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Explore fashion from broad social and cultural perspectives, developing designs that respond to the issues shaping our world. Cultivate your design practice through an innovative program that emphasizes purposeful material resources, contextual relevance, embodiment, and identity.
Type
Undergraduate, BFA
Credits
126
Duration
4 years (8 semesters)
Courses
Plan of Study
School and Department
School of Design,
Fashion Design

Making—and Change Making: A Commitment to Craft and Sustainable Design

Our process is deeply hands-on, grounded in material exploration, experimentation, and a commitment to craft. Here in Fashion, you will engage with various ways of making, from digital methods to traditional practices, and prioritize responsive design and sustainability. You can even get your hands dirty in the Textile Dye Garden or master the 3-D knitting machines as you discover the joys and challenges of making. 

Christen Lee,: Free Hand,  Fashion Design BFA ‘25. Photography: Thomas McCarty.

Move Beyond Aesthetics to Emotion and Feeling

We approach fashion by exploring how something feels on a body and not just how it looks. This shift to the experiential opens up new possibilities and amplifies what fashion and clothing can do. We move beyond visual aesthetics to explore design that is responsive to emotion, embodiment, and identity and place.

“It’s different from some of the other programs that we know people attended outside of Pratt. Pratt had a big focus on the handwork, making processes, and materiality. To create your own habit of working. Creating our own studio practice started at Pratt, just nurturing this love of making and of designing and creating.”

Sophie Andes-Gascon, BFA Fashion Design ’15
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Join a Creative Community 

Your design voice will develop through craft, making, critical thinking, and active engagement with the Pratt community. Our integrated approach encourages you to construct unique garments informed by design theory and sustainable practices, positioning you to contribute meaningfully and responsibly to the future of fashion.

Several people sit closely around a table indoors, smiling and talking while handling yarn, fabric, and small tools during a communal textile mending activity.
Gianna Breinig & Alma Rosado, BFA ‘27. Mending Circle.
An overhead view shows a group seated on a striped blanket outdoors, surrounded by yarn, cups, notebooks, and small tools during a casual textile-focused gathering on grass.

State-of-the-Art Facilities

Our world-class studios and labs provide a variety of resources, including advanced tools such as Shima Seiki 3-D knitting machines, 3-D printers, laser cutters, and Framis NOSO technology. In addition, Pratt students have access to the Material Lab, Textile Research Library, and our transportive Textile Dye Garden right on campus.

Intern in NYC’s Fashion Industry

Gain direct exposure to and hands-on, professional studio experience in the New York fashion design industry through internships at top design companies, including Thom Browne, Alexander Wang, Luar, Monse, Three As Four, Kallmeyer, Tibi, Christian Siriano, Alicia Olive, and Oscar de la Renta. Fashion students are required to complete three credits of internship during their course of study. A Pratt faculty adviser guides each student throughout the experience.

Internships in Sustainable and Ethical Design

We encourage our students to collaborate with brands committed to ethical and ecologically conscious practices, empowering them to create garments that honor both the environment and the artistry of fashion. Brands include:

Our Faculty

Faculty are committed to creating positive change in the expansive industry called fashion. With diverse educational and professional backgrounds, our faculty represent the breadth of fashion design’s complexity, including Susan Cianciolo, Shane Gabier, Adrienne Jones, Brooke Garner, Isa Rodrigues, Gina Gregorio, Andrea Katz, Dean Sideway, and Jane B. Nord Professor of Fashion Design Byron Lars. See all Fashion Design faculty and administrators.

  1. Shane Gabier

    Visiting Professor

  2. Gina Gregorio

    Adjunct Professor – CCE; STEP Instructor

  3. Adrienne Jones

    Professor

  4. Byron Lars

    Jane B Nord Professor of Fashion Design

  5. Isa Rodrigues

    Adjunct Assistant Professor; STEP Instructor; K-12 Center Instructor

From the Catalog

Showcase Your Vision

Present your work through multiple high-profile platforms that ensure exposure to industry leaders.

Pratt Shows: The Design Show and The Fashion Show

Present your senior thesis collection in two dynamic formats: The Design Show, an intimate exhibition focused on craft and concept, and The Fashion Show, a full-scale runway production celebrating your work in motion. These events include industry previews and a curated lookbook, giving you direct access to fashion experts and potential employers.

An open fashion lookbook lies on a white surface, displaying a model wearing an all-white tailored outfit photographed against a neutral studio background.
BFA Fashion Design ‘25 Lookbook. Photography: Thomas McCarty. Design: Anmol Baliga

Industry Competitions

Gain national and international recognition by participating in prestigious competitions like the Supima Design Competition, the Woolmark Prize, and Joe’s Black Book. Integrated into our curriculum, these opportunities offer scholarship support and invaluable industry exposure.

A fashion exhibition scene showing garments displayed on minimalist metal racks under gallery lighting, with visitors standing nearby and examining the clothing in a large open hall.
Pratt Design Show. Work of Jacob Khalil, Vespers IX, BFA ’26, and Zoey Yulin Xiao, BFA ’26.

Student Work

Watch our annual fashion show and imagine what you might do here at Pratt Fashion! Through rigorous attention to production, technique, and contemporary aesthetics, you’ll develop your design practice and with it, agency to create change.

Connect with Fashion’s Leading Visionaries

A group of people stand around a table in a fashion studio while one person gestures to an open book, discussing design work in a collaborative classroom setting.
Senior Student Portfolio Review with Designer Nicholas Daley, 2025.

Connect directly with industry leaders through our acclaimed Black Dress Talks lecture series, exclusive senior previews with industry guests, and intimate in-class critiques from visiting experts. This constant engagement ensures you build a strong professional network and gain invaluable, real-world feedback throughout your time at Pratt.

Study Abroad: Your Global Studio

Expand your design practice on a global scale. Study in major fashion capitals through our partnerships with leading institutions like London College of Fashion and Central Saint Martins at University of the Arts London and Kingston University in London and Paris College of Art. Or, immerse yourself in traditional craft through experiential courses, such as our traditional textile course in Oaxaca, Mexico, and learn from global artisan communities and cultures firsthand.

Career Paths After Graduation

Fashion is a dynamic and expansive industry that offers a wide range of career opportunities beyond the traditional role of a fashion designer. Our graduates go on to shape the field in diverse and meaningful ways.

Career paths include:

  • Fashion design: specializing in menswear, womenswear, kidswear, wovens, knitwear, cut and sew, textiles, accessories, and footwear
  • Industry and production: roles in research, concept design, design and development, production, technical design, patternmaking, garment technology, sustainability, and quality control
  • Fashion business: roles such as buyer, sales manager, and retail buyer
  • Fashion communications: careers in styling, merchandising, marketing, social media, public relations, and brand communication
  • Costume design: For theater, opera, ballet, and other performance arts
  • Textile design and art: Including textile designers for interiors and accessories and independent textile artists
  • Entrepreneurship: launching and growing independent fashion brands

Our curriculum is designed to prepare students to engage critically and creatively across this wide spectrum, empowering them to find their unique voice and professional direction in the global fashion landscape.

Career Support for Life

professor speaking to students, in a clothes workshop, describing clothes on hangers to other students, other clothes on hangers in the background

Students and alumni can schedule one-on-one appointments with career strategists in Pratt’s Center for Career and Professional Development. A career strategist can work with you to develop your job/internship search strategies and life and business plans, as well as review résumés, cover letters, websites, and other marketing materials.

Ready for More?

HERE’S HOW TO APPLYPORTFOLIO HELPOUR CAMPUS & BEYOND
Thinking seriously about Pratt? Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Building your portfolio can be daunting. We’ll answer your questions and help you feel confident about the portfolio you submit with your application. Start building your portfolio, now.Find yourself at home at Pratt: our residence halls, student organizations, athletics, exhibitions, events, the amazing City of New York and our Brooklyn neighbors. Check us out.
@prattfashion
Pratt Fashion

@prattfashion

  • Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
  • We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
  • Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
  • Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house.

Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production.

As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility.

To read more, check out the full New York Times article.

Photo: Tessa Belle Dillman for The New York Times

#FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
Meet Giovanna Flores, Pratt alumna, professor, and NYC-based designer, who is proving that creativity doesn't require the backing of a major fashion house. Known for handcrafting each piece, transforming deadstock and reclaimed materials through upcycling, and embracing an intuitive, experimental design process, Flores is redefining what independent fashion can be. Her work blurs the boundaries between art, craft, and clothing, celebrating individuality, sustainability, and thoughtful production. As consumers increasingly seek authenticity over mass production, designers like Flores are leading a new generation of fashion rooted in creativity, community, conscious making, and environmental responsibility. To read more, check out the full New York Times article. Photo: Tessa Belle Dillman for The New York Times #FashionDesign #IndependentFashion #Upcycling #SlowFashion #SustainableStyle #NYCFashion #EmergingDesigner #CreativeProcess #FashionInnovation #CircularFashion
6 days ago
View on Instagram |
1/9
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices.

For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today.

The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation.

As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality.

Congratulations, Susan!

Read the full feature at Art Basel Stories

Photography: Charles Benton & Nick Sethi

@prattinstitute 

#SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
We are thrilled to celebrate our faculty member, Susan Cianciolo, who is featured in a recent Art Basel profile recognizing her as one of New York's most original and influential creative voices. For more than three decades, Cianciolo has worked at the intersection of fashion, art, performance, and craft, building a practice that defies traditional categories. Best known for her groundbreaking label RUN (1995–2001), she fostered a collaborative and community-driven approach to fashion that continues to inspire artists and designers today. The Art Basel feature highlights Cianciolo's upcoming presentation with Hoffman Donahue at Art Basel 2026, bringing together archival materials, new DIY kits, film, and sculptural works that reflect her lifelong commitment to handwork, storytelling, and creative experimentation. As an educator, artist, and mentor, Susan continues to challenge conventional boundaries between disciplines while encouraging new generations of designers to embrace curiosity, craft, and individuality. Congratulations, Susan! Read the full feature at Art Basel Stories Photography: Charles Benton & Nick Sethi @prattinstitute #SusanCianciolo #ArtBasel #FashionAndArt #RUN #CreativePractice #FashionEducation #FacultySpotlight #EmergingDesigners #ContemporaryArt #FashionDesign
1 week ago
View on Instagram |
2/9
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Cork, Kerala by Caleb Callahan @cccaalleebbb 

Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination.
By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations.
Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 Cork, Kerala by Caleb Callahan @cccaalleebbb Cork, Kerala explores the shared histories of Irish and Indian anti-colonial movements through the language of fashion. Drawing on the ways clothing has served as political protest, revolutionary uniform, and a symbol of community, Caleb Callahan creates a collection that connects two distinct cultures through their common pursuit of self-determination. By weaving together references from Irish and Indian craft traditions, particularly weaving and embroidery, the collection highlights both cultural specificity and shared resistance. Historical and contemporary influences are collaged into garments that reflect on the enduring impact of colonialism and imperialism across generations. Through fashion, Cork, Kerala invites viewers to consider how clothing can carry memory, identity, and political meaning, while offering a creative response to institutional forces that continue to shape the world today. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
3/9
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Silicon Lung by Auguste Dubois @soggyogg 

In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion.
Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process.
Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 Silicon Lung by Auguste Dubois @soggyogg In Silicon Lung, Auguste Dubois explores the evolving relationship between humanity, technology, and craft. The collection approaches the computer with empathy, reflecting on its transformation from a simple tool into something that increasingly mirrors human behavior, memory, and emotion. Drawing from Atomic Age futurism and traditional knitting techniques, Auguste creates garments that act as artifacts of humanity, embodying our love, loss, history, and contradictions. The work questions the rapid industrialization of fashion and advocates for the enduring value of the human hand in the creative process. Combining flatbed machine knitting, SHIMA technology, hand knitting, and hand-built ceramic elements, Silicon Lung bridges the mechanical and the handmade, proposing a future where technology and craftsmanship coexist rather than compete. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
4/9
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Farmordotter by Lia Skøien @liaskoien 

Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition.
Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity.
Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 Farmordotter by Lia Skøien @liaskoien Drawing inspiration from the Norwegian folk dress, the Bunad, Lia Skøien explores the intersection of heritage, identity, and uniformity. Rich with embroidery, embellishment, and generations of personal history, the Bunad serves as a symbol of an evolving self—one shaped by memory, craft, and tradition. Influenced by a family history of uniforms, including pilots, Air Force personnel, and flight attendants, Lia contrasts the individuality of folk dress with the structure and anonymity of professional attire. Through reimagined aprons, pilot epaulettes, parachute backpacks, and stewardess scarves, she creates a dialogue between personal expression and collective identity. Using custom prints and textiles derived from traditional Bunad motifs, Farmordotter reflects on the ways we inherit, perform, and redefine who we are. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
5/9
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Wearable Comfort by Xuanyi Li @xuanyyyyyi 

Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries.
Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion.
More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 Wearable Comfort by Xuanyi Li @xuanyyyyyi Inspired by a beloved plush dog passed down from her younger brother, Xuanyi Li's collection explores the psychology of attachment, comfort, and the profound meaning of repair. Through tactile faux furs, distressed textures, and oversized silhouettes, the collection transforms cherished memories into wearable sanctuaries. Designed for those seeking security, belonging, and emotional connection, each piece evokes the warmth of a comfort object while inviting personal interaction. Modular and multifunctional elements can be detached and reimagined as scarves, shawls, or accessories, allowing wearers to create their own protective layers and redefine their relationship with fashion. More than clothing, Wearable Comfort is an exploration of healing, memory, and the enduring power of emotional attachment. @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
6/9
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
Hand Me Down by Marisa Sirichartchai @msrchai_ 

Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear.
Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands.
Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 Hand Me Down by Marisa Sirichartchai @msrchai_ Hand Me Down explores the transformation of donated garments as an allegory for growing up and awakening to embodiment and womanhood. Centered on the threshold between being and becoming, the collection examines how identity evolves over time and how memory leaves its mark on both the body and the garments we wear. Drawing inspiration from childhood memories of her mother braiding her hair, Marisa Sirichartchai uses braiding as a metaphor for care, connection, and personal transformation. Strips of donated T-shirts are braided into new textiles, carrying with them the touch, history, and lived experiences of many hands. Through processes of deconstruction, weaving, and silkscreen printing, repurposed garments are reimagined into new forms. By intentionally revealing seams, signs of wear, and acts of repair, Hand Me Down challenges the culture of disposable fashion and positions clothing as a living archive, one that preserves memory, embodies relationships, and reflects the ongoing process of becoming. @prattinstitute @pratt_sod @prattfashion
2 weeks ago
View on Instagram |
7/9
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
The Black Cyborg by Mitchen Hallie @m33chen 

The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems.
Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility.
At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 The Black Cyborg by Mitchen Hallie @m33chen The Black Cyborg explores themes of Afrofuturism, Black survival, and the evolving meaning of revolution in an increasingly technological world. The collection examines how technological advancement has historically functioned as a tool of oppression and asks what the future might hold for the Black diaspora within these systems. Through the figure of the cyborg, Mitchen Hallie challenges narratives that flatten and commodify Black identity to make it more easily consumed. Rather than conforming to these frameworks, this cyborg continuously redefines and reconstructs itself, emerging as a form of “Divine Machinery”—a symbol of resistance, self-determination, and revolutionary possibility. At its core, The Black Cyborg emphasizes the importance of self-love and self-preservation in the face of systems that seek to dehumanize individuals and reduce them to mechanized components. By merging Afrofuturist thought with powerful visual storytelling, the collection imagines a future where Black identity is celebrated, empowered, and free to exist beyond imposed limitations. @prattinstitute @pratt_sod @prattfashion
2 weeks ago
View on Instagram |
8/9
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026
El Futuro y El Alma by Stephanie Silva @steph.ds.jpg

El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation.
As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities.
By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope.

@prattinstitute @pratt_sod @prattfashion
Fashion Design BFA, Fashion Show 2026 El Futuro y El Alma by Stephanie Silva @steph.ds.jpg El Futuro y El Alma draws inspiration from Latino-futurism, a genre that reimagines the future through the lens of Latin American identity, history, and resilience. Through thoughtful craftsmanship and extensive hand-made techniques, Stephanie Silva's collection explores themes of labor, community, and cultural reclamation. As science fiction increasingly reflects contemporary social and political realities, the collection envisions a post-colonial future where Latin American communities reconnect with ancestral traditions, reclaim the value of their labor, and invest their skills and creativity back into their communities. By merging futurist narratives with cultural heritage, El Futuro y El Alma presents a compelling vision of identity, self-determination, and collective renewal, highlighting the power of fashion as a vehicle for storytelling, resistance, and hope. @prattinstitute @pratt_sod @prattfashion
2 weeks ago
View on Instagram |
9/9