Pratt Distinguished Teacher 2025–2026
Undergraduate Communications Design
Frank Franca is a photographer, educator, and creative director whose work spans continents, disciplines, and decades. Born in Havana, he grew up and spent formative years in Cuba, Spain, the United States, and the United Kingdom — all of which shaped his global perspective and creative voice.
His photography has been published in Aperture, Artforum, Art in America, BOMB, The New York Times Magazine, Vogue (US & Germany), i-D, Vice, Marie Claire, W, Le Monde, The Guardian, and many others. His work has been exhibited internationally at venues such as Royal Festival Hall (London), Gitterman Gallery (NYC),),Studio Galleria (Budapest), the House of Photography (Hamburg), the Museum of Nonconformist Art (St. Petersburg), the International Center of Photography (ICP, NYC), Chicago Cultural Center, Candice Madey Gallery (New York), Bass Museum of Art (Miami Beach), the Contemporary Art Center (Cincinnati), amongst many others.
In 2022, Franca conceived, curated, and directed Shift, a photographic book project for the International Center of Photography. A personal and editorial vision, Shift reflected global visual dialogues and underscored Franca’s ability to guide compelling visual narratives from concept to completion. It was presented at the Miranda Galerie as part of Les Rencontres de la photographie d’Arles photo festival in France.
Franca’s curatorial work includes the 2017 exhibition New Photography by Young Americans at Fabbrica del Vapore in Milan, presented as a large-scale projection with Fondo Malerba per la Fotografia.
In 2015, he created #helloicp, a street-level public art installation commissioned by the International Center of Photography. Installed across multiple ground-floor vitrine display windows along the Bowery, the project transformed the museum’s façade into a global photo mural. Based on Instagram, #helloicp featured photographers from six continents and hundreds of cultures in an expansive, interactive celebration of image-making.
As a founding member of the Visual AIDS Artists’ Caucus, Franca helped create the Red Ribbon—the now-universal symbol of AIDS awareness—and co-founded Electric Blanket alongside Nan Goldin, Allen Frame, and a few other friends. Conceived as a public street action and large-scale photo-based slideshow, Electric Blanket addressed the AIDS crisis with urgency and visibility. It was projected on building facades in major pedestrian areas and exhibited internationally in museums including MoMA PS1 (NYC), the Philadelphia Museum of Art, the High Museum (Atlanta), and institutions in Japan, Germany, Norway, Russia, and the UK.
His work is cited in Andrew Wilson’s Alexander McQueen: Blood Beneath the Skin and Rudi Bleys’s Images of Ambiente: Homotextuality and Latin American Art, 1810–Today.
Currently on faculty at Pratt Institute and the International Center of Photography, Franca has also taught or lectured at The School of Visual Arts, The Cooper Union, MARCO (Monterrey), Dumb Type (Tokyo & Kyoto), and LCI (Mexico). He was a founding faculty member of ICP @ The Point in the Bronx, a program that received a President’s Committee on the Arts award, presented by First Lady Laura Bush at the White House.
A former London Correspondent for Women’s Wear Daily, Franca holds a BFA in Filmmaking from NYU’s Tisch School of the Arts. He has worked as a lighting designer and exhibition designer, with creative projects in the US, UK, Spain, Italy, Brazil, Germany, Mexico, Hungary, Argentina, Russia, Norway, and Japan.
Grants and fellowships include support from the Citizen’s Exchange Council, Open Society, ArtsLink, The British Council, PS122 Studio Program, and the Pratt Faculty Development Fund.
Franca Glacier in Antarctica is named after his father, Dr. Fernando E. Franca, an explorer, inventor, pilot, and physician.
He is fluent in English and Spanish.