Core Full-Time Faculty
Youmna Chlala - Sabbatical Spring 2020
Youmna Chlala is a writer and an artist and the Founding Editor of Eleven Eleven Journal of Literature and Art. She is the author of the poetry manuscript, The Paper Camera, recipient of the 2009 Joseph Henry Jackson Award. Chlala’s prose and poetry has appeared widely including Guernica, Bespoke, CURA, XCP: Journal of Cross Cultural Poetics, MIT Journal of Middle Eastern Studies, and in the book Nation, Gender, and Belonging: Arab and Arab American Feminist Perspectives. She has exhibited at the Institute of Contemporary Arts London, Rotterdam International Film Festival, Camera Austria, MOCAD, and San Jose Museum of Art and participated in the Performa Biennial and roaming Tehran Biennale. Recent solo exhibitions include the CultuurCentrum, Belgium and Art In General, New York. Chlala has been awarded residencies and fellowships from the Henie Onstad Art Centre Norway, Headlands Center for the Arts, Hedgebrook, CAMAC: Center for Art and Technology, Fine Arts Work Center Provincetown, Triangle Arts Fund, European Cultural Foundation and Goethe-Institut Cairo. She holds an MFA in Creative Writing from the California College of the Arts.
Laura Elrick is the author of three books of poetry, including Propagation (Kenning Editions, 2012), Fatasies in Permeable Structures (Factory School, 2005) and sKincerity (Krupskaya, 2003). Her psychogeographically-inspired research and performance works include the oppositional cartography Blocks Away, exhibited at The Skybridge Art and Sound Space in 2010, and the video-poem Stalk, commissioned by the Positions Colloquium in Vancouver in 2008 and exhibited in the Social-Environmental Aesthetics Series at Exit Art (New York, 2009) and the Rustbelt Sightsound Collision at the SPACES gallery (Cincinnati, 2013). A sound work, 5 Audio Pieces for Doubled Voice was commissioned by New Langton Arts for the Performance Writing Series in San Francisco in 2005. Her work also appears in several anthologies, including Viz. Inter-Arts Intervention: A Trans-Genre Anthology (forthcoming), Against Expression: An Anthology of Conceptual Writing, and Eco Language Reader, and has been translated into Spanish, French, Italian and Norwegian.
Aracelis Girmay (WRITER-IN-RESIDENCE)
Aracelis Girmay is the author of three books of poems: the black maria (BOA, 2016); Teeth (Curbstone Press, 2007), winner of a GLCA New Writers Award; and Kingdom Animalia (BOA, 2011), the winner of the Isabella Gardner Award and finalist for the National Book Critics Circle Award and the Hurston/Wright Legacy Award. She is also the author/illustrator of the collage-based picture book changing, changing. For her work, Girmay was nominated for a Neustadt International Prize for Literature in 2018. For the last several years, Girmay was on the faculty of Hampshire College's School for Interdisciplinary Arts and before that taught community writing workshops with young people in New York and California. She has received grants, training, and fellowships in support of her work from the NEA, the Whiting Foundation, Civitella Ranieri, the Cave Canem Foundation, and the Community~Word Project, among other programs. Girmay is on the editorial board of the African Poetry Book Fund.
James Hannaham is a writer and visual artist. He wrote the novel Delicious Foods (Little, Brown 2015), a selection of the Barnes & Noble Discover Great New Writers Program and the New York Times’ 100 Notable Books of 2015, as well as God Says No (McSweeney’s 2009), which was honored by the American Library Association’s Stonewall Book Awards. He has published short stories in One Story, Fence, Story Quarterly, and BOMB. He was a contributor to the Village Voice from 1992–2014, and his criticism, essays, and profiles have appeared in Spin, Details, Us, Out, Buzzfeed, The New York Times Magazine. He received a 2015 Pushcart Prize for a piece that appeared in Gigantic. He co-founded the performance group Elevator Repair Service and worked with them from 1992–2002. He has exhibited text-based visual art at The James Cohan Gallery, 490 Atlantic Gallery, Kimberley-Klark, and The Center for Emerging Visual Artists.
Christian Hawkey has written two full-length poetry collections (The Book of Funnels, Wave Books, 2005 and Citizen Of, Wave, 2007), four chapbooks, and the cross-genre book Ventrakl (2010, Ugly Duckling Presse). A new book, Sonne from Ort, a collaborative bi-lingual erasure made with the German poet Uljana Wolf, appeared in 2013 (kookbooks verlag, Berlin). In 2006 he received a Creative Capital Innovative Literature Award. In 2008 he was a DAAD Artist-in-Berlin Fellow. He translates contemporary German poetry, as well as the late short prose of the Austrian writer Ilse Aichinger, and his own work has been translated into over a dozen languages. He is an officer of the Office of Recuperative Strategies and a member of the WeTransist collective.
Samantha Hunt is the author of The Dark Dark: Stories, and three novels. Mr. Splitfoot is a ghost story. The Invention of Everything Else is about the life of inventor Nikola Tesla. The Seas, Hunt’s first novel, was republished by Tin House Books in 2018. Hunt is the recipient of a 2017 Guggenheim Fellowship, the Bard Fiction Prize, the National Book Foundation’s 5 Under 35 Prize, the St. Francis College Literary Prize and she was a finalist for the Orange Prize and the PEN/Faulkner. Hunt has been published by the New Yorker, the Atlantic Monthly, the New York Times, the Guardian and a number of other fine publications.
Rachel Levitsky (on sabbatical 2019-2020)
Rachel Levitsky is the author of a novel, The Story of My Accident is Ours (Futurepoem, 2013), two books of poetry, Under the Sun (Futurepoem, 2003) NEIGHBOR (UDP, 2009) and a number of chapbooks including Renoemos (Delete, 2010). She is a member of the Belladonna* Collaborative, a feminist avant-garde hub for interventions in writing, reading, engaged discourse, and activism. In 2010 with Christian Hawkey, she started The Office of Recuperative Strategies, a mobile research unit variously located in Amsterdam, Berlin, Boulder, Brooklyn, Cambridge, NYC, and Leipzig. She lives in Brooklyn.
Mendi Lewis Obadike is an intermedia artist and scholar who works across media. She is the author of Armor and Flesh (Lotus Press), which won the Naomi Long Madgett Prize, and the forthcoming books Big House / Disclosure and Four Electric Ghosts (1913 Press). Mendi collaborates with her husband Keith Obadike. Their 2001 work Blackness for Sale has been widely cited in the press and in new media art surveys. Recent installations include Big House / Disclosure, American Cypher (currently exhibited at the Studio Museum in Harlem), and African Metropole. Their other conceptual media artworks have been commissioned by and exhibited at the Whitney Museum, the New Museum, Yale University, Electronic Arts Intermix, and the New York African Film Festival, among other institutions. Their albums include The Sour Thunder, an Internet Opera (Bridge Records, 2004) and Crosstalk: American Speech Music (Bridge Records, 2008). Mendi has been awarded a Rockefeller Media Arts Fellowship and a postdoctoral fellowship in Race and Ethnicity from Princeton University, as well as fellowships from the Cave Canem Foundation for Poetry and the New York Foundation for the Arts. Mendi is a poetry editor at Fence Magazine, an artist-in residence at the Tribeca Performing Art Center, and an Assistant Professor in Humanities and Media Studies at Pratt Institute. She earned a BA in English from Spelman College and a PhD in literature from Duke University. www.obadike.com.
Sharifa Rhodes-Pitts is the author of Harlem Is Nowhere: A Journey to the Mecca of Black America. The first volume of a planned trilogy on African-Americans and utopia (Harlem, Haiti, and the Black Belt of the American south), it was a New York Times Notable Book of 2011, a National Book Critics Circle Finalist, and cited by BOOKFORUM as the "Best New York Book" written in the twenty years since the magazine's founding. Her work has appeared in The New York Times, The Nation, Chimurenga, Bidoun, A Public Space, Creative Time Reports, Harper's, Essence, and Vogue, among many others. She has received grants and awards from Creative Capital, the Whiting Foundation, the Rona Jaffe Foundation, and the Lannan Foundation. Her 2015 book for young readers Jake Makes a World: Jacob Lawrence a Young Artist in Harlem (commissioned by MoMA and illustrated by Christopher Myers) was named by Booklist among the year's top books about art for children. Rhodes-Pitts organizes projects through The Freedwomen's Bureau, gathering collaborators across the fields of visual art, music, theater, film, and education to produce events at venues like Harlem Stage, The Studio Museum in Harlem, The New Museum, PS 1 / MoMA, and public spaces in Harlem. Photograph by Marcus Werner.
Mirene Arsanios is the author of the short story collection, The City Outside the Sentence (Ashkal Alwan, 2015). She has contributed essays and short stories to The Brooklyn Rail, The Rumpus, The Animated Reader, and The Outpost, among others. Her writing was featured collaboratively at the Sharjah Biennial (2017) and Venice Biennial (2017), as well as in various artist books and projects. Arsanios co-founded the collective 98weeks Research Project in Beirut and is the founding editor of Makhzin, a bilingual English/Arabic magazine for innovative writing. She has previously taught art history and literature at the American University of Beirut. She holds an MA in Art Theory from Goldsmiths College and an MFA in Writing from Bard College. Arsanios currently lives in New York where she was a 2016 LMCC Workspace resident.
Claire Donato‘s writing—at once ambient, investigative, and cathartic—collates forms and materials. She is the author of Burial (Tarpaulin Sky Press, 2013), a not-novel novel; The Second Body (Poor Claudia, 2016; Tarpaulin Sky Press, reissue forthcoming 2019), a collection of poems; and To Hell, with Boundaries (Tarpaulin Sky, forthcoming), a cross-genre collection. Other writing has appeared or is forthcoming in The Believer, Territory, DIAGRAM, Bennington Review, BOMB, Fanzine, and The Elephants. Recent performances include Brown University, Providence, Rhode Island; The Poetry Project, New York; Lévy Gorvy, New York; Poetic Research Bureau, Los Angeles; The Empty Bottle, Chicago; SPACE Gallery, Portland, Maine; and Pierre Menard Gallery, Cambridge, Massachusetts; awards and honors include Hemera Contemplative Fellowship, Rutgers University Digital Studies Center Fellowship, Millay Colony for the Arts Fellowship, and Peter Kaplan Fellowship. Recent courses taught at Pratt include Poetry and Psychoanalysis, The Poetics of Love, The Poetics of Rage, and Transdisciplinary Poetics. In addition to teaching the Writing Program, Claire independently curates (most recently for Brown University’s Interrupt V Festival and at Babycastles Gallery), serves as a Mentor for the PEN Prison Writing Project, and practices Zen meditation. She lives with one cat and ~50 houseplants in a psychic’s building in Bed-Stuy, Brooklyn. somanytumbleweeds.com
E. Tracy Grinnell
E. Tracy Grinnell is the author of four books of poetry, Hell Figures (Nightboat Books, 2016) a finalist for the 2017 Firecracker Award in Poetry, portrait of a lesser subject (elis press, 2015), Some Clear Souvenir (O Books, 2006), and music or forgetting (O Books, 2001), as well as several limited edition chapbooks, including Leukadia (Trafficker Press, 2008). A selection of poems from portrait of a lesser subject appeared in Best American Experimental Writing (BAX) 2016, edited by Charles Bernstein and Tracie Morris (Wesleyan, 2017). Poetry, essay, and visual art have appeared in collections including The Day Lady Gaga Died (Dan kada je umrla Lejdi Gaga): An Anthology of NYC Poetry of the 21st Century, edited by Ana Božičević and Željko Mitić (Peti talas / The Fifth Wave, Serbia, 2011), A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-
Amin Husain’s interests focus on resistance and liberation, movement generated theory and practice. His research and teaching interests span debt and financialization, globalization and political economy, social movements and cultures of resistance, race, class and ethnicity in the media, and postcolonial theory. He is a founding member of Global Ultra Luxury Faction (G.U.L.F.), direct action wing of Gulf Labor Coalition; a member of Gulf Labor Coalition, a self-organized group of artists, writers, architects, curators, and other cultural workers trying to ensure worker’s rights are protected when art, labor and global capital intersect; a founding member and managing editor of Tidal: Occupy Theory, Occupy Strategy, a printed theory and strategy magazine of the Occupy movement; a founding member of MTL, a collective that combines aesthetics, research and organizing in its practice; and founding member of NYC Solidarity with Palestine.
Anna Moschovakis is a poet, translator, and longtime member of the collectively run publishing project Ugly Duckling Presse. With UDP she has edited, designed and produced books, chapbooks, and ephemeral publications of work written in English, French, Spanish, Brazilian Portuguese, Czech, and Russian; she also founded and edits UDP’s Dossier series for investigative texts engaging theory, politics, and form. She is the author of numerous chapbooks and three full-length books of poetry—I Have Not Been Able to Get Through to Everyone (Turtle Point Press, 2006), You and Three Others Are Approaching a Lake (Coffee House Press, 2011), winner of the James Laughlin award from the Academy of American Poets, and They and We Will Get Into Trouble for This—as well as a novel, The Rejection of the Progress of Love, which will be published in 2018. Her recent translations include Bresson on Bresson, Marcelle Sauvageot's feminist memoir/novella Commentary (Com
A pioneering multilingual writer, poet and translator, Amir Parsa was born in Tehran, attended French International schools, Princeton and Columbia, and currently lives in New York. His work—written directly in English, French, Farsi, Spanish, and various hybrids—constitutes a radical polyphonic enterprise that puts into question national, cultural and aesthetic attachments while fashioning new genres, forms, discursive endeavors and species of artifacts. These works include Kobolierrot, Feu L’encre/Fable, Drive-by Cannibalism in the Baroque Tradition, Erre, and L’opéra minora, a 440-page multilingual work that is in the MoMA Library Artists’ Books collection and in the Rare Books Collection of the Bibliothèque Nationale de France. He is also interested in innovation and transformative engagements in institutions—more specifically museums and higher education settings—and has launched work in avant-garde museum practices, developed experimental curriculum design and pedagogy and created clandestine social actions and interventions.