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The Daily Hub

A roundup of ideas and projects from around the Institute

  • The experimental play “Kinderkrankenhaus” by Jesi Bender, MSLIS ’12, will show at Brooklyn’s Brick Theater in September. The play “explores neurodiversity, the pathologizing of difference, and the complexity of labels in a world where the unspeaking are seen as unthinking.”

  • Pratt Institute’s Communications and Marketing Creative Services team earned third place in Archinect’s Spring ’25 Get Lectured competition for their design of the School of Architecture’s spring 2025 event series poster.

  • Tomokazu Matsuyama, MFA Communications Design ’04, is profiled by Puck writer Marion Maneker, who visits Matsuyama’s studio in Greenpoint. “Matsu presented me with an articulate rationale for his syncretic work: Japanese anime-inspired figures inhabiting a world of riotous patterned wallpaper and clothing was an expression of his own sense of being a minority within a very different majority culture. His work is about representation, but within it, he imagines a sophisticated multicultural world where there are no set hierarchies.”

  • Pin-Up interviews Mark Grattan, BID ’06, in a wide-ranging conversation that explores his love of woodworking, his upcoming Layered collection for HBF Textiles, and his resistance to trends. “I’m not on trend. I’ve always stayed clear of a trend. Stacking and repetition give me comfort. In my eyes, it’s a beautiful thing to repeat a shape. The new collection has a lot of repeating shapes, like marquetry, which I’m working on a lot at the moment.”

  • For the Brooklyn Rail, Assistant Dean in the School of Art Marcus Civin reviewed a new monograph on artist and musician Lonnie Holley. “The highlight is his assemblages of cast-off objects installed in his backyard or other outdoor spaces—often stacks of rusty or busted-up furniture, tools, and wood,” writes Civin. “Collectively, these sculptures represent a kind of archaeology, history unearthed from the junkyard, combinations that appear as improvisational as the artist’s singing.”

  • Professor of Writing James Hannaham’s Didn’t Nobody Give a Shit What Happened to Carlotta was included on Michelle Tea’s top ten list of favorite gay books for Literary Hub. “Is this perhaps the best book in the world?,” writes Tea. “This is a funny book about a serious subject—my fave—and it features one of the very best characters I’ve ever loved, Carlotta, and I happen to give a very serious shit what happened to her, from the electric first page til the last.”

More Pratt Institute News

A group portrait of nine smiling Project SEARCH interns dressed in formal and semi-formal attire, seated together on wooden steps in a brightly lit interior space. The group includes a diverse mix of individuals, with some in suits, button-down shirts, and one wearing a white ruffled dress. They appear proud and celebratory, possibly marking their graduation or completion of the program.

Workplace Ready: Project SEARCH Interns Graduate

New York City high school students received career training through Project SEARCH, a national program focused on workforce-readiness for individuals with intellectual and developmental disabilities.

Pratt Names Courtney Knapp New Chair of the Graduate Center for Planning and the Environment

From Pratt Institute News

An award-winning scholar and professor in the Graduate Center for Planning and the Environment’s Urban and Community Planning program, Knapp will assume the role on July 1, 2025, succeeding Eve Baron, who is stepping down to join the full-time faculty.
Two smiling individuals dressed in formal attire pose on a red carpet holding Tony Awards. The man on the left wears a blue tuxedo with a colorful bow tie, while the man on the right wears a black suit with decorative details and a white high-collared shirt. The background includes logos for CBS, Paramount+, and the Tony Awards.

Alumni Harvey Fierstein and Paul Tazewell Shine at the Tony Awards

From Pratt Institute News

Esteemed writer and actor Harvey Fierstein was honored with a Lifetime Achievement Award for his contributions to the theater; Oscar-winning designer Paul Tazewell won for Best Costume Design in a Musical.