Pratt’s an exceptional place to study art and design history and theory. From our landmarked campus you’ll have access to NYC’s premier international private collections, libraries, museums, studios, and galleries, as well as the opportunity to work with leading artists, designers, historians, and theorists.
Join us in New York City, the art capital of the United States, for an immersive education in the history of art and design. Explore the effects of gender, class, politics and religion intersect with art and cultures that created it. Gain a wide perspective in theory and design methods and artistic expression in art, architecture, film, and literature. The liberal arts curriculum, including foreign language study, prepares you to research and critically analyze art and literature.
The Experience
IXD students Wuke Zhou, Yuki Shimano, and Olivia Turpin at the Cooper Hewitt, Smithsonian Design Museum (photo by Shih Wen Huang)
Interdisciplinary and socially engaged, the History of Art and Design BA provides a broad foundation from which students build critical and analytical capacities to confront complex questions. Drawing on disciplines ranging from sociology, anthropology, linguistics, and economics, students go beyond aesthetic consideration to consider complex questions and evolving challenges.
With class sizes of just 8-12, you’ll collaborate closely with your team, faculty, and community partners to learn the skills needed to create strategies and systems that meet real-world challenges.
Electives and Seminars
You’ll have the opportunity to take electives in film and design, architecture, non-Western, pre-Renaissance, Renaissance to Rococo, and 19th-, 20th-, or 21st-century art, design, theory and methodology, and chemistry of art. Major-specific seminars are available from your first through senior years, on topics that include the role of New York as a cultural capital, critical and theoretical models, and art and social justice.
Study Abroad
Mosaic restorer Giovanni Cucco explains his work at SS. Maria e Donato to graduate student Amy Ungricht (photograph by Kate McElhiney)
Immersing yourself in another culture is an incredible experience that can extend the boundaries of creativity. Study abroad programs are an integral part of the college experience, and Pratt has deep connections with university partners around the world. Study in Paris with the Pratt in Paris summer program. We also recently celebrated the 35th anniversary of Pratt in Venice, which is a 6-week program that occurs each June and July.
Learning Resources
We develop disciplinary fluency in our program of study and we celebrate the interdisciplinary nature of art and design critical to address the plurality and complexity of the environments in which we operate. Learn about resources.
Our Faculty
Pratt’s distinguished faculty of outstanding creative professionals and scholars share a common desire to develop each student’s potential and creativity to the fullest. Bringing different views, methods, and perspectives they provide a rigorous educational model in which students make and learn. See all History of Art and Design faculty and administrators.
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.
You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
💡 The evolution of lighting design tells a story of innovation and atmosphere. From ancient oil lamps to iconic modern fixtures and today’s smart LEDs, each era has redefined how we live, work, and experience space. ✨ #DesignEvolution #LightingDesign
You are invited to an HAD Faculty Conversations by Caterina Pierre, “Trust in the Soul: Attilio Piccirilli’s Fragilina (1923) and the Beginnings of Modernism in American Figurative Sculpture.”
* This event is for the Pratt community.
Date: Wednesday, September 17th, 2025
Time: 12:00 – 1:00 pm
Venue: Main 210
About the Speaker: Caterina Y. Pierre, PhD, has taught at Pratt since 2008. She received her doctorate from the CUNY Graduate Center in 2005 where her specialty was nineteenth century sculpture. Her book Genius Has No Sex: The Sculpture of Marcello (1836-1879) was published by Editions de Penthes/Editions Infolio, in 2010. Caterina’s book Redefining the Hero in Tomb Sculpture, 1871-1901: Monument as Memory in France, Italy and the United States is forthcoming from Routledge. Since 2015, Caterina has taught and published on art crime, and her article “The Durig Scrapbook: Notes on the Silent Forger,” was published in the Journal of Art Crime (Spring 2022).
About the Project: Attilio Piccirilli’s Fragilina (1923, Metropolitan Museum of Art) will be analyzed in connection with an earlier sculpture by the artist entitled A Soul (1909, unlocated), a work that is stylistically and thematically connected to earlier nineteenth century Italian Purismo sculpture. Fragilina is a key sculpture in Piccirilli’s oeuvre, in that it marks a shift from his earlier figures to more Symbolist and abstract forms found in the work of his direct contemporaries. The title “Fragilina” references the negative experiences of Italian American immigrants in the United States, and the sculpture also attempts to bring the form into a new stylistic range.
The Anglepoise Lamp was first created by engineer George Carwardine, who applied his knowledge of springs and levers to design a lamp that could move fluidly and hold any position. Soon after, the Herbert Terry & Sons company helped refine and manufacture the design, making it accessible for both industrial and domestic use.
This partnership turned the Anglepoise into much more than a technical invention. It became a design icon that balanced practicality with elegance, a lamp that has illuminated homes, offices, and studios for nearly a century.
Kandinsky’s Composition VIII marks a turning point in modern art. Painted after his time at the Bauhaus, the work reflects his deep interest in geometry, balance, and the spiritual language of abstraction. Circles, lines, triangles, and curves float across the canvas, creating rhythm and harmony without relying on traditional representation.
Rather than depicting objects, Kandinsky sought to evoke emotion through pure form and color. He believed that geometric abstraction could act like music, speaking directly to the soul.
✨ A milestone of abstract art, Composition VIII remains one of Kandinsky’s most celebrated works and a cornerstone of Bauhaus visual language.
"Did you know? Egyptian Blue is considered the world’s first synthetic pigment, created over 4,500 years ago in ancient Egypt. Made by heating a mix of sand, copper, and natron, this luminous blue was used to decorate tombs, statues, and ceramics. Its brilliance symbolized the heavens and eternity, making it one of the most treasured colors of the ancient world."
Fall 2026 applications are officially open for the Department of History of Art and Design at Pratt Institute. Explore, question, and contribute to the future of art and design.
Vienna Secession (1897 to 1910): Where Art Broke Free
In turn-of-the-century Vienna, artists like Gustav Klimt and Josef Hoffmann rejected academic tradition and formed the Vienna Secession. Their goal was to unite art, architecture, and design into one expressive vision rooted in modern life.
Key features:
• Geometric ornament combined with natural motifs
• Symbolism and flat, decorative patterns
• The idea of Gesamtkunstwerk, or total work of art
#ViennaSecession #GustavKlimt #ArtNouveau #DesignHistory #SecessionBuilding #KolomanMoser #JosefHoffmann #ModernDesign #ArtAndDesign #HistoryOfDesign
🎨 Art Inspiration of the Week
“The Garden of Earthly Delights” by Hieronymus Bosch, c. 1490 to 1510
Step into a surreal world where paradise, pleasure, and punishment coexist. Bosch’s iconic triptych defies categorization. It is part religious warning, part psychedelic fantasy. The central panel bursts with enigmatic scenes. Nude figures frolic among giant fruit, hybrid creatures, and impossible architecture. This is neither heaven nor hell, but a dreamlike realm suspended between desire and doom.
Prado Museum, Madrid
#ArtHistory #ArtInspiration
The BA program affords a grounding in the philosophy, literature, and criticism of the history of art and design. Students will take specially designed foundation courses and the survey classes. They will continue with additional credits in liberal arts (English, humanities, sciences, social sciences, and foreign language) and electives. Majors will take upper-level electives in film and design, architecture, non-Western, pre-Renaissance, Renaissance to Rococo, and 19th-, 20th-, or 21st-century art, theory and methodology, and chemistry of art. The BA also features major-specific seminars from the first year through the senior year. Seminar topics include the role of New York as a cultural capital, critical and theoretical models, and art and social justice.
Undergraduates have an understanding of their own cultural environments as well as their places within them.
Undergraduates are able to use tools of critical inquiry to explore gender, class, politics, religious practices, conditions and materials of production, aesthetic expression, and the economics of the market within their larger geographic, historical, theoretical, and social contexts.
Undergraduates in the B.A. degree will be familiar with a foreign language after four semesters of study.
