From Prattfolio
From Prattfolio
From Prattfolio
From Pratt Institute News
Vogue highlights Assistant Professor and fashion designer Susan Cianciolo’s influence on a new generation of designers, including her mentorship of Pratt students through an international exchange program connecting emerging creatives in New York and Germany.
The New York Times profiles alumni Claire McKinney and Sophie Andes-Gascon, founders of fashion label SC103, highlighting how their time at Pratt studying under Susan Cianciolo helped shape the brand’s distinctive design aesthetic.
ELLE profiles recent fashion design alumnus Jude Mikulencak ’25 following his Project Runway Season 22 victory, highlighting his passion for tailoring, his experience on the competition, and his plans to grow his fashion brand.
The New York Times spotlighted alumnus Harry Allen and his return to ceramics, tracing the acclaimed designer’s creative roots back to his industrial design studies at Pratt.
Alumni Notes highlights Pratt alumni news and updates compiled from your submissions.
Saberah Malik, MID ’72, has an installation of mirror embroidered tapestries titled Water, Water, Everywhere on view through April 16 at the Rhode Island State Health Laboratories (150 Richmond Street, Providence, Rhode Island). An artist’s reception will be held on March 18, 2027.
Image: View of Water, Water Everywhere by Saberah Malik ’72
Bill Gusky, BFA Fine Arts ’90, had his painting Recovery featured in the North East Watercolor Society’s 50th Anniversary National Juried Exhibition at Adelphi University Performing Arts Center. Learn more at billgusky.com.
Image: Bill Gusky ’90, Recovery, 2024, watercolor on paper, 22 x 30 inches
Sophia Han, BID ’24, lead designer at Shakúff, led the design of a monumental chandelier for Mausoleo Morazán in San Salvador, El Salvador. Han shared that “the installation celebrates the country’s cultural heritage through an intricate composition of handcrafted glass and gold accents.” Han, who met with President Nayib Bukele while in El Salvador, also reflected that her work “reflects her commitment to merging traditional craftsmanship with contemporary lighting design on an international scale.”
