The Daily Hub

For the Brooklyn Rail, Assistant Dean in the School of Art Marcus Civin reviewed a new monograph on artist and musician Lonnie Holley. “The highlight is his assemblages of cast-off objects installed in his backyard or other outdoor spaces—often stacks of rusty or busted-up furniture, tools, and wood,” writes Civin. “Collectively, these sculptures represent a kind of archaeology, history unearthed from the junkyard, combinations that appear as improvisational as the artist’s singing.”