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The Daily Hub

A roundup of ideas and projects from around the Institute

  • At Night All Blood is Black by David Diop and translated from French by Anna Moschovakis, adjunct associate professor-CCE in the writing department, was awarded the 2021 International Booker Prize. As Moschovakis, who is sharing the prize equally with Diop as part of the Booker Prize’s recognition of the role of translators, told the AFP: “A translation is neither one nor two people’s work, but sort of a collaboration between an author, a translator and the book, which I think is always very exciting.”

  • Julia Gamolina, visiting assistant professor of Graduate Architecture, Landscape Architecture, and Urban Design, shares her favorite parts of New York City, architectural and otherwise, for Archinect. The most underrated building in the city? “The General Society’s Library — the second oldest library in New York City! The library focuses on resources for those in manual, technical, craft, and creative occupations, and hosts the Artisan Lecture Series, which pays tribute to the art of craftsmanship by featuring master artisans who lecture about the intricacies of their specialized crafts.”

  • Garrett Benisch, continuing and professional studies lecturer, was interviewed by Martha Stewart for an article on the environmental harms of peat moss and what gardeners should use instead. Benisch is also the director of design development for Bioforcetech, a company that transforms waste into carbon-negative solutions.

  • Jen Pawol, BFA Fine Arts (Painting) ’00, became the first woman to umpire a regular season game in Major League Baseball.

  • Michelle Towse, BFA Photography ’91, was interviewed by Little Black Book about her career in film and what it takes to succeed. “Creative problem solving relies on the same principles regardless of implementation. The language is the same; sometimes, you just need to learn a few new vocabulary words.”

  • Adjunct Associate Professor of Photography Matthew Leifheit was featured in The New York Times for his sound installation No Time at All, which played this summer at the New York City AIDS Memorial. The piece is composed of VHS tapes of gay men’s choruses made at the height of the AIDS crisis. “One of the most powerful ways to encounter an artwork is if you’re not expecting to have the experience of art,” said Leifheit of the installation in the West Village.

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