Pratt Institute School of Architecture will host the symposium “Voyage through Le Corbusier” on Monday, October 11 from 6 to 9 p.m. in Higgins Hall Auditorium at 61 St. James Place in Brooklyn in conjunction with the Institute’s “Le Corbusier – Miracle Boxes” exhibition. The symposium will include presentations by scholars Kenneth Frampton, Mary McLeod, Jose Oubrerie, Stanislaus von Moos, Deborah Gans, and “Le Corbusier – Miracle Boxes” curator Ivan R. Shumkov, Ph.D. They will speak about their research on the work of renowned architect Le Corbusier (born Charles-Édouard Jeanneret-Gris) and his legacy, which goes far beyond the fields of architecture and art in suggesting a plan for radical social change. After the individual presentations, the symposium participants will gather for a round table discussion and public question-and-answer session. The symposium and exhibition are free and open to the public.

“Le Corbusier – Miracle Boxes” is a multidisciplinary, three-part exhibition presented by Pratt Institute School of Architecture and the Pratt Library on the work of Le Corbusier, who is considered by many to be the most important architect of the 20th century. “Miracle Boxes,” the first New York exhibition dedicated entirely to the work of Le Corbusier, is curated by Ivan R. Shumkov, Ph.D., adjunct associate professor of architecture at Pratt Institute.

Divided into three parts, the exhibition focuses on Le Corbusier’s unique multidisciplinary approach as demonstrated in his architecture, city planning, books, paintings, architecture, and sculpture. The exhibition provides a comprehensive analysis of the work of Le Corbusier and shows how his ideas for reinventing modern living are echoed in contemporary architecture and design. The title of the exhibition refers to the architect’s concept of the boîte à miracles, a container that can be filled with “everything you dream of” that refers to architecture as a work and place of creation.

On view through October 15, 2010, in the atrium and in The Hazel and Robert H. Siegel Gallery of Higgins Hall, the exhibition’s architectural portion provides an in-depth look at more than 50 of Le Corbusier’s public buildings, including all his exhibition pavilions, museums, theaters, cultural centers, monuments, and temples. Among the featured projects are Pavillon des Temps Nouveaux; Pavillon for Liege/San Francisco; the National Museum of Western Art, Tokyo; Chapelle Notre-Dame-du-Haut Ronchamp; and the capitol of Chandigarh, India. The exhibition is accompanied by films on Le Corbusier’s life and work, including Le Corbusier’s Poème électronique, which was originally shown at the Philips Pavilion of 1958 in Brussels, Belgium, and other documentary films.

A radical thinker and prolific writer, Le Corbusier published more than 60 books and thousands of articles. Original editions of such seminal works as Vers un Architecture, Precisions, Le Modulor, and Le Corbusier Oeuvre Complete are on display in the Pratt Library through November 20, 2010.  In addition, a timeline of the projects displayed in Higgins Hall accompanies the book display, providing exhibition attendees with a comprehensive view of Le Corbusier’s work over time.

To give Pratt students, faculty, and visitors an opportunity to experience one of Le Corbusier’s visions first-hand, the exhibition also includes the Miracle Box: a full-scale construction based on Le
Corbusier’s smallest architectural project, a “working cell” that was originally located inside his Atelier in Paris. Measuring approximately 7½ feet cube, the project synthesizes the architecture and art of Le Corbusier. The original building contained the 1947 sculpture Ozon and the 1932 painting Verre, Bouteilles et Livres, reproductions of which add to the realism of the structure. The exterior façades  feature a selection of the symbols published in Le Corbusier’s books, which, while not part of the original design, further represent Le Corbusier’s work. The project is now on view outside of the Pratt Library and will be installed in the lobby of the library as part of its permanent collection following the exhibition.

For more information on the symposium and exhibition, please visit

The exhibition and symposium are made possible in part with generous support from Elise Jaffe + Jeffrey Brown.