School of Architecture faculty Ruo Jia publishes a new peer-reviewed article “Valerio Olgiati’s architecture of the Future Anterior” on the latest issue of arq: Architectural Research Quarterly, celebrating 10 years of embodied experience and architectural theoretical entanglement with her scholarship. It forms a good pair with the e-flux editorial of hers earlier this year: “Yeah, they were All Yellow” for a special series on Asian Feminist Architectural Possibilities supported by Pratt SoA.

This article is a statement piece after many other dear words to her:

“she is this Inappropriate/d Other who moves about with always at least two/four gestures: that of affirming “I am like you” while pointing insistently to the difference; and that of reminding “I am different” while unsettling every definition of otherness arrived at.”
Trinh T. Minh-ha

“can use herself (assuming one is at one’s disposal) as a shuttle between the center (inside) and the margin (outside) and thus narrate a displacement.”
Gayatri Chakravorty Spivak

A webpage from Cambridge University Press featuring an article titled "Valerio Olgiati’s architecture of the Future Anterior: an encounter with the Bardill Studio." It is published in the journal "arq: Architectural Research Quarterly" on September 22, 2025. The article discusses the contradictions in Olgiati's architecture and its effects on perception, drawing on philosophical themes and historical context. The page includes options for accessing the article, sharing, and citing.
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The text discusses Valerio Olgiati’s Bardill Studio, exploring its architectural elements and the perceptual confusion they evoke. It describes the studio's integration with its environment, the unique design of the large window, and how it challenges traditional notions of a house. The narrative emphasizes the complexities of viewing architecture up close, with insights on materiality and the interaction between the building and its surroundings.