Pratt Institute

Personal URL

Education

B.F.A., Cooper Union, 1964
M.A., Hunter College, 1972

Biography

Since 1971: Numerous One Man and Group Exhibitions here and abroad Represented by the Nancy Hoffman Gallery nancyhoffmangallery.com Awards: Gottlieb Foundation Elizabeth Foundation Pollock-Krasner Grant (2)National Endowment for the Arts CAPS (Creative Artists Program Services) Guggenheim Fellowship

TEACHING EXPERIENCE

1972- Present Pratt Institute, Department of Fine Arts 1993-1994 State University of New York, Stony Brook 1992-1994 Princeton University 1988-1989 Columbia University, Acting Chair, Department of Painting and Sculpture 1985-1987 Barnard College 1982-1991 Columbia University 1979 School for Visual Arts, Lecturer, Art History 1975-1982 Princeton University 1974-1975 Queens College 1973-1974 Richmond Community College 1972-1974 Kingsborough Community College 1969-1971 Hofstra University

VISITING ARTIST/CRITIC – GUEST LECTURER – PANELIST

Artists Talk On Art (Moderator and Panelist) Avery Graduate School of the Arts, Bard College Boston University Brooklyn Museum Art School Chautauqua Institute Cincinnati Institute of Art (Charles Bickford Memorial Lecture) Cincinnati Institute of Art Drew University Hunter College, City University of New York Muhlenberg College Museum of York County, South Carolina National Academy of Design Oklahoma Art Institute Studio School, Vermont Symposium: The Eighties (New York University, Grey Art Gallery) Trenton State Museum of New Jersey University of Pennsylvania University of Virginia Yale University, 1984-85 Yale University Summer Program

JUROR

American Academy in Rome New York State Council on the Arts Border Biennale, Museum of York County, South Carolina

WRITING

Buchwald, Howard, Inscriptions, Paris, 1977. Buchwald, Howard. “The Topology of Meaning,” ARTS Magazine, November 1972.

BIBLIOGRAPHY

BOOKS

Burroughs, William. “The Streets of Chance,” Red Ozier Press, New York, 1981. Cover; Illustrations by Howard Buchwald. Cummings, Paul. “Dictionary of Contemporary American Artists (5th Edition) Davenport, Ray. “DavenportÂ’s Art Reference” Dunbier, Lonnie Pierson (Ed). “The ArtistÂ’s Bluebook” Le Clair, Charles. “Color in Contemporary Painting,” Watson-Guptill Publications, New York, 1991; pp 125-127, 151-155/157 (illus.) New England Review, Vol. 28, No. 2, 2007 (Cover) Roof X: A A Quarterly Journal of the Seque Foundation; p. 21 (Drawing) Rose, Barbara. “American Painting, The Twentieth Century,” Rizzoli, New York, 1986. Siegel, Judy. “Mutiny and the Mainstream: Talk that changed Art 1975-1990,” Midmarch Art Press. ”WhoÂ’s Who in American Art”

CATALOGUES

“The Structure of Color,” Marcia Tucker, Whitney Museum of Art, 1971 “Whitney Biennial,” Whitney Museum of Art, 1972 “American Drawings, 1963 – 1973,” Elke Solomon, Whitney Museum of Art, 1973 “Al Held,” Marcia Tucker, Whitney Museum, 1974, p. 3 “Tight and Lose: An Exhibition of Drawings,” Donald Cole, State University of New York, Albany, 1974 “Drawings,” Nancy Hoffman Gallery, New York, May 11-June 30, 1974. “Abstraction: Alive and Well,” Art Gallery SUNY, Potsdam, 1975 “Painting, 75, 76, 77,” Mary Delahoyd, Sarah Lawrence Art Gallery, 1977 “Painting and Sculpture Today,” Indianapolis Museum of Art, 1978 “Abstract Painting: New York City, 1981,” Tiffany Bell, Emily Lowe Gallery, Hofstra University, 1981 “Contemporary Abstract Painting,” Muhlenberg College Center for the Arts, 1983 “New American Painting: A Tribute to James and Mari Michener,” Huntington Art Gallery, University of Texas, Austin, 1984 “Large Drawings,” Elke Solomon, ICI, 1985 “A Decade of Visual Arts at Princeton: 1975 – 1985,” Rosenbaum, Seawright, 1985 “Form or Formula: Drawing and Drawings,” Richard Carlson, Hudson River Museum, 1986 “Abstract Painting Redefined,” Carter Ratcliff, Fine Arts Center, SUNY Stony Brook, 1986 “Plain Geometry,” Mariette Gomez,The New York Times Magazine, October 16, 1988 (Illustration, p. 26) “Spirited Logic,” Nancy Grimes, 1988 “Disappearances,” Robert Morgan, Nahan Gallery, 1989 “Artists of the 80s: Selected Work from the Maslow Collection.” Sordoni Art Gallery, Wikes College, 1989 “Field and Frame: Meyer SchapiroÂ’s Semiotics of Painting,” Hearne Pardee, The New York Studio School, 1989 “Art in Embassies: 25 Years at the U.S. Department of State,” U.S. Departemnt of State, 1989 “Visual Arts at Quartz Mountain,” The Oklahoma Arts Institute, 1989 “News, Surprise & Nostalgia,” Ursula Lazowski, Hunter College Art Gallery, 1995 “Tugo Susnik,” Tomaz Brejc, Moderna Galeria Lubijana, Slovenia, 1996, p. 60 “Ports of Entry: William S. Burroughs and the Arts,” Robert A. Sobieszek, Los Angeles County Museum, Thames and Hudson, publishers, 1996, p.138 ”American Painting, The Eighties,” Barbara Rose “Catalogue of the Collection: The Whitney Museum of Art,” John Baur “Art at Work: The Chase Manhattan Collection,” J. Walter Severinghaus

ARTICLES AND REVIEWS

“Abstracts Displayed at Exhibit,” Great Neck Record, February 12, 1981, p. 7a Anderson, Laurie. Review. ARTnews, Summer, 1973. J.F.B., “41 jovenes artistas americanos, supervivientes de la ‘cultura de la droga’,” exponen en Madrid, de 1982. Article published in conjunction with traveling show “The Eighties,” organized by Barbara Rose, 1979. Baker, Kenneth. Review. Artforum, February, 1972. Baker, Kenneth. “Variations on Shaped Canvas,” San Francisco Chronicle, December 3, 1986. Bell, I. Bowyer. “Howard Buchwald: New Paintings,” Review, April 1998, p.22. Brenson, Michael. “Group Show,” The New York Times, August 9, 1985. Burnside, Madeline. Review. ARTnews, February 1977. Carrier, David. “The Deconstruction of Perspective: Howard Buchwald’s Recent Paintings,” ARTS Magazine, October 1985 (illus.), pp.26-29. Curtis, Cathy. “The Virtues of Limitation,” Art Week, March 15, 1981. R.C. “Howard Buchwald,” ARTnews, March, 1983. Danto, Arthur. The Nation, December 27, 1986. Dorkin, Nancy. “American Painting: The 80s,” ADIX, The Magazine for Media Mutants, September, 1979 (illus.) p. 20 Dunning, William V. “Post-modernism and the construct of the divisible self” Gilbert-Rolfe, Jeremy. Review. Artforum, April 1973. Gilbert-Rolfe, Jeremy. Review. Artforum, December 1973. Gilbert-Rolfe, Jeremy. Review. Artforum, February 1974. Goldberg, Lenore. “Clear Vision,” ARTS Magazine, September 1973. Henry, Gerrit. Review. ARTNEWS, December 1985, p.121. Kuspit, Donald. “Howard Buchwald’s Perspective Once Again a Problematic,” Artforum, May 1979, pp.50-52. Kuspit, Donald. Review. Art in America, May 1984, pp.64-65. Lubell, Ellen. Review ARTS Magazine, February 1974. Lubell, Ellen. Review. ARTS Magazine, October 1976. Lubell, Ellen. Review. ARTS Magazine, February 1977. Masheck, Joseph. “Painting Beyond Doubt: The New Work of Howard Buchwald,” ARTS Magazine, March, 1975, pp.53-55. Morgan, Robert C. “From Topology to Heterology, the Paintings of Howard Buchwald,” ARTS Magazine, December 1988, pp.42-45 (illus.). Morgan, Robert C. “Howard Buchwald: Juxtapositions,” Review, April 1998, pp.8-9. Naimer, Lucille. Review. ARTS Magazine, February 1972. Pardee, Hearne. Review. ARTnews, December 1994, pp.140-141 (illus.). Putterman, Susan. Review. ARTS Magazine, November 1982, p.7. Review. The New York Times, October 18, 1985. Rickey, Carrie. “Romance of the Rose,” The Village Voice, September 24, 1979, p.85. Rose, Barbara. “Downtown at the NHG through 5/5,” New York Magazine, April 1973, p.93. Russell, John. “Six Painters at the Hudson Museum,” The New York Times, July 8, 1983, p.C 14. Schjeldahl, Peter. “Second Hand Rose,” The Village Voice, January 21, 1992. Schwabsky, Barry. Review. Artscribe International, September/October 1987. Review. Artforum, December 1994, p.81 (illus.). Shirey, David. “Abstraction with a Relaxed Air,” The New York Times, March 1, 1981. Smith, Roberta. “Abstraction, a Trend that May Be Coming Back,” The New York Times, January 10, 1992. Smith, Roberta. “American Painting: The Eighties,” Art in America, October 1979. Solomon, Elke. “American Drawings 1963 – 1973” Welish, Marjorie. Review ARTnews, January 1989, p.135. Yau, John. “Tying and Untying a Gordian Knot: Howard Buchwald’s Recent Paintings,” ARTS Magazine, May 1984. Yau, John. Review. Artforum, September 1987. Yau, John. Review. Sulfur 13, Summer 1985. Zimmer, Bill. “Review of Hudson River Show: Oils Show Bathers in Success,” The New York Times, June 26, 1983.