Katherine Hubbard

Katherine Hubbard (b. 1981, Philadelphia, PA)  is an interdisciplinary artist and educator who uses photography, writing and performance to plumb photography’s continuing significance. Considering analog photography as a mimesis of the body, Hubbard asks how its procedures might be called upon to investigate social politics, history, and narrative. Solo exhibitions include The Great Room, Studio Voltaire, London (2026); The Great Room, Secession, Vienna (2026); The great room, Company Gallery, New York (2023); Avoid glancing blows, Company Gallery, New York (2020); Katherine Hubbard, Higher Pictures, New York (2018); stages, Baxter St. Camera Club of New York, New York (2017); and Bring your own lights, The Kitchen, New York (2016). Her work has been exhibited in group exhibitions including at The Whitney Museum of American Art, New York; Marfa Ballroom, Texas; The Luminary, St. Louis, Missouri; The Institute of Contemporary Art, Boston; and MoMA PS1. Hubbard’s performances have been presented at the Chinati Foundation, Marfa, Texas; Konstfack, Stockholm, Sweden; the Metropolitan Museum of Art, New York. Her work is included as part of the permanent collection at the Museum of Modern Art, Whitney Museum of American Art, the Carnegie Museum of Art as well as The New York Public Library. Hubbard is a 2024 Guggenheim fellow in photography and received her MFA in 2010 from the Milton Avery Graduate School of the Arts at Bard College.