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School of Art at The Village West

Rooted in a shared commitment to creativity, civic engagement, and the power of public space, the “Pratt Institute x TheVillage West: Windows on 14th Street” installation brings student work beyond the classroom and gallery walls and into the everyday rhythm of one of New York City’s busiest pedestrian corridors, connecting neighborhoods from Union Square to the Meatpacking District through the power of a creative education, art, design, and culture.

The School of Art is home to eight distinct departments and boundless opportunity for growth. During their time here, students develop their perspective and hone their practice alongside classmates from around the world—all within the cultural capital that is New York. As they learn and grow together, they’ll prepare to navigate the rapidly evolving challenges we face as creative professionals at both the local and global level, and become a part of shaping the future.

Browse work by students in Pratt’s School of Art below.

A miniature art studio featuring a cluttered table covered with various art supplies, including a transparent box, paintbrushes, paint tubes, palettes, and sketches. A colorful sculpture of a character with large glasses sits on the table. An easel is positioned at the back, and a black chair with "PAINT FINE ARTS" written on it is nearby. The scene is set against a plain white background.
Alyssa Torres, BFA Fine Arts, Painting ’27
A vibrant painting features a muscular figure with a partially fragmented face, resembling a mosaic of red and brown tones. The figure's skin is a warm orange, and they have short dark hair. There are surreal elements in the background, including a red-lit area with a mountain and a halo. The artwork is framed in an ornate gold frame and displayed against a light-colored wall.
His Last Pieces
Morvens Regis, BFA Fine Arts, Painting ’26
A dark, moody painting depicting a nighttime scene. Two streetlights emit a soft glow, illuminating a curved road below. In the background, blurred outlines of trees and buildings create a sense of depth, while rich shades of blue and muted colors add to the atmospheric quality of the artwork.
“I saw a many limbed thing”
Hannah Estrin, BFA Fine Arts, Painting ‘26
A dark, moody painting depicting a corner with a white fence and a shadowy green hedge in the background. The scene suggests nighttime or low light, with an empty road curving from the foreground. Sparse vegetation can be seen, and the atmosphere evokes a sense of quiet stillness. The colors used are predominantly dark with subtle highlights.
“Observatory (Orchard Hill)”
Hannah Estrin, BFA Fine Arts, Painting ‘26
A row of ceramic cowboy boots in various colors and patterns, featuring detailed textures and glazes. The boots have visible wear and tear, with some having torn tops and different painted designs. They are displayed against a plain gray background, highlighting their artistic and unique craftsmanship.
Vaqueros
Taylor Reese, BFA Fine Arts, Sculpture ‘26
Two individuals are depicted in a cotton field. One person stands in the foreground, looking towards the camera, while the other person is seated nearby, engaging with the plants. The background features a vast field of cotton plants with white blooms, and a tree line is visible in the distance under a cloudy sky. The image is presented in black and white.
Lewis James, BFA Photography ‘26
An abstract watercolor painting featuring a stack of variously shaped stones in soft earth tones. A dark black rock is positioned at the top right, while lighter stones form the base. A brown rope is intertwined among the rocks, and a red net, shaped like a dome, is placed to the left, adding contrast to the composition. The background is plain white, highlighting the natural forms of the stones and the net.
Aurora Johnson, Associate Degrees
A person is wearing a sleeveless black top and is holding out an artistic necklace made of various textured and patterned elements resembling stones. The necklace features both solid and transparent pieces in shades of black, white, and silver, along with small decorative charms, all strung together in a creative design. The background is a gradient gray, emphasizing the necklace.
Yijia Monserrat Feng, BFA Fine Arts, Jewelry