Broaden your intellectual and personal horizons through the study of art, design, and curatorial practice within a global perspective. Through critical, theoretical, and historical analysis, we encourage respectful awareness of––and engagement with–– our pluralistic community and enlightened understanding of your own material, visual, and cultural environments and your place within them.
History of Art and Design at Pratt
Gain necessary skills and knowledge for a career as an art and design historian, a museum, gallery, or library professional, or to prepare for doctoral studies. By studying global art and design through multidisciplinary and cultural contexts and intensive specialized research, you’ll become an independent and critical thinker and writer, with an understanding of the historical role of art and design. Internships at museums, libraries, nonprofit art organizations, and galleries provide professional opportunities in your area of interest.
The Experience
Learning at the nexus of NYC arts and cultural communities, students in the History of Art and Design MA consider their discipline within larger social, cultural, and political contexts. With class sizes of just 8–12, you’ll collaborate closely with your cohort and faculty and work directly with museum collections and archives.
Internships
Internships at museums, libraries, nonprofit art organizations, and galleries provide professional opportunities in your area of interest and prepare you for future careers. Recent students have interned at prestigious institutions such as the Brooklyn Museum of Art, the Whitney Museum of American Art, and more.
Study Abroad
Immersing yourself in another culture is an unparalleled experience that can extend the boundaries of your intellectual abilities and creativity. Study abroad programs are an integral part of the college and graduate experience, and Pratt has deep connections with university partners around the world. Study in Paris with the Pratt in Paris summer program or in Venice with Pratt in Venice, a 6-week program that recently celebrated its 35th anniversary.
Learning Resources
We develop disciplinary fluency in our program of study and we celebrate the interdisciplinary nature of design critical to address the plurality and complexity of the environments in which we operate. Learn about resources.
Our Faculty
All full-time and part-time faculty are leading scholars and practitioners who are experts in their fields. They are deeply engaged in expanding their disciplines and building equity through their own work in the public, private and nonprofit sectors and bring their commitment, and their experience, into the classroom. See all History of Art and Design faculty and administrators.
Our Alumni
Pratt’s distinguished alumni are leading diverse and thriving careers, addressing critical challenges, and creating innovative work that reimagines our world.
Success Stories
Ready for More?
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You are invited to an HAD Faculty Conversations by Eana Kim, “Art in the Age of Machine Intelligence: From Cybernetics to Generative AI”
* This event is for Pratt community.
Date: Thursday, November 6th
Time: 12:00 - 1:00 pm
Venue: Main 212
About the Project: How do machines see? Artists have long imagined machine vision through codes, algorithms, and feedback systems. This talk traces the evolution of art’s engagement with machine intelligence, from the cybernetic experiments of the 1960s to today’s data-driven installations. Beginning with Harold Cohen’s pioneering program AARON and Vera Molnár’s algorithmic drawings, the lecture follows artists who reimagined creativity through computation. It then considers contemporary practices by Trevor Paglen, Hito Steyerl, Pierre Huyghe, Anicka Yi, Lynn Hershman Leeson, Sasha Stiles, and Refik Anadol. Engaging recent exhibitions such as Jeu de Paume’s The World Through AI, the talk reconsiders art as an interface between human, machine, and environment.
About the Speaker: Eana Kim is a Visiting Assistant Professor in the History of Art and Design at Pratt Institute. She specializes in the intersections of contemporary art, technology, and science, and has published widely as a critic and scholar, with recent writing in Artforum, Flash Art, The Brooklyn Rail, and ARTnews, among others. Before joining Pratt, she held curatorial positions at the Museum of Modern Art and NYU’s Grey Art Museum, contributing to major exhibitions including Jack Whitten: The Messenger and Signals: How Video Transformed the World. She is currently developing a book project on nonhuman intelligence in living-organism-based art.
9 hours ago
The series of Art History 101 posts initiate with the concept of Art Movements with explanation of @edengallery and the chronological list provided by art historian Christopher P Jones.
Don’t forget to check the upcoming posts to learn more about each one of the movements in detail!
#arthistory #arthistory101 #art #artmovements #pratt #pratthad #prattinstitute
2 weeks ago
You are invited to “Heirlooms and Heiresses: How women who inherited Caribbean Slavery wealth funded British art, architecture and interiors,” by Dr. Miranda Kaufmann.
Date: Wednesday, October 22, 2025
Time: 5:30 pm
Venue: ARC E-02
If you are interested in attending, please RSVP using the link in the bio.
* This event is open to general public.
About the Project: A century or two before New York’s wealthiest families sent their daughters to marry into the British aristocracy, heiresses to equally irresistible fortunes founded on Caribbean slavery bought their way into British society. But their global stories touch unexpected people and places, from Marie Antoinette, Napoleon and America’s Founding Fathers, to India and Australia; Charleston, East Florida and New York’s Chelsea. Join Miranda to hear their stories, learn how the story of African enslavement in the Americas was not limited to the United States, and how these heiresses’ heirlooms – their portraits, fine art and furniture – are now scattered across collections globally, including the Met, the Frick, the Getty, even Windsor Castle.
About the Speaker: Dr. Miranda Kaufmann is the author of the Wolfson History Prize-shortlisted book Black Tudors: The Untold Story (2017). She read History at Christ Church, Oxford and is a Senior Research Fellow at the Institute of Commonwealth Studies, University of London. She has worked with English Heritage and the National Trust, taken her work into schools with her Teaching Black Tudors project and to the world with her free Black Tudors: The Untold Story FutureLearn course. Her second book, Heiresses: Marriage, Inheritance and Slavery in the Caribbean (2025), tells the stories of nine British female enslavers and the people they enslaved. www.mirandakaufmann.com
#historyofart #arthistory #ArtAndDesign #pratt #historyofdesign
2 weeks ago
You are invited to “Becoming Leonor Fini – Theatrical Self-Performances between Art and Life,” by Andrea Kollnitz.
* This event is for Pratt community only.
Date: Wednesday, October 15, 2025
Time: 5:30 pm
Venue: ARC E-02
About the Project: Using theories of performativity, this talk explores Leonor Fini’s (1907-1996) self-fashioning and dressing-up practices, highlighting how her extension of artistic creative practices, from painted artworks to her self-creation through costumes, masks and fashion, allowed her to become a living artwork. Fini’s personal theatricality, photographic self-portraits and self-transformative, genderbending, transgressive dressing-up games in relation to surrealist practices, reveal the hybrid identities that made up Fini’s character. Here, the artist’s self-fashioning must be understood as a substantial creative practice developing and confirming artistic and personal autonomy and pointing to an extended concept of art where creation and self-creation powerfully enable each other.
About the Speaker: Andrea Kollnitz is Professor in Art History and Head of the Art History Department at the Department of Culture and Aesthetics at Stockholm University. Her research focuses on the self-fashioning of avant-garde artists; art and nationalism; the Nordic avant-garde from transnational perspectives. Kollnitz is co-editor of the books "Fashion and Modernism" (Bloomsbury 2018), "A Cultural History of the Avant-Garde in the Nordic Countries, vol 2: 1925-1950" (Brill, 2019), "Fashion, Performance & Performativity" (Bloomsbury, 2021), and "Fashion Aesthetics and Ethics" (Bloomsbury, 2023). She is currently leading a research project on Surrealism in Sweden and recently published "Becoming Leonor Fini: Theatrical Self-Performances between Art and Life" (Bloomsbury, 2025).
#historyofart #pratt #arthistory #artanddesign
3 weeks ago
Professor Eana Kim and her Art Since the Sixties class visited MoMA for a hands-on session of object-based research and discussion. Students explored Pop Art and Fluxus in the galleries, bringing their classroom debates to life among iconic works by George Maciunas, Andy Warhol, Yoko Ono, and more!
4 weeks ago
Pratt will again join with other partners throughout the five boroughs to be part of Open House New York (OHNY). OHNY is a unique opportunity to share our campus and welcome fellow New Yorkers to Pratt. It promotes broad, unparalleled access to the city—to the places, people, projects, systems, and ideas that define New York and its future. Through their year-round programming, including the annual OHNY Weekend festival, OHNY offers a citywide platform for education, exploration, and engagement about the connections between quality of place and quality of life for all New Yorkers.
Launched in 2003, Open House New York Weekend is an annual festival that opens hundreds of noteworthy or significant places across the five boroughs to foster discovery and delight for New Yorkers and visitors alike.
Participants are invited to the Pratt campus to take a self-guided tour of the sculpture garden or participate in an HAD facilitated guided campus tour (reservations required). The tour will provide access to spaces not usually open to non-Pratt community members. #OHNYwknd
Follow our social media @hadpratt and @openhousenewyork on Instagram or @hadpratt and @ohny on Twitter to learn more. Also learn more at ohny.org/weekend.
#OHNYwknd #ohny #nyc #historyofart ##OHNYwknd #ohny #nyc #historyofart ##historyofdesignhistoryofdesign
1 month ago
You are invited to an HAD Faculty Conversations by Kate Minniti, “More than countless trinkets: Egyptian objects in Archaic Sicily (776-480 BCE).”
* This event is for Pratt community.
Date: Wednesday, October 8th, 2025
Time: 12:00 – 1:00 pm
Venue: Main 210
About the Speaker: Kate Minniti holds a PhD in Classical Archaeology from the University of British Columbia, BC, and degrees in Egyptian Archaeology from UCL and History of Art and Archaeology from NYU. She has been working as a field archaeologist around the Mediterranean for more than a decade, and she is a senior member of the NYU-UniMi archaeological expedition in Selinunte, Italy. Her main research interests are Archaic-Period connectivity and local responses to globalization in the Mediterranean. She is also interested in reception studies, and since 2013 has been exploring and publishing on the representation of Ancient Egypt in video games.
About the Project: Sicily has yielded roughly 300 Egyptian-looking objects, commonly referred to as Aegyptiaca, found in Archaic (ca. 776-480 BCE) archaeological contexts. Earlier studies have focused only on the formal elements of the artifacts, and even less often have they framed the data in the context of pan-Mediterranean trends. My research sits at the intersection of trade, politics, and religion, as it focuses not only on the roles that Aegyptiaca played in the lives of the inhabitants of Sicily – as religious and élite objects – but also on how their use can help us reassess Sicily’s position in Archaic-period Mediterranean networks of trade and exchange.
1 month ago
Artwork Spotlight: Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte (1884–86)
Seurat’s monumental painting is one of the most celebrated works of Post-Impressionism. Instead of using broad brushstrokes, Seurat employed a method called pointillism, applying countless small dots of pure color that blend in the viewer’s eye.
Why It Matters:
Introduced scientific approaches to color and perception
Transformed Impressionist spontaneity into calculated structure
Captures modern Parisian leisure life with timeless rhythm
The painting is not just a scene of people relaxing by the Seine. It is also a study of light, atmosphere, and the psychology of vision. Seurat sought to merge art and science, creating a new way of seeing that still fascinates audiences today.
#art #arthistory #arthistory101 #pratt
1 month ago
“Less is more.” – Ludwig Mies van der Rohe
Minimalism was not just a style for Mies van der Rohe, it was a philosophy of design. His buildings and furniture stripped away ornament to reveal clarity, proportion, and precision. The phrase “less is more” continues to inspire designers and architects to this day, reminding us that simplicity can be the most powerful form of expression.
2 months ago
