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Explore fashion from broad social and cultural perspectives, developing designs that respond to the issues shaping our world. Cultivate your design practice through an innovative program that emphasizes purposeful material resources, contextual relevance, embodiment, and identity.
A person stands behind a clear podium with a “Pratt” sign, smiling and speaking while holding an award during a formal fashion-related presentation or ceremony.
Designer Nicholas Daley receiving Pratt Visionary Award 2025.
Type
Undergraduate, BFA
Credits
126
Duration
4 years (8 semesters)
Courses
Plan of Study
School and Department
School of Design,
Fashion Design

Making—and Change Making: A Commitment to Craft and Sustainable Design

Our process is deeply hands-on, grounded in material exploration, experimentation, and a commitment to craft. Here in Fashion, you will engage with various ways of making, from digital methods to traditional practices, and prioritize responsive design and sustainability. You can even get your hands dirty in the Textile Dye Garden or master the 3-D knitting machines as you discover the joys and challenges of making. 

Christen Lee,: Free Hand,  Fashion Design BFA ‘25. Photography: Thomas McCarty.

Move Beyond Aesthetics to Emotion and Feeling

We approach fashion by exploring how something feels on a body and not just how it looks. This shift to the experiential opens up new possibilities and amplifies what fashion and clothing can do. We move beyond visual aesthetics to explore design that is responsive to emotion, embodiment, and identity and place.

“It’s different from some of the other programs that we know people attended outside of Pratt. Pratt had a big focus on the handwork, making processes, and materiality. To create your own habit of working. Creating our own studio practice started at Pratt, just nurturing this love of making and of designing and creating.”

Sophie Andes-Gascon, BFA Fashion Design ’15
Read More

Join a Creative Community 

Your design voice will develop through craft, making, critical thinking, and active engagement with the Pratt community. Our integrated approach encourages you to construct unique garments informed by design theory and sustainable practices, positioning you to contribute meaningfully and responsibly to the future of fashion.

Several people sit closely around a table indoors, smiling and talking while handling yarn, fabric, and small tools during a communal textile mending activity.
Gianna Breinig & Alma Rosado, BFA ‘27. Mending Circle.
An overhead view shows a group seated on a striped blanket outdoors, surrounded by yarn, cups, notebooks, and small tools during a casual textile-focused gathering on grass.

State-of-the-Art Facilities

Our world-class studios and labs provide a variety of resources, including advanced tools such as Shima Seiki 3-D knitting machines, 3-D printers, laser cutters, and Framis NOSO technology. In addition, Pratt students have access to the Material Lab, Textile Research Library, and our transportive Textile Dye Garden right on campus.

Intern in NYC’s Fashion Industry

Gain direct exposure to and hands-on, professional studio experience in the New York fashion design industry through internships at top design companies, including Thom Browne, Alexander Wang, Luar, Monse, Three As Four, Kallmeyer, Tibi, Christian Siriano, Alicia Olive, and Oscar de la Renta. Fashion students are required to complete three credits of internship during their course of study. A Pratt faculty adviser guides each student throughout the experience.

Internships in Sustainable and Ethical Design

We encourage our students to collaborate with brands committed to ethical and ecologically conscious practices, empowering them to create garments that honor both the environment and the artistry of fashion. Brands include:

Our Faculty

Faculty are committed to creating positive change in the expansive industry called fashion. With diverse educational and professional backgrounds, our faculty represent the breadth of fashion design’s complexity, including Susan Cianciolo, Shane Gabier, Adrienne Jones, Brooke Garner, Isa Rodrigues, Gina Gregorio, Andrea Katz, Dean Sideway, and Jane B. Nord Professor of Fashion Design Byron Lars. See all Fashion Design faculty and administrators.

  1. Shane Gabier

    Visiting Professor

  2. Gina Gregorio

    Adjunct Professor – CCE; STEP Instructor

  3. Adrienne Jones

    Professor

  4. Byron Lars

    Jane B Nord Professor of Fashion Design

  5. Isa Rodrigues

    Adjunct Assistant Professor; K-12 Center Instructor

From the Catalog

Showcase Your Vision

Present your work through multiple high-profile platforms that ensure exposure to industry leaders.

Pratt Shows: The Design Show and The Fashion Show

Present your senior thesis collection in two dynamic formats: The Design Show, an intimate exhibition focused on craft and concept, and The Fashion Show, a full-scale runway production celebrating your work in motion. These events include industry previews and a curated lookbook, giving you direct access to fashion experts and potential employers.

An open fashion lookbook lies on a white surface, displaying a model wearing an all-white tailored outfit photographed against a neutral studio background.
BFA Fashion Design ‘25 Lookbook. Photography: Thomas McCarty. Design: Anmol Baliga

Industry Competitions

Gain national and international recognition by participating in prestigious competitions like the Supima Design Competition, the Woolmark Prize, and Joe’s Black Book. Integrated into our curriculum, these opportunities offer scholarship support and invaluable industry exposure.

A fashion exhibition scene showing garments displayed on minimalist metal racks under gallery lighting, with visitors standing nearby and examining the clothing in a large open hall.
Pratt Design Show. Work of Jacob Khalil, Vespers IX, BFA ’26, and Zoey Yulin Xiao, BFA ’26.

Student Work

Watch our annual fashion show and imagine what you might do here at Pratt Fashion! Through rigorous attention to production, technique, and contemporary aesthetics, you’ll develop your design practice and with it, agency to create change.

Connect with Fashion’s Leading Visionaries

A group of people stand around a table in a fashion studio while one person gestures to an open book, discussing design work in a collaborative classroom setting.
Senior Student Portfolio Review with Designer Nicholas Daley, 2025.

Connect directly with industry leaders through our acclaimed Black Dress Talks lecture series, exclusive senior previews with industry guests, and intimate in-class critiques from visiting experts. This constant engagement ensures you build a strong professional network and gain invaluable, real-world feedback throughout your time at Pratt.

Study Abroad: Your Global Studio

Expand your design practice on a global scale. Study in major fashion capitals through our partnerships with leading institutions like London College of Fashion and Central Saint Martins at University of the Arts London and Kingston University in London and Paris College of Art. Or, immerse yourself in traditional craft through experiential courses, such as our traditional textile course in Oaxaca, Mexico, and learn from global artisan communities and cultures firsthand.

Career Paths After Graduation

Fashion is a dynamic and expansive industry that offers a wide range of career opportunities beyond the traditional role of a fashion designer. Our graduates go on to shape the field in diverse and meaningful ways.

Career paths include:

  • Fashion design: specializing in menswear, womenswear, kidswear, wovens, knitwear, cut and sew, textiles, accessories, and footwear
  • Industry and production: roles in research, concept design, design and development, production, technical design, patternmaking, garment technology, sustainability, and quality control
  • Fashion business: roles such as buyer, sales manager, and retail buyer
  • Fashion communications: careers in styling, merchandising, marketing, social media, public relations, and brand communication
  • Costume design: For theater, opera, ballet, and other performance arts
  • Textile design and art: Including textile designers for interiors and accessories and independent textile artists
  • Entrepreneurship: launching and growing independent fashion brands

Our curriculum is designed to prepare students to engage critically and creatively across this wide spectrum, empowering them to find their unique voice and professional direction in the global fashion landscape.

Career Support for Life

professor speaking to students, in a clothes workshop, describing clothes on hangers to other students, other clothes on hangers in the background

Students and alumni can schedule one-on-one appointments with career strategists in Pratt’s Center for Career and Professional Development. A career strategist can work with you to develop your job/internship search strategies and life and business plans, as well as review résumés, cover letters, websites, and other marketing materials.

Ready for More?

HERE’S HOW TO APPLYPORTFOLIO HELPOUR CAMPUS & BEYOND
Thinking seriously about Pratt? Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Building your portfolio can be daunting. We’ll answer your questions and help you feel confident about the portfolio you submit with your application. Start building your portfolio, now.Find yourself at home at Pratt: our residence halls, student organizations, athletics, exhibitions, events, the amazing City of New York and our Brooklyn neighbors. Check us out.
@prattfashion
Pratt Fashion

@prattfashion

  • We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
  • Textile and Social Activism — All-Institute Elective

Explore how fashion, textiles, and fiber arts become powerful tools for activism. In this course, you’ll dive into the global history of craftivism, its key cultural and political tensions, and hands-on fabrication techniques using textiles and soft materials.

Students will create soft objects that challenge viewers to question the world as it is, and imagine the changes they want to see. 🌍🧵

Don’t miss your chance to join!
A few spots are still open — register now!

@prattinstitute @prattfashion @pratt_sod
  • Join Lisa Z Morgan, Chair of Fashion, and Tessa Maffucci, Assistant Chair of Fashion, for a virtual coffee and conversation on December 17, 2025, from 9:00–10:00 AM (EDT)!

Come learn more about the MFA in Fashion Collection + Communication program and get answers to any last-minute application questions.

Register via the QR code on our MFA Fashion Collection + Communication website.

We look forward to meeting you!

@prattinstitute @pratt_sod @prattfashion 

Image: Professor Dean Sidaway
  • Join us for the first sophomore exhibition, led by Prof. Susan Cianciolo, on Wednesday, December 3rd, from 4:00–7:00 PM at the Student Union.

Our sophomore students will be presenting their work across a range of formats, come explore their projects for the course Contextualizing Fashion I.

*Poster design by Elena Scherer & Shweta Rajesh in the Fashion Illustration course.

All Pratt Community is welcome. We can’t wait to see you there!
  • The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
  • A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
  • We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide.

François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship.

Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition.

Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others.

The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world.

@solstissusa @prattinstitute @prattfashion
  • Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
  • We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections.

Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs.

We can’t wait to see these ideas transformed into final garments in the spring! 
Stay tuned! 💫

@prattinstitute @pratt_sod @prattfashion
We’re wrapping up the semester, and last week our BFA seniors presented their final thesis. Industry guests joined us to offer valuable feedback on the students’ senior collections. Our seniors shared their concepts, inspirations, silhouette and volume studies, along with their muslins, showcasing the incredible groundwork behind their upcoming designs. We can’t wait to see these ideas transformed into final garments in the spring! Stay tuned! 💫 @prattinstitute @pratt_sod @prattfashion
1 week ago
View on Instagram |
1/9
Textile and Social Activism — All-Institute Elective

Explore how fashion, textiles, and fiber arts become powerful tools for activism. In this course, you’ll dive into the global history of craftivism, its key cultural and political tensions, and hands-on fabrication techniques using textiles and soft materials.

Students will create soft objects that challenge viewers to question the world as it is, and imagine the changes they want to see. 🌍🧵

Don’t miss your chance to join!
A few spots are still open — register now!

@prattinstitute @prattfashion @pratt_sod
Textile and Social Activism — All-Institute Elective Explore how fashion, textiles, and fiber arts become powerful tools for activism. In this course, you’ll dive into the global history of craftivism, its key cultural and political tensions, and hands-on fabrication techniques using textiles and soft materials. Students will create soft objects that challenge viewers to question the world as it is, and imagine the changes they want to see. 🌍🧵 Don’t miss your chance to join! A few spots are still open — register now! @prattinstitute @prattfashion @pratt_sod
2 weeks ago
View on Instagram |
2/9
Join Lisa Z Morgan, Chair of Fashion, and Tessa Maffucci, Assistant Chair of Fashion, for a virtual coffee and conversation on December 17, 2025, from 9:00–10:00 AM (EDT)!

Come learn more about the MFA in Fashion Collection + Communication program and get answers to any last-minute application questions.

Register via the QR code on our MFA Fashion Collection + Communication website.

We look forward to meeting you!

@prattinstitute @pratt_sod @prattfashion 

Image: Professor Dean Sidaway
Join Lisa Z Morgan, Chair of Fashion, and Tessa Maffucci, Assistant Chair of Fashion, for a virtual coffee and conversation on December 17, 2025, from 9:00–10:00 AM (EDT)! Come learn more about the MFA in Fashion Collection + Communication program and get answers to any last-minute application questions. Register via the QR code on our MFA Fashion Collection + Communication website. We look forward to meeting you! @prattinstitute @pratt_sod @prattfashion Image: Professor Dean Sidaway
2 weeks ago
View on Instagram |
3/9
Join us for the first sophomore exhibition, led by Prof. Susan Cianciolo, on Wednesday, December 3rd, from 4:00–7:00 PM at the Student Union.

Our sophomore students will be presenting their work across a range of formats, come explore their projects for the course Contextualizing Fashion I.

*Poster design by Elena Scherer & Shweta Rajesh in the Fashion Illustration course.

All Pratt Community is welcome. We can’t wait to see you there!
Join us for the first sophomore exhibition, led by Prof. Susan Cianciolo, on Wednesday, December 3rd, from 4:00–7:00 PM at the Student Union. Our sophomore students will be presenting their work across a range of formats, come explore their projects for the course Contextualizing Fashion I. *Poster design by Elena Scherer & Shweta Rajesh in the Fashion Illustration course. All Pratt Community is welcome. We can’t wait to see you there!
3 weeks ago
View on Instagram |
4/9
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste.

What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story.

Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design.

The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability.

@prattinstitute @pratt_sod @prattfashion 

#MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
The @prattmendingcircle is more than a sewing meet-up, it's a space to pause, connect, and care for both garments and community. Students gather with fabric, thread, buttons, and tea to repair their clothing, learn new techniques, and rethink their relationship to material waste. What began as a small bi-monthly gathering has grown into a registered student-led club, founded by @giannagracedesign (BFA Fashion Design ’27) and guided by Professor Brooke Garner. For Gianna, mending isn’t just about fixing what’s broken, it’s about visible mending, a practice that celebrates each stitch as part of a garment’s ongoing story. Through sustainable repair methods, upcycling workshops, and hands-on skill-building, the Mending Circle encourages students to slow down, reuse what they have, and transform wear-and-tear into intentional, expressive design. The club continues to expand its programming with mending workshops, clothing swaps, guest talks, and future gallery exhibitions, inviting more students to rethink fashion through care, creativity, and sustainability. @prattinstitute @pratt_sod @prattfashion #MendingCircle #SustainableFashion #PrattInstitute #VisibleMending #EcoFashion #CommunityCare #SlowFashion
3 weeks ago
View on Instagram |
5/9
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc 

Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge.

She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance.

Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla.

An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making. 

💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
A few weeks ago, we had the pleasure of hosting an online session with multidisciplinary artist @citlalli.parra, joining us from San Miguel de Allende, Mexico, as part of the course Artisans, Textiles, and Designers, a course that is partially taught in Oaxaca, Mexico, by professor @jamesmendolia.nyc Citlalli’s practice is grounded in traditional ecological knowledge, weaving together contemporary aesthetics, nature-inspired materials, and ancestral techniques. Her work challenges dominant fashion practices by opening conversations about social justice, labor, and globalization, and by honoring the depth of pre-Hispanic knowledge. She shared her deep interest in natural dyeing and weaving with maguey, pita, and jute, materials deeply rooted in Mexico’s long-standing traditions, especially agave, an emblematic fiber of the country. Working with agave or maguey fiber has led her to develop a profound appreciation for its many uses, its mystical associations, and its cultural and pre-Hispanic significance. Citlalli has also extended her knowledge of natural and pre-Hispanic pigments with the guidance of chemist and pigment specialist Sara Pineda, through a specialty in her group Malinalcalli, further deepening her commitment to artistic innovation and to preserving Mexico’s cultural heritage. Their work includes pigments extracted from Zacatlaxcalli (Cuscuta tinctoria), maíz morado, and grana cochinilla. An essential part of her practice is collaborating with artisans. As Citlalli shared, this collaboration has strengthened her purpose: to honor the remarkable skill and ancestral knowledge of master artisans—and of her own ancestors—with deep respect and humility, valuing process, time, and making.  💫We are grateful for her generosity, her knowledge, and the powerful connection she brings between land, craft, and contemporary artistic practice.
1 month ago
View on Instagram |
6/9
We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide.

François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship.

Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition.

Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others.

The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world.

@solstissusa @prattinstitute @prattfashion
We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide.

François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship.

Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition.

Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others.

The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world.

@solstissusa @prattinstitute @prattfashion
We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide.

François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship.

Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition.

Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others.

The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world.

@solstissusa @prattinstitute @prattfashion
We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide.

François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship.

Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition.

Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others.

The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world.

@solstissusa @prattinstitute @prattfashion
We were thrilled to welcome Solstiss, the leading and oldest French Leavers lace manufacturer based in Caudry, France, along with lace expert François Damide. François shared with our students the fascinating history of lace and introduced the Solstiss Academy, inspiring the next generation of designers with his deep knowledge and passion for craftsmanship. Renowned for its exceptional artistry, diverse lace designs, and extensive color palette, Solstiss continues to push the boundaries of textile innovation and tradition. Their exquisite lace has graced the collections of designers such as Chanel, Dior, Dolce & Gabbana, and Michael Kors, among many others. The creativity and quality of Solstiss’ work make it one of the most sought-after lace houses in the world. @solstissusa @prattinstitute @prattfashion
1 month ago
View on Instagram |
7/9
Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
Our junior students presented their first looks from the Shape and Form I class! 
After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️
Here are some of their wonderful creations!
Our junior students presented their first looks from the Shape and Form I class! After completing their first cut-and-sew project, where they learned to work with elastics and apply different trims, students took on their second challenge: creating a full look using repurposed knits. 🧶♻️ Here are some of their wonderful creations!
2 months ago
View on Instagram |
8/9
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression.

Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley.

The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin.

The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin.

We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫

#FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
We’re thrilled and honored to share that our talented student @mariam.shengelia has been named one of the winners of Caftan: Style as Liberation and Cultural Exchange, a design competition celebrating creativity, heritage, and expression. Her remarkable piece was exhibited at the Park Avenue Armory, as part of Making Space at The Armory — a series curated by professor and Guggenheim Fellow Tavia Nyong’o, honoring the legacy of André Leon Talley. The event was hosted by @feek____, Joyce F. Brown, @amyfinecollinsibdl, @evanmock, @yoadriennekatz, Ariel Osterweis, @jordan_roth, @sirsargent, @moses, @projectkendall, and @emilwilbekin. The celebration continued with a vibrant salon day and a powerful panel discussion led by cultural and fashion visionaries Monica Miller, @dario.studio, Tanisha C. Ford, and Emil Wilbekin. We’re so proud to see our community represented among such inspiring voices in fashion and culture. 💫 #FashionDesign #CulturalExchange #AndréLeonTalley #ParkAvenueArmory #MakingSpace #StudentSpotlight #DesignCompetition #EmergingDesigner
2 months ago
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