Associate Professor of Interdisciplinary Practice Fine Arts email@example.com 718.636.3634 p Brooklyn Campus, South Hall 1
Current Course Listing (12)
Whitney Museum Independent Study Program, New York, USA, 2006
Master of Fine Arts, 2003 Milton Avery Graduate School of the Arts at Bard College, New York, USA
Bachelor of Fine Arts, Photography, 2001 The School of Visual Arts, New York, USA
Carlos Motta’s (b. 1978, Colombia) multi-disciplinary art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities in order to challenge dominant and normative discourses through visibility and self-representation. As a historian of untold narratives and an archivist of repressed histories, Motta is committed to in-depth research on the struggles of post-colonial subjects and societies. His work manifests in a variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia.
His work was the subject of the survey exhibitions Carlos Motta: Formas de libertad at the Museo de Arte Moderno de Medellín (MAMM), Colombia (2017) that traveled to Matucana 100, Santiago, Chile (2018); and Carlos Motta: For Democracy There Must Be Love, Röda Sten Konsthall, Gothenburg, Sweden (2015). His solo exhibitions at international museums include, The Crossing (2017), Stedelijk Museum, Amsterdam; Histories for the Future (2016), Pérez Art Museum (PAMM), Miami; Réquiem (2016), Museo de Arte Latinoamericano the Buenos Aires (MALBA) (2016); Pariots, Citizens, Lovers (2015), PinchukArtCentre, Kiev; Gender Talents (2013), Tate Modern, London; La forma de la libertad (2013), Sala de Arte Público Siqueiros, Mexico; We Who Feel Differently (2012), New Museum, New York; Brief History (2009), MoMA/PS1, New York; and The Good Life (2008), Institute of Contemporary Art (ICA), Philadelphia; among others.
Motta participated in Incerteza Viva: 32nd Bienal de São Paulo (2016); A Story Within A Story: Göteborg International Biennial of Contemporary Art (2015); Burning Down the House: X Gwangju Biennale (2014); and Le spectacle du quotidian: X Lyon Biennale (2010). His films have been screened at the Rotterdam Film Festival (2016, 2010); Toronto International Film Festival (2013); and Internationale Kurzfilmtage Winterthur (2016); among many others.
Motta won the Vilcek Foundation’s Prize for Creative Promise (2017); the PinchukArtCentre’s Future Generation Art Prize (2014); a Guggenheim Fellowship (2008); and received grants from Art Matters (2008), NYSCA (2010), Creative Capital Foundation; and the Kindle Project (2012).
Carlos Motta’s work is in the permanent collection of The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; Guggenheim Museum, New York; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museo de Arte Contemporaneo de Barcelona; Museu Fundaçao Serralves, Porto; and Museo de Arte de Banco de la República, Bogotá; among many other institutional, corporate and private collections around the world.