this satirical collection transforms moments of middle-school misery into storytelling garments. Hidden stolen tests line Gregory’s gym shorts, Alice wears her 1st place ribbon as a top, and Eugene’s anti-pantsing shorts become a quiet act of rebellion. With humor, vulnerability, and richly layered design, Noah Luca Weisberg brings Eugene’s misfortunes to life, blurring the line between fiction, memory, and fashion. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
6/9
Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
I’M A PUNK BUNNY by Joy Qiu | @zing.qiu 

I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity.

Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed.

With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 I’M A PUNK BUNNY by Joy Qiu | @zing.qiu I’M A PUNK BUNNY is where leather, fur, and denim go to fight knit, cotton, and mesh. For Joy Qiu, punk is about holding yourself together with passion and identity. Inspired by metal music, Japanese punk, and her East Asian culture, Joy uses this collection to express individuality within a very homogeneous society. She utilizes denim, fur, and leather as representations of skin—to be turned inside out, to be destroyed, to be reconstructed. With this work, she hopes her aesthetic can innovate a new style based on her understanding of contemporary punk, one that makes people feel cute, cool, fun, and elegant all at once. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
7/9
Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 

Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock.

Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch.

The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 COGS IN THE WHEEL by Jiahe Heidi Du | @pantherinn2023 Cogs in the Wheel is a history-based character study constructed by Jiahe Heidi Du. The first look begins with Drama Yoshiko, a controversial female spy in the Second Sino-Japanese War of the 1930s. She is a villain, a bisexual dominatrix, a ridiculous peacock. Another figure is a drug-addicted empress with a hunchback and drooping shoulders—a child emperor of a fallen empire, with a tiny shoulder and a floor-length shabby coat featuring ladder stitch and unfinished tailor stitch. The collection also includes characters drawn from more personal inspiration. Heidi’s grandmother, born in the year of the dragon, 1952—just seven years after the end of the Second Sino-Japanese War—became a point of reference. Inspired by her look, Heidi created additional fictional characters: Lady Butcher, a special big girl surrounded by prejudice and bias from her neighbors, and a prostitute in shadow, whose face can never be seen. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
8/9
Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025
DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids 

Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York.

Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance.

@prattinstitute @pratt_sod @prattfashion
Fashion BFA, Fashion Show 2025 DRIVING HOME by Lillian Krueger | @puppydog_lillian_coolvids Lillian Krueger’s collection, Driving Home, is a love letter to her upbringing in the American Midwest, an exploration of how those early experiences shaped her values, personal taste, and life today as a young adult in New York. Deeply inspired by shared moments with loved ones, Lillian uses familiar fabrics and recognizable silhouettes to evoke warmth and connection. Her goal: to create pieces that feel comforting and empowering—clothes made for a wide range of people who find confidence in ease and emotional resonance. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
9/9

From the Catalog