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The Daily Hub

A roundup of ideas and projects from around the Institute

  • Tomokazu Matsuyama, MFA Communications Design ’04, is profiled by Puck writer Marion Maneker, who visits Matsuyama’s studio in Greenpoint. “Matsu presented me with an articulate rationale for his syncretic work: Japanese anime-inspired figures inhabiting a world of riotous patterned wallpaper and clothing was an expression of his own sense of being a minority within a very different majority culture. His work is about representation, but within it, he imagines a sophisticated multicultural world where there are no set hierarchies.”

  • Pin-Up interviews Mark Grattan, BID ’06, in a wide-ranging conversation that explores his love of woodworking, his upcoming Layered collection for HBF Textiles, and his resistance to trends. “I’m not on trend. I’ve always stayed clear of a trend. Stacking and repetition give me comfort. In my eyes, it’s a beautiful thing to repeat a shape. The new collection has a lot of repeating shapes, like marquetry, which I’m working on a lot at the moment.”

  • For the Brooklyn Rail, Assistant Dean in the School of Art Marcus Civin reviewed a new monograph on artist and musician Lonnie Holley. “The highlight is his assemblages of cast-off objects installed in his backyard or other outdoor spaces—often stacks of rusty or busted-up furniture, tools, and wood,” writes Civin. “Collectively, these sculptures represent a kind of archaeology, history unearthed from the junkyard, combinations that appear as improvisational as the artist’s singing.”

  • Professor of Writing James Hannaham’s Didn’t Nobody Give a Shit What Happened to Carlotta was included on Michelle Tea’s top ten list of favorite gay books for Literary Hub. “Is this perhaps the best book in the world?,” writes Tea. “This is a funny book about a serious subject—my fave—and it features one of the very best characters I’ve ever loved, Carlotta, and I happen to give a very serious shit what happened to her, from the electric first page til the last.”

  • Chair of Fine Arts Jane South spoke with The New York Times about the state of New York City. She noted that applications to Pratt’s Fine Arts program are up, indicating that artists still see the city as a place of hope. “[Artists] generate opportunities for themselves, for others. There’s a tremendous amount of that going on.”

  • Associate Professor in the School of Information Nancy Smith is presenting at the Data | Art Symposium at Harvard. Her presentation, “Environmental Data & Fiber Arts: Experiments in Stitching, Quilting, and Sculpture,” explores her recent work in data physicalization and slow technology.

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