Made in NYC, an initiative of the Pratt Center for Community Development, is spotlighting Latinx-owned businesses on social media and their website for Hispanic Heritage Month. A recent feature highlighted the work of Catalina Parra, MS Urban Environmental Systems Management ’13, who through her Base Ceramics studio creates mugs, vases, and planters that explore form, color, materiality, and a fusion of aesthetics and functionality.
The Daily Hub
A roundup of ideas and projects from around the Institute
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Dr. Mary McBride, chair and professor of creative enterprise leadership, highlights the critical challenge of our time in a recent article for Soda Zine, Engineering the Unsettled: Why Positive Turbulence Is Our Century’s Greatest Design Task. She emphasizes the power of positive turbulence as an opportunity to creatively design a future grounded in collaboration, equality, and hope. Dr. McBride calls on leaders and innovators to harness this moment of uncertainty to move beyond despair and build a more inclusive and hopeful world through design and leadership.
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Dana-Marie Bullock, MFA ’25, is a 2025 Silver Art Resident. “At Silver Art Projects, the selected artists will be given the opportunity to expand their practice and amplify their work without the impediment of expensive New York City studio space.”
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Eugene Kim, MArch ’26, is a recipient of the 2025 Center for Architecture Design Scholarship. “This recognition means a lot to me, especially as I continue to explore what it means to design with empathy, clarity, and purpose that I have been pursuing since the first day I decided to pursue spatial design,” he told the School of Architecture News Page.
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Danielle Shumskas, BFA Fine Arts (Painting) ’25, was chosen for the Byrdcliffe Artists-in-Residence program, which provides exceptional artists with “uninterrupted creative time” at the Byrdcliffe Arts Colony in Woodstock, NY.
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“Unveiling” by Alanna Fields, MFA Photography ’19, was listed among the “Queer Standouts” at Contact Photography Festival 2025 by Yohomo. “Her interest reaches backward to a time before she was born—long before our contemporary moment, in which queer identities and iconography are increasingly detached from their origins, commodified, and casually tried on at will.”
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Professor of Fashion Design and Black Dress exhibition co-curator Adrienne Jones spoke to Essence about this year’s Met Gala, its theme “Superfine: Tailoring Black Style,” and the history of Black fashion design and styling. “There’s more than three colors in the crayon box,” she said. “Where was the vibrancy? I think of African tailors, of Caribbean elegance—rich color, texture, vibrance. That’s what I wanted more of.”
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Nidhi Jairam, BID ’28, was awarded second place in the 2025 IESNYC Student Lighting Competition. Honorable mentions were awarded to Estefania Martinez-Aleman (Fefi), MID ’26, George Batska, BID ’27, and Zara Braun, BID ’27.
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President Frances Bronet is featured on the 2025 Power Players in Arts & Culture list by PoliticsNY and amNewYork. She reflects on the civic and economic role of the arts in New York City and the ongoing Pratt Shows 2025. “It’s my favorite time of year – Pratt Shows season. These public exhibitions showcase the culminating work of our graduating students across disciplines. Vibrant, urgent, and thoughtful, the shows celebrate years of creative inquiry, imagining new futures, and offer a glimpse into what matters most to the next generation of artists, designers, architects, and creative thinkers.”
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Hyperallergic reviewed Part II of Pratt’s Fine Arts MFA thesis exhibition Inside/Out. “The spatial fissures in the work of Pratt’s 2025 MFA graduate students resonate in what feels like an increasingly disjointive time,” writes Daniel Larkin. “By challenging viewers’ perception of space to gesture towards these indeterminate horizons, these artists open up a new view to think through these perilous times.”
More Pratt Institute News
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