Sisters, Anita（longqi）Yuan, 2026

Western feminist movements have stood at the forefront of their time, laying a solid foundation for women’s freedom worldwide. Yet my intention is to turn the lens toward stories less visible in mainstream narratives—toward the diverse, regionally rooted feminist perspectives that have long flourished across different cultures. By bringing these voices into focus, this series seeks to contribute, in its own way, to the ongoing pursuit of gender equality, particularly within developing contexts. This body of work draws on folk art, cultural traditions, and humanistic thought as its central visual language, guided by principles of accessibility and clarity in communication. Each piece functions as an independent chapter, carrying a fragment of collective female memory. Among them are references to Nüshu, the unique women’s script of the Han ethnicity and Yao ethnic minorities in China; the “patchwork knit ” as a symbol of historical networks of female mutual support; the 1956 Women’s March in South Africa protesting pass laws; and India’s Durga Puja, embodying collective feminine strength. The series culminates in a collective portrait—a shared destiny woven from the lives of women across different societies. I believe that if even one in ten viewers, upon encountering this work, is moved to reflect, then the series will have fulfilled its purpose.

The Design Show

The Design Show features garments, accessories, lookbooks, fragrances, and portfolio work, offering visitors an opportunity to engage with both the finished collections and the creative processes behind them. Together, these presentations reveal the breadth of ideas, approaches, and perspectives that define the Fashion Design Class of 2026.

The work on view reflects the creativity, rigor, and vision of a new generation of designers shaping the future of fashion through thoughtful and engaged practice.