Personal URL
www.peggycyphers.com
Education
B.F.A., Painting
Maryland Inst C Art; painting
M.F.A., Pratt Institute; Painting
Biography
AWARDS & RESIDENCIES:
2008 Beijing Artists Residency, Tilton Gallery's Tong Xian Art Center, China
2002 Santa Fe Art Institute, 9/11 Residency, Santa Fe, New Mexico
2001 Pratt Institute Faculty Fund Award
2000 International Studio Program Residency, Elizabeth Foundation, New York
1998 Art Omi, International Residency Program, Omi, New York
1997 Elizabeth Foundation for the Arts, Award in Painting
1995 Virginia Center for the Creative Arts, Virginia
1994 Yaddo Artists Residency, Saratoga Springs, NY
1992 Triangle Artists Workshop, Pine Plains, NY
1991 National Studio Award, Clocktower, P.S.1, NYC
1989 National Endowment for the Arts, Award in Painting
1987 Igor Foundation Award, Award in Painting
ONE WOMAN EXHIBITIONS:
2011 “Peggy Cyphers”, H.P. Garcia Gallery, New York
2009 “Recent Paintings,” Noma Gallery, San Francisco, CA
“Animal Spirits,” Kleinert James Art Center, Woodstock, NY
“Animal Spirits,” Creon Gallery, NYC
2007 “Star Nebulae” Pool Art Fair Installation, Miami, FL
2005 “Field/City,” The Proposition Gallery, New York, NY
2003 “Paintings & Digital Clones,” The Proposition Gallery, NYC
2003 Paintings, Art Resources Transfer, New York, NY
2000 Eckert Fine Art, Naples, FL
1999 “Conversation Exhibition,” Art Resources Transfer, NY
1998 “Paintings 1995-98,” E,M. Donahue Gallery, New York, NY (catalogue)
1997 “Future Byzantium,” Haines Gallery, San Francisco (catalogue)
1996 Ben Shahn Gallery, William Paterson College, NJ
“Peggy Cyphers,“Galerie Asbæk, Copenhagen, Denmark
Towson University Art Gallery, Baltimore, Maryland
1995 E.M. Donahue Gallery, New York, NY (catalogue)
1994 “Botanicals,” Littlejohn/Sternau Gallery, New York, NY
“New Paintings,” Betsy Rosenfield Gallery, Chicago
1993 “Botanical Monoprints,” Frankel Nathanson Gallery, Maplewood, NJ
“Lexicons of Paradise,” E.M. Donahue Gallery, New York
“Lexicons of Paradise,” New York Academy of Sciences, New York
1992 “Paradise,“Betsy Rosenfield Gallery, Chicago
1991 “Paradisiacal Lexicon,” E. M. Donahue, New York
Bannister Gallery,Rhode Island College, Rhode Island
1990 E.M. Donahue Gallery, New York (catalogue)
1989 Mincher/Wilcox Gallery, San Francisco
1988 “Biological Impressionism,” E.M. Donahue, New York (catalogue)
1987 “Natural Selection,” Ground Zero, New York
1986 “Recent Paintings,” Limbo Gallery, New York
1985 “Modern Fossils,” Khiva Gallery, San Francisco
1984 “Modern Fossils,” M-13 Gallery, New York
“Modern Fossils,” permanent mural, Fashion Moda, Bronx, NY
GROUP EXHIBITIONS:
2010 “Two Way Mirror.” Curated by David Gibson, Zea Mays Printmaking Gallery, Northhampton, Mass.
“Dialectical Landscapes,” curated by Alyssa Fanning, Seton Hall University, Newark, NJ
“Metaphysical Materialism,” curated by Pam Longobardi, Tinney Contemporary Art, Nashville, TE (cata. Essay by Peter Franl)
BAU Institute Limited Edition Prints Preview Auction, Art Finance Partners, New York
“Color, But No Apologies”, curated by Evan Levine, Broadway Suites, New York, NY
“A Starter Kit for Collectors,” organized by Tom Corn, Tribes Gallery, New York, NY
What Matters Most,” organized by Amy Lipton, Exit Art, New York, NY
“Ides of March”, ABC No Rio, New York, NY
2009 “Eye/World,” Triple Candy, Harlem, New York
“Pierogi A Go-Go,” Pierogi Boiler Room, Brooklyn NY
“Slow News, International” The ARTS at Marks Garage, Honolulu, Hawaii
Broadthinking, Bridge Art Fair, NYC
2008 “Fundamental Abstraction,” Cheryl Haines Gallery, San Francisco, CA
“East Village Revival, Vargas Gallery, Woodstock, NY
“Broadthinking,” Bridge Art Fair, Miami FL
“Selections from Imagery Estate Winery Collection,” Carnegie Art Museum, CA
“ABC No Rio Gala,” Orensanz Foundation for the Arts, NYC
“White Box Bowery,” Inaugural Benefit, White Box Bowery, NYC
“Entropic Renovators,” Broadthinking, Art Now Fair, NYC
“Wagmag Benefit,” Front Room Gallery, Williamsburg, Brooklyn, NY
:Cosmological Map”, Broadthinking Installation, ABC No Rio Gallery, NYC
2007 “Pierogi Flat File Show,” Pocket Utopia Gallery, Brooklyn, NY
Woodstock Biennial,” curater: Nohra Haime, Kleinert James Art Center, Woodstock, NY
“30th Small Works,” Washington Sq. East Gallery, New York University (Juror Award) NY
“Howl,” Bowery Poetry Club, NYC
“Broadthinking,” Silent Space Gallery, Kingston, NY
“Affordable Art Fair,” Bryant St. Gallery, NYC
2006 “Aids Benefit,” Sikkema Gallery, New York
“December Group,” Leslie Heller Gallery, New York, NY
“Mix-trix,” Thompkin's Square Library Gallery, New York
Silent Space Gallery, Kingston, NY
“Faculty Exhibition,” Pratt Institute, Brooklyn, NY
“Benefit,” AIR Gallery, New York, NY
2005 “ABC NoRio Benefit, Deitch Projects, NYC
“East Village,” Hal Bromm Gallery, NYC
“Crossing Disciplines – Drawing” Pratt Institute, Brooklyn, NY
2004 Yaddo Benefit Exhibition & Auction, NYC
“Girls & Guns,” The Proposition Gallery, NYC
“Howl,” Benefit , Angel Orensanz Foundation, NYC
2003 “Wandering Library,” Jewish Museum, Venice, Italy (traveling)
“Genetic Expressions: Art After DNA,” Heckscher Museum, Huntington, NY
“Howl,” Orensanz Foundation, NYC
2002 “Reactions,” Exit Art, NYC
“Cubarism,” Gallery X, South Bronx, New York
Yaddo Auction, NYC
Chicago Art Fair, Chicago
2001 “Yaddo Variations,” NYC
“Ground Zero,” Gallery X, South Bronx, NY
“Ground Zero”, Max Fish , NYC
“Gallery Group Show,” Donahue Sosinski Gallery, New York
“Chromatic Cryptology,” Tribes Gallery, New York
2000 International Studio Program, New York
Pratt Institute, Brooklyn, NY
“Postcards from the Edge,” Andrew Krebs Gallery, New York
“Artwalk,” studio tour, Coalition for the Homeless, NYC
“Choices, Painting,” Donahue Sosinski Gallery, NYC
“2000,” Donahue Sosinski Gallery, NYC
International Artists' Museum, New York
1999 “Wildflower,” Katonah Museum of Art, Katonah, New York (catalogue)
“Artwalk,” studio tour, Coalition for the Homeless, New York
“East Village Revival,” Cortland Jessup Gallery, NYC
“Group Show,” Art Resources Transfer, NYC
“Land of 1000 Galleries-East Village,“curator:Gracie Mansion, Life Cafe, NY
1998 “Absolute Secret,” McKee Gallery, New York
“Women Artists in the Vogel Collection,” National Gallery of Art, Washington., D.C.
“Tribute to Tibet”, Donahue Sosinski Gallery, NYC
“Group Show,” Art Resources Transfer, NYC
1997 “Drawings,” M-13 Gallery, NYC
“Ten Views”, AAA Gallery, NYC
“Anniversary Show”, AIR Gallery, NYC
“Artwalk”, Coalition for the Homeless, New York
1996 Cologne Art Fair, Cologne,Germany (Galerie Asbaek, Denmark)
“Art on Paper,“Weatherspoon Art Gallery, Greensboro, NC
“Prints from Solo Impressions”, National Museum of Women in the Arts,
Washington D.C.
“Artwalk,” Coalition for the Homeless, studio tours, NYC
“New York”, Andrea Pintsch, Munich, Germany
“Photographism in Painting”, Pratt Manhattan & Schaffler Galleries, NYC (catalogue)
“Graphics from Solo Impression”, Albright-Knox Art Gallery, Buffalo, NY
“Artist as Curator, Curator as Artist,” Bergen Museum of Art & Science, NJ (catalogue)
1995 “Summer Group,” Galerie Asbæk, Copenhagen, Denmark
“Pulp Fiction”, Gallery A, Chicago
“Semaphore-Placing the Mark,” Art Initiatives, New York.
“Reinventing the Emblem”, Yale University Art Gallery, New Haven, CT
“Celestial to Earthly,“curator: Jane Schneider, U.of Wisconsin at LaCrosse, WI
1994 “100 Hearts”, Simon Watson Gallery, New York
“Flooded Camera,” cur: by Suzanne Joelson, The Workspace, NYC
“Invitational,” Hunter College, New York
“Prints, Solo Impressions,” College of Wooster Art Museum, Ohio (catalogue)
“Chicago Art Fair,” Betsy Rosenfield Gallery, Chicago
“A World of Maps,” Anchorage Museum of History and Art, Alaska (catalogue)
“Blast Benefit,” TZ'Art & Co., New York
“Bennington College Benefit Auction,” Matthew Marks, New York
1993 “Bomb Magazine Benefit Auction,” Fawbush Gallery, New York
“Promotional Copy,” Guggenheim Museum Soho, New York
“Scratching the Surface,” curator: Stuart Anthony, Colgate University, Hamilton, NY
“Animal Kingdom,” Champion International, Stamford, CT
“Paper Trails: Eidetic Image,” Krannert Art Museum, Champaign (catalogue)
“Songs of Retribution,” curator: Nancy Spero, Richard Anderson Gallery, NYC
“Mating Instinct,” Penine Hart Gallery, New York
“Malta's Cradle, Reflections on the Abyss of Time,” Solo Impressions, NY
1992 “Artful Nature,” Evanston Art Center, Chicago (brochure)
“Group,” Anandale-on-Hudson, NY
“Wounded Healer,” E.M. Donahue Gallery, New York
“Process as Issue,” College of New Rochelle, curator Arlyne Bayer,New York
“Nature of Science,” Pratt Manhattan Gallery, NY & Schaffler Gallery, Brooklyn, NY
“Transmodern,” Baumgardner Gallery, cur:J.W. Mahoney, Washington,,D.C.
“Consumption of Paradise, Elise Mott Ives Gallery curator: Paul Bridgewater, NYC
“14th Annual Benefit, Center for Photography, Woodstock, New York
“1992 Chicago International Art Fair, Solo Press & Betsy Rosenfield Gallery,Chicago
“Group Invitational,“David Beitzel Gallery, New York
“The Retangled Bank,” E.M. Donahue Gallery, cur: Frank Gillette, NYC
“Studio Program Exhibition,” P.S.1, New York
“Blast Benefit Auction,” New York
“Points of View: 11 New York Artists,” cur: E. Ginsburg, E. Montana College, Billings, MT
“Ornament,” John Post Lee Gallery, NYC
1991 “Abstract Information,” cur: Ellen Handy, Sacred Heart University., CT (cata)
“Bion,” Betsy Rosenfield Gallery, Chicago, IL
Chicago Art Fair, Solo Press Booth and Betsy Rosenfield Booth, Chicago
“New Generations: New York,” Carnegie Institute Gallery, Pittsburgh (cata)
“Hot of the Press,” Voorhees Zimmerly Museum, Rutgers University, NJ
“Monotypes,” Graham Modern, NYC
“13th Annual Benefit,” Center for Photography, Woodstock, NY
“Prints,” Peyton Rule Gallery, Denver, Colorado
“Blast Benefit,” cur: Jordan Crandall, NY (catalogue)
1990 “Three Person Group,” Betsy Rosenfield Gallery, Chicago, IL
Galerie Nadeau, Philadelphia, PA
Betsy Rosenfield Gallery, Chicago, IL
“Natural History Recreated,” cur: E Levy, Center for Photography,Woodstock, NY
“Collage,” Henry Feiwell, New York
“Change of Decade,” E.M. Donahue Gallery, NYC
1989 “Climate 89, “E.M. Donahue, NYC
Sydney Peyton Gallery, Denver, CO
1988 Mincher Wilcox Gallery, San Francisco
“EV” Nancy Bratton Gallery, NYC
1987 “East Village,” cur: Baird Jones, Stamford Museum, CT
Center for Contemporay Art, Chicago, IL
“Recent Painting”, cur: Mia Feroletto, Hudson River Museum, NY
1986 “East Village Ladies Salute the South Bronx,” Fashion Moda, New York
“Artistic License,” cur: David Ebony, Gallery New York, NY
“Small Scale Abstraction,” Grace Borgenicht Gallery, NY
Sales Gallery, Baltimore Museum of Art, Baltimore
“Illuminations, the Art of Our Future,” Art and Industry, NYC
Summer Show, E.M. Donahue, NYC
“Invitational,” Grace Borgenicht Gallery, NY (catalogue)
Khiva Gallery, San Francisco, CA
“The Artist as Theatre,” Limbo Gallery, NYC
“Acquisitions Since, 1980,” Aldrich Museum of Contemporary Art, Ridgefield, CT
“Text/Texture,” Ground Zero, NYC
1985 “Avenue C by the Sea,“Tower Gallery, South Hampton, NY
“A Summer Place,” cur:David Ebony, Sarah Y. Rentschler, NY
“The Non-Objective World 1985,” cur: S. Westfall, Kamikaze, NYC
“Abstract Painting,” Jamie Wolff Gallery, NYC
“Prints February 1985,” curated by Miles Manning, Phenix City Gallery, NY
“Primal Elements,” M-13 Gallery, NYC
1984 “Amore Store,” Jack Tilton Gallery, NYC
“Chill-Out New York,” cur: S Kaplan, Kenkeliba, NY
“Abstract Painting,” cur: P.Jensen, Susan Montezino Gallery, Phila, PA
“Spititual Abstraction,” Nohra Haime Gallery, NYC
“Artschwager, Benglis, Cyphers, Halley, Obering, Parker” Christminster Fine Art, NYC
1983 “Amore Store,” Jack Tilton Gallery, New York
“Terminal Show,” Army Terminal Building, Brooklyn, NY
“3-D Photographs”, Herman Wunsche, Bonn, Germany
Ronald Feldman Gallery, New York
3-D Photographs, Castelli Graphics, NYC
Ceramic Forms in Art, Zim-Lerner, NYC
Recent Acquisitions, Aldrich Museum, Ridgefield, CT
1982 “Anti-Apocalypse: Artist Respond to Nuclear Peril,” Ben Shahn Galleries, William Paterson College, Wayne, NJ
“Energism, Arthur Roger Gallery, New Orleans, LA
Soho Center for Visual Arts, NYC
“Critical Perspectives,” P.S.1, Long Island City, NY
1981 “First Energist Drawing Show,” curator: Ronny Cohen, Stefanotti Gallery, NYC
SELECTED BIBLIOGRAPHY
Finch, Charlie, Creon, ArtNET, Nov 2009.
Review & photos of Noma Show, ArtBusiness, Nov 2009
Baker, Kenneth, “Cyphers at Noma Gallery,” San Francisco Chronicle, November 28, 2009.
Wei, Lilly, “Peggy Cyphers -Neverlands,” catalogue essay for Noma Gallery Exhibition, Dec.2009.
Sparrow, “Peggy Cyphers – An Appreciation,“Kleinert James Art Gallery, Woodstock, NY November 2009. (Upcoming catalogue)
Oshiro, Joleen, “Artists Worldwide adapt to Scroll,” Star Bulletin, Honolulu, Sept.6,2009
Yung, Susan L., Broadthinking: Unnatural Acts, NY ARTS, Winter,/spring 2009.
Smart, Paul,“Drawn by the dark, reaching toward the light,” Woodstock Times, Dec 24 2008
Baker, Kenneth,” Wauson Remembered At Haines Gallery,” Saturday July, 5 2008, San Francisco Chronicle, SF, CA (color photo of Cyphers painting “Quest”)
Daniels, Demetria, “Entropic Renovators,” Big Apple News, Spring, 2008
Gardner, James, “A Blast from the Past,” The New York Sun, Thurs. March 27, 2008
“A Way to Collect Art, Inexpensively, mongoose1.wordpress.com, blog review of Fine Art Adoption Network, “Skating At The Edge of Infinity,” March 4, 2008 (photo)
Smart, Paul, “Broad Strokes,” Ulster Press, Aug 2007
Valdez, Sarah, “Peggy Cyphers”, Art In America, November 2003 (photo)
Smith, Roberta, “Peggy Cyphers,” The New York Times, Friday, May 16, 2003.
Naves, Mario, “Peggy Cyphers: Blots, Blobs and Drips,” The New York Observer, Wed. May 5, 2003
Robinson, Walter, Artnet, April 16, 2003. (photo)
Mcclelland, Eileen,“Summer Soiree,” Naples Daily News, August 24, 2000.(photo)
Pereira, Miriam,“Summer Soiree,” The News Press, Naples, Fl., July 21, 2000.(photo)
Edwards, Susan H., “WILDflowers,” Katonah Museum of Art, Cata, July-Oct. 1999..
ed. Meryman, Elizabeth, The Sciences, photo, Jan.Feb 2000.
Stone, Barbara, “New York's New and Avante Garde Art Galleries,” City & Co. 1999.
Heartney, Eleanor, “Peggy Cyphers,” Art in America, January 1999.(photo)
Johnson, Ken, “Peggy Cyphers,” The New York Times, October 2 and 9, 1998.
Curcio, Robert, “Peggy Cyphers Topography of Time,” Cover, Number 6 1998.(photo)
Ebony, David, “NYC Top Ten,” Art Icons, internet review, Fall 1998.
Carrier, David, “New York Shows,” The Burlington Magazine,” September 1997.
Schwabsky, Barry, “Three Painters Add a Human Touch to Abstraction,” The NewYork Times, Sept 22, 1996
Eileen Watkins, “Artistic trio's exhibitions target the natures of time and space,” Sunday Star-Ledger, Oct 6 1996
Misfeldt, Mai, “Naturligheder,” Berlingske Tidende, June 3, 1996 (photo)
Cohen, Ronny, “Peggy Cyphers,” ARTFORUM, June 1996 (photo)
Carrier, David, “New York-Autumn exhibitions of painting and drawing,“The Burlington Magazine, March 1996
Ebony, David, “The NYC Top Ten,“Art Icons, Internet review – http://www.articons.com, January 1996 (photo)
Mahoney, Robert, “Grave Totems of Luminous Buoyancy,” COVER, Jan. 1996 (photo)
Wauson, Kim, cata, “The Depths of Luminescence,” December 1995
Wright, Jeff, “Currently Showing, Peggy Cyphers,” COVER, Summer, 1995 (photo)
Schleifer, Kirsten Brooke, “ Cyphers – Chicago Reviews,” New Art Examiner, March 1994 (photo)
Ebony David, “Peggy Cyphers,” Art in America, December 1993 (photo)
Zimmer, Bill, “Peggy Cyphers, Primordial States and the Present Day,” The New York Times, Oct 3 1993 (photo)
Saltz, Jerry, Art in America, September 1993
Morgan, Robert C., “Bits of Modernism, Now and Then,” COVER, August, 1993 (photo)
King, Elaine, catalogue essay, “A Kaleidoscopic Realm of Time,” April 1993
Atterberry, Gisele, “An Art Show for the Eyes and Mind ,Too,” News Gazette, Chicago, March 1993
Artner, Alan, “I Space blazes a trail of American Works on Paper,” Chicago Tribune, July 23, 1993
Wilkin, Karen, “At the Galleries,” Partisan Review, #2 Spring 1993, Vol LL (photo)
Seidel, Miriam, “Wounded Healer,” New Art Examiner, April 1993
Kozik, K.K., “P. Cyphers Makes Her Mark,” Cover, April 1992 (photos)
McCracken, David, Chicago Tribune, February 28, 1992 (photo)
Handy, Ellen, Arts Magazine, January1992 (photo)
King, Elaine, “A Precarious Balance of Being,” New Generations:New York, Carnegie Mellon Art Gallery, 1991 (photo)
McCracken, David, “Artists draw on the science of nature,” Chicago Tribune, Fri, June 28, 1991
Cunniff, Joseph, “Bion,” Inside Lincoln Park, Chicago, July 1991
Perl, Jed, “ Third Season: 1988-89, Peggy Cyphers,” “Gallery Going: Four Seasons in the Art World,” (NY: Harcourt Brace Jovanovich, 1991), pp. 231-233
Bulka, Michael, New Art Examiner, January 1991
Brody, Jacqueline, “Prints Published: “ Print Collector's Newsletter, November 1990 (photo)
Levy, Ellen, “Natural History Recreated,” ICP Journal, Fall 1990
Meyers, Terry, “Peggy Cyphers,” Arts Magazine, September 1990
Pozzi, Lucio, “Surrealisimo Ecologico,” Le Opinioni, Milan, Italy, May 1990
Grunberg, Andy, “Peggy Cyphers,” The New York Times, April 20, 1990
Morgan, Robert C., cata, “Peggy Cyphers,” April 1990
Smith, Duncan, catalogue essay, “Peggy Cyphers,” April 1990
Wright, Jeff, Cover, April 1990 (photos)
Perl, Jed, “Autumn Alphabet (Peggy Cyphers),” The New Criterion, March 1989
Handy, Ellen, “ Peggy Cyphers,” Arts Magazine, January 1989 (photo)
Kaplan, Steven, “Interview,,” Cover, October 1988 (photos)
Crandall, Jordan, editor, Artist's Statement, SPLASH, October 1988 (photo)
Smith, Duncan, “Turning the Urn, Painting and Writing from the Perspective of an Emblematic Criticism,” Flash Art, Summer, 1988
Smith, Roberta, “Peggy Cyphers,” The New York Times, Friday, February 13, 1987
Frank, Peter, Michael McKenzie, “New,Used, & Improved Art of the Eighties”, Abbeyville Press, NY 1987 (photo)
Jones, Baird, “East Village Art Report,” Downtown, Feb 11, 1987
Tully, Judd, “ Peggy Cyphers,” Arts Magazine, May 1986 (photo)
Kaplan, Steven, “FIT East Village Show,” East Village Eye, April 1986
Hagenberg, Roland, editor, East Village 1986, A Guide, A Documentary, Pelham Press, New York, 1986 (photos)
Daniels, Demetria, “East Village Report,” SAW, March 5, 1986 (photo)
Torphy, Will, “A Private Geology of the Mind,” Artweek, December 14, 1985 (photo)
Brody, Jackie, “Peggy Cyphers, Recent Prints, Phenix City,” Print Collectors Newsletter, April 1985
Cameron, Dan, “The Groundhog Report,” Arts Magazine, March 1985
Cohen, Ronny, “Peggy Cyphers,” Artforum, February 1985 (photo)
“A Sketch of New York,” Dame, January 1985, Tokyo (photo)
Westfall, Stephen, “Peggy Cyphers,” Arts Magazine, January 1985 (photo)
Hagenberg, Roland, editor, East Village 1985, A Guide, A Documentary, Pelham Press, New York 1985 (photos)
“In New York Notiert,” Aufbau, Berlin, October 26, 1984
Donahue, Victoria, “ Is Abstract Painting Regaining its Popularity,” Philadelphia Inquirer, September 14, 1984
Smith, Roberta, “Chill Out, New York,” Village Voice, September 5, 1984
Friedman, Do.,” Philosophical Mural,” Fashion Modal, East Village Eye, June 1984 (photo)
Levit, Linda, editor, “Abstractions,” New Observations 26, New York 1984 (photo)
Nadelman, Cynthia, “Ceramic Forms in Art,” ART News, September 1983 (photo)
Print Collectors Newsletter, review, “ First Energist Book,” May 1983
Zimmer, William, “Aldrich Museum's Recent Acquisitions,“New York Times,Mar 19,83
McCallister, Jared, “Unconventional Show of Art,” The Daily News, March 23, 1983
Collins, T., and R. Milazzo, editors, “Collaborations,” New Observations 21, NY 1983
Cohen, Ronny, catalogue essay, “Critical Perspectives,” P.S.1, Long Island City 1982
Kuspit, Donald, Critical Perspectives at P.S.1,” ARTFORUM, April 1982
SELECTED PUBLIC COLLECTIONS
Seattle Art Museum, Seattle WA
Columbia Museum of Art, Columbia, SC
Cedar Rapids Museum of Art, Cedar Rapids, Iowa
University Museum, Southern Illinois University, Carbondale, IL
Anchorage Museum of History and Art, Alaska
Arthur Anderson Chicago
Chase Manhattan Bank
Citibank
Davis, Polk, Wardwell
Dunn & Bradstreet
Irene Drury.
Equitable Life Assurances Society of the U.S.
Hallmark
I.M.C. Fertilizer Group, Inc., Illinois
Johnson & Johnson
Library of Congress, Smithsonian Institution, Washington, D.C.
National Gallery, Washington, D.C.
New Mexico State University, Las Cruces
National Museum of Women in the Arts, Washington, D.C.
Patterson Museum, New Jersey
Prudential Life Insurance, New Jersey
Rutgers University Print Archives, New Jersey
Saks Fifth Avenue
Towson University, MD
Weatherspoon Art Gallery, Greensboro, NC
PUBLISHED WRITINGS BY THE ARTIST
2010 “Whitney Biennial 2010- An Optomistic Year,” Resove40, and Thing.net
2008 “Goosebumps,” Louise Bourgeois at the Guggenheim Museum, Tribes.com Summer
2007 “Manipulations,” catalogue essay, Landmark Arts, Texas Tech University
2005 “Thordis A.”, Tema Celeste, Milan, Italy & New York
2001 “Artist/Gallery Relations.” included in 'The Practical Handbook for the Emerging Artist,” by Margaret Lazzari, 2nd Edition, Harcourt College Publishers, 2001
2001 “Brooklyn Bridge,” New Observations, Travel Issue, NYC
1999 “The Paintings of Markus Hiekkero,” catalogue text, KIASMA, Museum of Contemporary Art, Helsinki, Finland
1998 “Fertility,“New Observations, ed: E. Knerr, Summer 1998.
1997 “After The Fall, Aspects of Abstract Painting since 1970”, Snug Harbor Cultural Center Catalogue, Staten Island , NY
1996 “Artists on Art,” edited by Diane Karp, New Observations, NYC
1993 “Feminism” Tema Celeste, ed; Suzanne Joelson & Andrea Scott, Milan, February
1992 “Forum: On Motherhood, Art, Apple Pie,” MEANING, ed:Mira Schor & Susan Bee, NYC,
1992 “Consumption of Paradise,“Art Journal, ed:Jackie Brookner, May 1992 (photos)
“New York in Review,” Arts Magazine, reviews column, February, May
1991 “New York In Review,” Arts magazine, review column January, February, March, April, May, Summer, September
“Sean Scully,” Tema Celeste, Milan, ItalySpring 1991.
“Geological Time,” Blast, Artist's statement written for catalogue, New York, 1991. (photo)
“Biomorphic Impressionism,” New Generations: NY, Carnegie Mellon Art Gallery, Pitts
1990 “New York in Review,” Arts Magazine, ed: Barry Schwabsky, Jan, Feb, March, April, May, June, Summer, Sept, Oct, Dec
1989 “ New York in Review,” Arts Magazine, editor Barry Schwabsky, Jan, Feb, March, April, May, June, Summer, Sept, Oct, Dec
“Arts in New York,” Cover, ed: Jeff C. Wright, monthly reviews
1988 “Biomorphic Impressionism,” Splash, ed: Jordan Crandall, NY, Oct (photo)
“Progress,” guest editor, issue #57, New Observations, New York.
“The Global Politics of Progress,” New Observations, #57, New York.
“Arts New York,” Cover, reviews, monthly throughout the year
1987 “Arts New York,” Cover, reviews, monthly throughout the year
TEACHING POSITIONS:
1989 – 2011 Professor of Fine Art, Tenure CCE, Pratt Institute, Brooklyn, NY
2006 & 2007 Fulbright National Screening Committee Juror, United Nations, NY
2002/3 Program Coordinator, Pratt in Tuscany, Luca, Italy
2002/3 Painting Department Coordinator, Pratt Institute, NY
2001 Pratt in Venice, Professor of Painting, summer, Venice, Italy
2001 Visiting Artist, Hofstra University, Long Island, New York
1997 Visiting Artist Lecturer, Royal Academy of Art, Helsinki, Finland
Lahti Polytechnic Institute, Lahti, Finland
1996 Visiting Assistant Professor, University of North Carolina, Greensboro, NC
1994 Coordinator of Painting & Drawing, Pratt Institute
1990-1996 New York University, New York Visiting Artist, Painting
1986-1997 New York School of Interior Design, New York
1986-1989 Parsons School of Design, New York
1986/1988 School of Visual Arts
LECTURES AND PANELS:
2002 Georgia State University, Atlanta, GA
2001 Graduate Painting, Parsons School of Design, NYC
1996 Weatherspoon Art Museum, “Art on Paper” Greensboro, NC
1997 Lahti Polytechnic, Finland
1995 Penn State University, Pennsylvania
1992 Cranbrook Academy of Art, MI
University of Hartford, Hartford, CT
“The Gender of Oedipus” Panelist, Artist Talk on Art, New York
“Nature of Science, Panelist, Pratt Institute, Puck Building, NY
Montclair State University, Montclair, NJ
1991 Bannister College, Providence, RI
Guilford College, Greensboro, NC
1990 Syracuse University, Syracuse, NY
1989 University of Delaware, DE
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